If Rockhampton duo Busby Marou hadn’t already found a nice little groove over their first two records, then Postcards From The Shell House ensures they have now.
Think melodic, acoustic tunes with heartfelt lyrics delivered by the John Mayer-esque Tom Busby. From the opening cut, Best Part Of Me, none of the 11 tracks particularly break the mould, nor do they need to. Busby and his partner in crime, Jeremy Marou, are at their best when they’re throwing down three-minute guitar-pop tunes, and their growing legion of fans are sure to lap up this latest collection.
Shell House picks up where the island sway of Farewell Fitzroy (2013) closer “Waterlogged” left off. At once a homecoming (“Living in a Town”) and a departure from the country leanings of preceding offerings, it’s an album steeped in the gentle rhythms of the coast. Opener “Best Part of Me” champions Busby’s breezy croon and Marou’s earthy guitar, recalling Josh Pyke and laidback moments from Bernard Fanning. Reconciliation anthem “Paint This Land” bears the sonic stamp of producer-collaborator Jon Hume, while folk-rock anthem “Getaway Car” is piloted by the pair’s sparkling harmony.