YEP CHANGES here at TMEfm. New widgets on the web site courtesy of Online Radio Box
A new player which gives you a much larger list of songs played. A top ten songs chart exclusive to TMEfm (OK it will take time to show a true chart, be patient)
Still don’t know what I was waitin’ for
And my time was runnin’ wild
A million dead end streets and
Every time I thought I’d got it made
It seemed the taste was not so sweet
So I turned myself to face me
But I’ve never caught a glimpse
How the others must see the faker
I’m much too fast to take that test
If you use the link to Online Radio Box you get the radio’s page where there are lots of interesting clicky things to click, get going and explore.
Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes Don’t want to be a richer man Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes There’s gonna have to be a different man Time may change me But I can’t trace time
Mmm, yeah I watch the ripples change their size But never leave the stream Of warm impermanence And so the days float through my eyes But still the days seem the same And these children that you spit on As they try to change their worlds Are immune to your consultations They’re quite aware of what they’re goin’ through
As for the Schedule, it’s changed, finally we are officially under the genre of BLUES at ShoutCast so that means we have said bye bye to Country music show, not to Harry just Country music. If you go to Online Radio Box via the link above you will not find schedule but you will find program, click it and see what happens.
Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes Don’t tell them to grow up and out of it Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes Where’s your shame? You’ve left us up to our necks in it Time may change me But you can’t trace time Strange fascinations fascinate me Ah, changes are takin’ The pace I’m goin’ through
What is Harry going to do then?
He has a new show called “Harry Spins the Singles”. Yes you guessed, songs that are, have and will be on the RMR SINGLE charts. He has a good choice, there are over 200 charts on RMR and Shane and his Dad started RMR in 1998, that’s a lot of singles.
Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes Ooh, look out you rock ‘n’ rollers Ch-ch-ch-ch-changes Turn and face the strange Ch-ch-changes Pretty soon now you’re gonna get older Time may change me But I can’t trace time I said that time may change me But I can’t trace time
Any more CHANGES?
Well I trimmed my beard this morning, as for more browse the site and see if you can find any.
Any offence to Country Music lovers was unintentional and there will still be some Country songs played on TMEfm, guess you will have to stay tuned in.
Any bias toward Blues musicians and their PR companies is intentional as they send most of the music we receive, thank you!
Thanks to Helen Green for the best GIF ever and will be so forever and ever and to the late, great David Bowie for being David Bowie and never CHANGING.
Here at TME.FM Radio we always try to avoid favoritism when choosing an Album of the Month, be it a Country, record label, PR company, sex of artist or genre. All we do is choose a favorite album of ours over the last few months.
This month we have another Australian taking the place of Liza Ohlback June’s Album of the Month, Simon Kinny-Lewis and his album of covers A Day In San Jose.
Seeing as we still have not replaced our review writer and this is not a Blind Raccoon record I will copy/paste from Simon’s Bandcamp Page
the excellent review by Ethan Burke of The Blues Source.
Simon Kinny-Lewis (SKL) is the full package. If you get the pleasure of seeing him live (either solo with his acoustic guitar, or with his full band) he beams with energy, soul and passion for the music. His vocals have been compared to Joe Bonamassa’s, but his overall style and delivery is unique and peppered with character. Also, Simon’s guitar playing is up there with the best guitarists of today, conveying all of the right elements that make an enthusiast satisfied, including tastefulness, technique and great tone.
Although one of SKL’s strengths is song-writing too (be sure to check out his albums ‘Street Blues’ and last year’s ‘Bad Whiskey’), we were ecstatic to hear that the next album would be Blues standards, classics and covers. And where would an Australian Blues-man go to record such an album? The Home of the Blues – the U.S.A., of course.
The successful and well received 2018 tour of the states saw Simon and his also Aussie drummer Tony Boyd team up with Californian musos Nate Ginsberg (keyboards), Dewayne Pate (bass), Andy Just (harmonica), and Walter Jebe (slide guitar), for a one day session at premiere studio Reeds Recordings. The resulting new album – ‘A Day in San Jose’ – is magnificent and a golden highlight in Simon’s discography.
It could have been a risky affair executing an entire album of covers of Blues classics. Blues purists might throw a phrase like: “Muddy got it right the first time,” but these are the closed-minded ones, scared of the new. What Simon is doing is paying tribute to some of his heroes, with the help of an experienced and respectful group of musicians. Nothing sounds old or tired either. Freshness circulates through each track as Simon offers every slice of his individual talent and energy to the performance, while keeping true to the soul of the originals.
We get a hard-driving ‘Crossroads’, before the laid-back cool of Robben Ford’s modern classic ‘Chevrolet’, followed by Blues favourites such as ‘Further On Up The Road’, ‘Hoochie Coochie Man’, ‘Rollin’ and Tumblin’’, and ‘Walking Blues’, the latter two of which are perfectly complimented and supported by the slide guitar skills of Walter Jebe.
Freddie King’s ‘Have You Ever Loved a Woman’ is carried along by Just’s raucous honking mouth-harp as the band swings and struts, before the album closes with a cover of Blind Willie Johnson’s gospel Blues masterpiece ‘Nobody’s Fault But Mine’. Led Zeppelin already had a turn with this song on their 1976 album ‘Presence’, but Simon’s arrangement of the song makes it the most impressive track on the album, sounding like no other cover we’ve heard of this song before.
Nate Ginsberg’s keyboards flow like a zephyr in the background, while Simon’s sustaining guitar pierces through in spires of tone. And leading towards the climax, we get an impressive and funky bass solo from Dewayne Pate.
Along with others such as Ray Beadle and Matty T. Wall, Simon Kinny-Lewis is a shining beacon of musicianship and talent on the Australian Blues scene, now making a crossover to pleased U.S. audiences. Awesome releases like ‘A Day In San Jose’ simply support that the Blues is still a genre of strength to keep your eyes and ears on.
Simon Kinny-Lewis – Vocals/Guitar
Tony Boyd – Drums
Nate Ginsberg – Keys
Dewayne Pate – Bass
Andy Just – Harmonica
Walter Jebe – Slide Guitar
Produced by Simon Kinny-Lewis
Engineered by Adam Reed at Reeds Recordings San Jose, CA, USA
Mixed and Mastered by Simon Cotsworth
All songs arranged by Simon Kinny-Lewis except #3 Walking Blues and #7 Rollin’ And Tumblin’ by Walter Jebe
Photography by Kevin Case, Paul Rutigliano, John Mcdonald, Rachel Kumar, Brian Phillips
Some opportunities in life are just too good to miss. When UK-based Winter Wilson were invited to appear as special guests on Fairport Convention’s Winter Tour 2018, the couple immediately recorded Far Off on the Horizon, which soon became their best-selling album to date. Welcomed into the heart of the Fairport family, both by the band and their die-hard fans, the tour was a huge success for Winter Wilson, culminating in their playing with Fairport on the stage at Cropredy Convention, in a tribute to the late Sandy Denny.
But what really sets this pair apart (and convinces so many venues to book them time and time again) is their live performance. “We’re very aware that we’re in the business of entertainment,” says Kip. “When people pay their hard-earned money for a concert, they want to hear good music, obviously, but it’s more than that. Some of our songs can be pretty hard hitting, so it’s important that the bits in between lift people up again.”
Dave adds, “It has been suggested that we go into stand-up comedy. I’m not sure whether the chap thought we were really funny, or he just didn’t like the songs. Either way, it’s just what we do. We both like a laugh, often at each other’s expense, and it tends to come out on stage. It’s not rehearsed; it just happens.”
With all this in mind, a live album seemed a no brainer, especially when that live album could feature the talents of Fairport Convention.
Myself a Lover featuring the unmistakable fiddle of Ric Sanders). Unusually for Winter Wilson, there’s also a cover but then, if you were invited to sing Sandy Denny’sIt’ll Take a Long Time in front of almost 20,000 people, you’d probably want to shout about it too. The album will officially be launched at Fairport’s Cropredy Convention in August 2019.Winter Wilson continue to tour throughout the year, including their first trip to Canada in September. As gap years go, there’s been worse.
WOW our web site editor went over the top with that poster.
With so many great albums albums arriving at the moment the choice for Album of the Month was very difficult so using democracy I decided and the others followed.
We still have not replaced our overly expensive reviewer so if you want to read a great review Google Liza Ohlback – Mercy Train, that’s what Google is for and cheaper than paying for a reviewer. Below are a couple of tracks from album so you can all review it yourselves.
Originally from Tasmania , Liza started out in Classical music playing Cello
and singing in her mum’s Gospel singing group. She grew up in the Blue Mountains
supporting touring bands at a very young age, and then she moved to Sydney where
her love of artists such as Ann Peebles, Gladys Knight and Tony Joe White led her immerse
herself in the Blues, Jazz, Soul and Funk scene.
This triple Chain Award winner has been a force on the Blues Scene for years now, with her distinctive style Of Jazz laced Blues with a Gospel spirit. She has a stunning voice inspired by the great Southern singers including Etta James, Mavis Staples and Aretha Franklin, and her performances are embellished with witty tales and wrapped up with emotionally driven performances like that of a 1940’s Torch singer.
Her last Album “Give you Hell” reached no 2 on the Australian Blues Charts and saw her as a finalist in Australian Blues artist of the year, and got to no 12 in the UK. She has also performed at the Sydney opera House for the Billy Holiday 100 year anniversary and the Ella Fitzgerald 100 year anniversary and played the lead of Janis Joplin in the successful Theatre Rockumentary Pearl – The Janis Joplin Story.
Her new CD”Mercy Train” was released in late November to rave reviews and in 2019 for the rest of the world to enjoy, and is now no 1 on the Australian Blues Charts – a mix of New Orleans Blues/Jazz with plenty of Sass and funk, a wicked Brass section , Gospel style Harmonies and featuring some of the finest musicians around, including Internationally renowned organ Whiz Clayton Doley (Harry Manx) and Rick Melick (Jo Bonamassa) who cowrote some of the songs plus Eric Rasmussen (Heatwave) plus the Mercy Train Gospel singers.
of the world, and is now no 1 on the Australian Blues Charts – a mix of New Orleans Blues/Jazz with plenty of Sass and funk, a wicked Brass section , Gospel style Harmonies and featuring some of the finest musicians around, including Internationally renowned organ Whiz Clayton Doley (Harry Manx) and Rick Melick (Jo Bonamassa) who cowrote some of the songs plus Eric Rasmussen (Heatwave) plus the Mercy Train Gospel singers.
Yes Kelly Slot (as they are known here at TME.fm) are back and in style, probably their finest work to date but only been listening and playing on radio a couple of weeks so the final verdict is not in yet.
Released on the 17th of MAY “Can’t Take My Soul” is already climbing the charts and heading for a Top 5 spot real soon, thanks in part to Betsie the Blind Raccoon, all the radio stations playing the album and of course Ms. Zirbes and band members great work getting the Self-Released album out for the world to enjoy.
We finally decided to get rid of our expensive one word reviewer and use the review provided by the PR Company and written by Rick J Bowen, the king of Blues reviews.
Los Angeles-based Kelly’s Lot celebrates 25 years of delivering West Coast Soul with a Texas Heart, an eclectic mix of blues, roots, rock & Americana with their 14th album, “Can’t Take My Soul,” containing 12 original compositions that highlights Kelly Zirbes’ smokin’ hot alto. The mix of original songs written by Kelly and her longtime partner in crime, guitarist Perry Robertson, speaks truth to the issues of the day, from our political climate and world struggles to tender matters of the heart, real-life inspiration and tragedy. Kelly Z opens the album namechecking all her heroes from Muddy to Koko, and Buddy to Etta, on the rockin’ number ‘All I Ever Want Is The Blues.’ She then gets right to the point urging us all to “Don’t Give Up” on the political rebuke ‘All Hope Ain’t Lost.’ The gently swinging blues ‘Alyssa’ was inspired by a young woman born with a terminal illness, who defied the odds and lived to be 23 years old and became a medical pioneer as one of the world’s first to receive gene therapy for Canavan Disease. This song will live on as a loving tribute to her inner strength.
Eddie Baytos joins the crew on accordion and washboard for the Cajun dance party anthem ‘Woe Is Me,’ adding authentic Louisiana spice to the rue. The testament of love, ‘Safe And Warm,’ is delivered on a soft bed of acoustic underpinnings deftly delivered by this veteran band. The notorious French bluesman Jean-François Thomas (recorded by Martial Semonsut at Studio La Vallée in the Auvergne region of France) joins Kelly for a scalding duet ‘Rise Up (Leve-Toi)’ sparing with her in French and English about the fire burning deep inside forbidden love and the Revolution. Frank Hinojosa adds some greasy blues harp to the slinky R&B groove of ‘Broke Myself.’ The acoustic driven ballad, ‘Let It Breathe,’ has that distinct bittersweet and dusty Laurel Canyon feel only Southern California musicians know how to deliver.
Kelly opens a vein and exposes all her depth on the dynamic call for redemption and self-preservation called ‘Dirt,’ a simple title for an expansive and complicated song. She then goes back to her folk-singer roots on the sweet optimistic hymn ‘Little Bit Of This,’ before busting out the rabble-rousing surf rock ‘Can’t Take My Soul.’ We are transported to a sidewalk café in Paris for the final track of the album ‘Mon Ami.’ The lovely encore reveals a softer side of Kelly Z as she serenades us eloquently in French and then translates the images of love and devotion in English with graceful ease.
“Can’t Take My Soul” fully demonstrates the skills and variety in the repertoire Kelly’s Lot have developed over two and half decades performing as an acoustic duo, trio, an electric 5 to 8-piece that are now a mainstay on the Southern California music scene.
Rick J Bowen
‘All Hope Ain’t Lost is one of the new songs from our CD, ‘Can’t take My Soul’. The CD version has background vocals and B3 keys. Get your copy at www.KellysLot.com
One of the best parts of working with Blind Raccoon is they provide everything, not just the music but reviews, biographies and pretty pictures.
Kelly’s Lot was formed in 1994 by Kelly Zirbes (sounds like “service” – likes to go by Kelly Z), a folk singer/songwriter with a heart for the blues. With 14 albums and lots of touring in the USA and Europe, the band will celebrate 25 years since the first night they hit the stage at the Roxy in Hollywood. Kelly Z met soundman, Perry Robertson, in 1996 who soon produced their “Live At The Troubadour” album. Within a year he joined the band, started writing songs with Kelly Z and added the Southern Rock and Texas influences that have shaped their sound. As a duo or band, they have played coffee shops, theaters, festivals, clubs, house concerts and a variety of events.
In the last 15 years they have created a 5 to 8-piece band that is well respected on the American blues scene. Some of the larger festivals they have played are Waterfront Blues, Simi Valley Cajun and Blues Festival, Ventura County Blues Festival, Lavaudieu Music Festival, to name just a few. In France, Jean Francois Thomas joined Kelly’s Lot to play in front of 18,000 for the Nuits De Sologne Festival.
Their songs have been heard in movies and television and covered by other artists. Kelly Z is currently working on songs for a couple film projects while still grabbing some inspiration from her fans on Facebook. Challenging them to look in their hearts and share just one word, she then challenges herself to choose a word and write a song in two hours. Perry Robertson, who shares the band leader title with Kelly Z, has recorded and produced most of the band’s music including the soon to be released ‘Can’t Take My Soul’. Releasing on May 17, 2019, the new CD features a lot of Blues but with a couple Folk and Roots/Rock additions. It’s a journey of messages, inspirations and some toe tapping rhythms. Mostly featuring a 4 piece of guitar, bass, drums and vocals, the CD also offers some accordion, harmonica, keys and even a Kelly Z whistle. As a duo, trio or 5 to 8-piece band they always pack a lot of energy while still getting to the heart of the listener.
Kelly and her band have opened for Tommy Castro, Shemekia Copeland, Marcia Ball, John Mayall, Curtis Salgado, Coco Montoya, to name just a few, and have hosted blues events for charities and for fellow blues musicians. With the support of European fans, the band toured across Belgium, France, Germany, England, Scotland, and The Netherlands.
So there you have all the inside info of the band a great review and pretty pictures, what more do you want?
Social media links, ok.
I will see what I can do about that.
Not the usual run of the mill interview?
You are a demanding reader but we will try our best for you.
An interview with Perry not Kelly Slot?
I don’t know what Kelly Z will say about that, I have it from a good source she is “a bit of a Tom Boy” she might come over to Spain and give me a good slapping!
Listen reader just go listen to Kelly Slot on TME.FM will you.
Received this excellent album today and it will be getting lots of play time at TME.FM Radio.
Thanks to James at Highlander Records for making it available.
“Straight up blues rock guitar choogle that makes you wonder which came first, this music or the beer. With mostly originals leading the way, this is a fine example of how frat parties sound when Otis Day and the Knights are unavailable. Fun party stuff that does the job quite nicely.”~ CHRIS SPECTOR, Editor and Publisher Copyright 2019 Midwest Record
“A singing, song writing, guitar playing, showman sensation with great chops and a really hot band.”~ Modern Drummer Magazine
“…raucous, gritty wailing and upbeat blues…”~ Laura Dobbins, ATOMIC Magazine
“Start with honest emotions, mix with a selection of the finest support musicians you will find, season the whole dish with some New York attitude and get ready for some of the tastiest blues ever to be served up.”
~ Joe Grandwilliams Good Times Magazine
~Kerry Kearney’s style, music from the “Psychedelta”, is his own brand containing an upbeat mix of American Blues & Roots. The sounds Kerry creates from his vintage, stock and custom made guitars are as unique as his song writing and original melodies. His wailing, foot tapping style of blues, driven by tasty, inspired guitar riffs, electrifying slide and infectious rhythms, has allowed Kerry to amass a huge loyal following. The KKB have continued to experience an overwhelming, positive response over the airwaves, especially when performing live.
The Kerry Kearney Band recently celebrated 20 years to a sold-out show at the Boulton Center in Bay Shore, NY.~Kerry was voted “Best Guitarist” & “Bluesman of the Year” & is the recipient of the prestigious Long Island Sound Award (L.I.S.A.) from the LI Music Hall of Fame and most recently he and his band mates were each inducted into the New York Blues Hall of Fame.
~Kerry Kearney has toured nationally & internationally with the Allman Brothers Band, Dickey Betts, Marty Balin (Jefferson Airplane) and has performed with Sonny Landreth, Robert Randolf, BB King, Robert Cray with the Blind Boys of Alabama & The Blues Brothers….. Most recently seen rocking out with Kenny Wayne Shepherd at The Space in Westbury NY & with Legendary ZZ Top Frontman Billy Gibbons in NY and D.C. on the 2018 Big Bad Blues Tour…
Now we know why it is called Good Friday, you all get a chance to get your copy of Take Me As I Am: The Muscle Shoals Sessions, we have had a digital copy for airplay a few weeks now and it is a cracker of a recording.
It’s a SHAME pure rocking blues will not be Song of the Month, doesn’t need that title to get lots of airplay. SHAME will not be played on a Spotlight Album of the Month, the album is already in the Spotlight.
WHAT ABOUT ME? sings Meg, “what about you?”asks our music director shrugging his shoulders. “calling me Baby will not get you made Artist of the Month“. Our music director is a hard man.
Don’t worry though because as you sing “TELL EVERYBODY” we will be telling everyone about Take Me As I Am: The Muscle Shoals Sessions every chance we get.
OK so we know what Meg and her album is not going to be? but what about a review? Now there is a problem, our highly paid reviewer has gone on holiday so the music director is writing one right now. While you wait watch the video below ok.
Well the Music Director is taking a lot of time with his review so our very own Program Director has copy/pasted the review provided by Meg’s PR company and written by Rick J Bowen.
Thanks to Betsie the Blind Raccoon for providing this time filler.
“Originally from the Finger Lakes of NY State, singer/songwriter/guitarist Meg Williams (now based in Nashville), has signed with Nola Blue Records for her debut full-length album, “Take Me As I Am: The Muscle Shoals Sessions.” Her 2017 EP, “Maybe Someday,” opened many doors for Williams, including the chance to compete in the 2019 International Blues Challenge (Memphis, TN), representing the Kentucky Blues Society, and become the house band director for the Women In Blues Showcase. Williams, who draws instant comparisons to Susan Tedeschi and Bonnie Raitt, was obviously inspired during her sessions at FAME Recording Studios to take full advantage of the aesthetic of the space that gave birth to 100’s of hit records and is home to the world-renowned Swampers rhythm section, and its formula for rocking soul and R&B.
The sessions, produced by Meg and engineered by John Gifford Ill, has Williams backed by an all-star rhythm section including Will McFarlane on guitar, Bob Wray on bass, Clayton Ivey on keys and Justin Holder on drums. Also appearing are Dan Wecht on guitar/slide guitar and Sara Rogers on background vocals. The album is a collection of 12 original songs, penned by Williams alone or in collaboration with Nashville-based songwriters Claire Kelly, Scott Barrier, Chase Walker, Terry Goose Downing, and Jenny Teator, that includes new versions of ‘l Feel A Heartache Coming’ and ‘Little Bit Of The Devil’ from the EP.
The bump and grind blues ‘Come On Over To Me’ kicks open the set with greasy slide guitar and alluring vocals from Williams. But don’t be confused, this isn’t a soft-sell record as Williams dons her Gibson for the country-fired riff rocker ‘Tell Everybody,’ shouting out the chorus before throwing down hot lead guitar on the heavy-duty funk burner ‘Shame.’ The tale of a wild woman, ‘Little Bit Of The Devil,’ is revved up and refined into a tighter narrative showcasing the tasty chops of the rhythm section. Fellow Nashville transplant Chase Walker co-wrote the tome of hard luck and trouble ’Played By The Blues,’ a fine update of a familiar theme. While singer-songwriter Claire Kelly helped her write the optimistic love song ‘Sometimes I Need You Too’ that ramps up to a great jamming Allman Brothers vibe.
The title track is Williams declaration that she is in this for the long haul, and will be true to herself, as she sings about life, love and the choice to compete in the ruthless world of the music business. Some fine Hammond B3 from Clayton Ivey sweetens the easy groove of ‘What About Me?’ and the dynamic rocker ‘Can’t Keep Waiting On You,’ has a slow-burning intensity, while the full-blown soul rock blaster ‘I Feel A Heartache Coming,’ lets loose all the fury of Williams and the crew. Williams plays the femme fatale for the slinky ‘Make A Move’ and the album closes with a classic swinging blues ballad ‘Take A Chance On My Love,’ surrounding Williams’ sultry alto with Gospel flavored harmonies and soaring guitar from Will McFarlane.
With each track tinged with that Muscle Shoals Sound, “Take Me As I Am” exquisitely sets the stage for Meg Williams to become a rising star in the blues rock world.”
Quotation marks added by our Blues DJ, Dick.
Program Director is one finger typing so while he finishes off the review let us all read Meg’s Bio.
Meg Williams performs frequently at venues across the country with her band, Meg Williams Band, as a solo/duo act, and as a guitarist for other artists. She recently competed in the 2019 International Blues Challenge (Memphis, TN), representing the Kentucky Blues Society, and was the house band director for the Women in Blues Showcase. Meg has additionally performed main-stage at the 2018 Venice Blues Festival (Venice, FL), RedGorilla Music Festival (Austin, TX), Blues Radio International during the BMA’s (Memphis, TN), Knoxville’s WDVX Blue Plate Special, Tennessee Motorcycles & Music Revival Festival, & Loretta Lynn’s Ranch as an artist, and performed at Cheyenne Frontier Days & CMA Fest as a guitarist for other artists. Meg’s newest blues-rock EP, ‘Maybe Someday,’ has been played on SiriusXM’s Bluesville and radio stations world-wide – ‘Maybe Someday’ reached #10 on the Top 50 Blues Rock Album charts and on the Roots Music Report, and #38 on the Top Blues Album charts. Often compared to Susan Tedeschi and Bonnie Raitt, Meg’s guitar playing has captured the attention of listeners throughout Nashville and increasingly the US. Meg just signed with Nola Blue Records and released her full length album, recorded at FAME Studios in Muscle Shoals, AL, “Take Me As I Am: The Muscle Shoals Sessions” on April 19, 2019.
Well not much to gossip about in that biography was there.
Maybe some gossip here, thank you Indie Music Women. (click on the photo and you can read it, if you leave here don’t forget to come back for the review)
You back? Ok a few photos to look at and the review will be ready.
Ok not very big but Blind Raccoons don’t care.
So the review of Meg Williams album Take Me As I Am: The Muscle Shoals Sessions from Nola Blue Records is ready, are you?
Oh, there is a word you don’t see much in reviews never mind being a review! At least he tried.
Finally some links to Meg and that is it for another review post. See you all soon.
Hope no bias toward Blind Raccoon was noticed, if you did then that is your problem, they are only doing their job of promoting one of their artists.
No payment is received for using that image, just a way of saying thank you to Nola Blue for allowing the world to hear “Take Me As I Am: The Muscle Shoals Sessions”.
“Wooh Dang…an onomatopoeia for the audible reaction I had upon hearing his rambling, atmospheric folk music for the first time.” – Paste
There is a power present in the places where we’re invited to adopt the pace of nature. The same forces that patiently connect the cells of a sprig in the soil can uproot a redwood with a single winter storm. If you’ve listened to Daniel Norgren, you understand. The experience of Norgren’s music is marked by connection: the artist to the band, the audience to the music, and the body to the soul. Norgren’s latest album, Wooh Dang, out April 19, 2019 on Superpuma Records, will be his first worldwide release.
“I hadn’t nudged my way to the front of a crowd like that in over 10 years. Daniel Norgren’s voice simply beckoned my soul forward and that’s where I found myself, mesmerized in the front row. His voice beckons me there still.” – Phil Cook
“Like a long slow motion drive through a country that is both alien and familiar, ancient and brand new at once.” – Eric D. Johnson (Fruit Bats) at Talkhouse
Produced by Norgren and engineered by longtime collaborator and Superpuma Records originator Pelle Nyhage, Wooh Dang was made during the Fall of 2018 in a single room of a 19th-century textile farmhouse in the woods near Norgren’s home in Southwest Sweden. “The interior looked it hadn’t been touched for the past 80 years,” says Norgren. “I moved a lamp and it left a dark red ring on the pink tablecloth underneath…goldmine! The house was huge, full of good, inspiring mustiness, creaking wooden floors, scary old portrait paintings on the walls, and an old, black German piano which I used in all the songs.” Recorded live and entirely on a 16 track analogue rig, without guitar tuners, the album captures the close chemistry between Norgren and his band, comprised of old friends Anders Grahn (bass), Erik Berntsson (drums), and Andreas Filipsson (guitar and banjo).
“Welcoming…with a careful touch of ambiance and mystery in the playing…There’s a beauty buried deep inside in these lazy and woodsy songs just waiting for you to dig them out.” – NPR First Listen
An intertwining of analog instrumentation, live performance, and rural field recordings, Wooh Dang is rife with a deeply hopeful creative intention. It’s red blooded, alive, and coursing with equal parts adrenaline and seratonin. “Wooh Dang was a real fun album to make and to me it’s been the world for the last few years,” says Daniel Norgren. “Thanks for taking the time. I hope you enjoy it.”
North American Tour 2019 (announcing April 30)
September 18: Chicago, IL – Lincoln Hall
September 19: Louisville, KY – Zanzabar
September 20: Asheville, NC – The Grey Eagle
September 21: Bristol, TN – Bristol Rhythm & Roots Reunion
September 22: Nashville, TN – 3rd & Lindsley
September 25: Washington, DC – Black Cat
September 26: Philadelphia, PA
September 27: Brooklyn, NY – Music Hall of Williamsburg
September 28: Boston, MA – Brighton Music Hall
September 30: Toronto, ONT – Great Hall
October 2: St. Paul, MN – Turf Club
October 3: Boulder, CO – Fox Theater
October 4: Seattle, WA – Neptune Theater
October 5: Portland, OR – Revolution Hall
October 6: San Francisco, CA – Hardly Strictly Bluegrass Festival
October 8: Los Angeles, CA – Teragram Ballroom Dates not live yet – will be announced April 30
“Warm and intimate, yet elegantly constructed, psych-folk.” – Bandcamp
Many thanks Katie (better known as AKA here at TME.fm) for your love in moderation.
Where do I start?!
Pictures tell a good story. Let’s start there.
I Just broke some new ground……
This week, my album was back on the Roots Music Report Charts. This is the chart that all the radio stations report to after graciously spinning my indie made album alongside a bunch of famous people like Ryan Bingham, Michael Franti, Coco Montoya, etc. In looking deeper, I noticed something quite exciting. I am the only unsigned female on this chart of Top 50 RMR CA albums spun this week. Oh look! There’s my pal Jackie Greene!
Blues Matters Magazine out of The UK gave me some love for the second issue in a row, this time in the form of a CD Review. These kindnesses are making my heart explode into a gooey mushy pool of love goop.