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News From Blind Raccoon & Their Artists

“All My Dues Are Paid” by Frank Bey available worldwide on January 17, 2020

The Southern Gentleman of the Blues releases his eagerly-anticipated sophomore album on Nola Blue Records.

In the follow up to his award-winning 2018 album, Back In Business, Frank Bey powerfully asserts his career status with All My Dues Are Paid.  Co-written with Nola Blue Records label mate Kathy Murray, album producer Kid Andersen and co-producer Rick Estrin, the uptempo title track for his sixth album is a celebration of the unstoppable journey of soul bluesman, Frank Bey.

Recorded at Keeping the Blues Alive Award-winning Greaseland Studios in San Jose, California, Bey is accompanied by an elite group of musicians including multi-Grammy winners Jim Pugh (keyboards) and Jerry Jemmott (bass); multi-Blues Music Award nominee Nancy Wright (saxophone); drummer Derrick D’Mar Martin (Little Richard) and percussionist Vicki Randle (Tonight Show band).  Andersen’s reverence and keen exploitation of Bey’s vocal prowess is evident throughout the 13 selections on the album.  Northwest Music Scene reviewer Rick Bowen observes, “The full breadth of Bey’s artistic and emotional power is brought to bear in the dynamic, showstopping arrangement of John Lennon’s ‘Imagine’ that builds to a glorious grand finale.”

Born in Millen, Georgia and starting his musical career in gospel at the tender age of four, Frank Bey is a six-time Blues Music Award nominee.  Currently residing in Philadelphia, PA, Bey is a beloved international performer and recording artist.  “Frank Bey – You’re Going To Miss Me,” A feature documentary film about the life and musical journey of Frank Bey, is currently in post-production.  For more information about Frank, his music and the film, visit www.frankbeymusic.com and www.frankbeyfilm.com.

Frank Bey Recording Session At Greaseland

TOMISLAV GOLUBAN – MEMPHIS LIGHT
Label: Spona
Release date: January 10, 2020

Harp musician Tomislav Goluban presents his latest studio album entitled ”Memphis Light” with an expected January, 10, 2020 release date. His 11th studio album, a sequel of sorts to his previous album ”Chicago Rambler,” which made significant impact outside Croatia and reached top positions on various radio charts in the USA, Australia, France and the UK.

Nine of the ten tracks are written by Tomislav and the tenth is the classic ”House of the Rising Sun.” As suggested by the album title, Goluban took a trip to the Home of the Blues to record at Ardent studio in Memphis, Tennessee. Tomislav Goluban (vocals, harp) and his band ”Little Pigeon” are Jeff Jensen (guitar), David Green (drums), Rick Steff (keyboard), Bill Ruffino (bass). Mark Johnson (slide guitar), Vince Johnson (guitar), Franher Joseph, Reba Russell and Daunielle Hill (backing vocals) guested on various cuts.

Album Trailer ~ Recording In Memphis
Andrew Kastner, guitarist with Jack Mack, talking about how the band got involved with Clint Eastwood’s film, “Richard Jewell.”
Jack Mack and the Heart Attack ~  Live From Centennial Park Atlanta, 1996
Street Date ~ December 6, 2019
In May of 2019, Andrew Kastner, the founding member and guitarist for Jack Mack and the Heart Attack received a call from someone named Tim Moore. “I’m looking for someone from Jack Mack and the Heart Attack” Moore asked. “You wouldn’t happen to have any footage of you guys playing at the Olympics in Atlanta in 1996?”  Kastner asked why and Moore replied that he was a producer on a new movie directed by Clint Eastwood and they were looking for footage of the band to put in the film.  It so happens that approximately three years ago a friend of Kastner’s told him about a film that Leonardo DiCaprio and Jonah Hill were trying to make about the falsely accused guard from the bombing in Centennial Park, Richard Jewell. Kastner called Leonardo’s company on more than one occasion telling them that he was with the band playing on stage the night of the bombing and if they needed any information to call him.  He never did get a call back.

Kastner told Moore that it’s possible that he may still have some footage, but, would need to find it as It had been 23 years since he laid eyes on it. Ironically, a few months before this call, Kastner, who had saved many boxes of tapes and videos from the band’s 40 years, decided they were taking up too much space and probably deteriorating so he threw many of them away. Kastner said he’d call him back and immediately went out to his shed to started digging through the boxes of old tapes and other assorted junk. After 45 minutes of sifting through the dust and spider webs, there they were, four beautiful gray plastic boxes of Sony Beta Cam tapes with “Centennial Park, Atlanta 1996 July 22,24,25 and 26 written on them.” He called Moore back immediately and within 12 hours he and Kastner’s partner in the band, sax player Bill Bergman, and he were sitting with Clint Eastwood, Tim and their team at the Warner Bros. lot in Burbank showing them the footage.

Clint and the team were ecstatic. Apparently, they only had a vague idea of what the stage looked like, what the band looked and sounded like, and what the audience looked like and they were going to start shooting in 20 days. One of Clint’s team told Kastner it was like a miracle that you guys walked in with 3 hours of tape and gave him a huge hug.  Kastner and Bergman basically handed them an entire scene and look for the film.

It so happens Kastner also dug up 4-5 digital tapes of the bands performances on those hot July nights in Atlanta and licensed two songs and the footage for the film.  One of the songs is a cover of the Staples Singers hit, “I’ll Take You There” and the other, a Jack Mack original, “I Walked Alone.” The latter was the song they were playing a few seconds before the bomb went off.  When you listen to the end of, “I Walked Alone,” lead singer TC Moses begins to introduce the next song and is cut off by a white noise as the recording abruptly ends.  That white noise is the bomb going off severing the wires to the sound tower and the tape machine.

Holiday Greetings From Michele D’Amour & The Love Dealers
Reminder About Holiday Music on the Digital Platform
Counting Down The Days ~ The Reverend Shawn Amos & The Brotherhood
Recorded live at Outono Códax Festival, Santiago de Compostela, Spain
November 9, 2019 during their recent sold-out Spanish tour

Dudley Taft Live 2019 Satyr Blues Festival – Edge of Insane

“Finally Home [Apartment Sessions]” by Cole Ritter And The Night Owls

Enjoyed this video so I thought I would share it with you all.

 

Annika Chambers – Kiss My Sass, new review from our new reviewer.

A new era starts today here at TME.fm Radio. After many trials and tribulations we finally have a new reviewer. Read his first of many below.

 

 

Your honour, the jury has asked me to define the blues and so I present exhibit A. Will Annika Chambers please take the stand…

 

Annika’s rise has been remarkable, from being encouraged to sing whilst in the army, to her nomination as ‘Best New Artist’ at the 2015 Blues Music Awards and then ‘Soul Blues Female Artists of the Year in 2019. We’ve had a long wait for this third album, after ‘Wild & Free’ was released in 2016, I must tell you now -she has spent that time well.

 

Chambers writes songs about the blues, she writes songs about relationships gone wrong, opportunities missed, love won and lost, if you’re looking for happy go lucky you’ll have to try somewhere else. This is the blues, in all its glorious self-indulgence and Annika is a master of the art. Her voice has the power and depth to take your soul with her as she weaves tales that will resonate with us all.

From the opening drum and guitar on the title track ‘Let the sass out’, you just smile to yourself and know this is going to be good, it’s like hearing the first raindrops just when you looked forward to a storm. We’re ‘working for the man’, but we want to do something we love and is way more fulfilling. By the second track, we need to have that talk about scales of sassiness, maybe a one to ten rating, although as we listen through the tracks, we may have to add a couple of notches. Each song reveals more, like the faces of a polished diamond, each face is slightly different, reflecting the light in newfound possibilities, and they all add to the overall beauty.

The driving, distorted guitar that accompanies many of Annika’s songs seem drawn from Southern Rock and yet appear perfectly at home in Chamber’s world of hurt. This is the hallmark of this album, this is why it stands out, the soulful backing vocals and blues keyboards often welded together with progressive rock guitar. It’s a mix which works – and my word, does it work.
Sometimes you listen to an album and there is that one track that you hear for the first time and have to hit the replay button, you have to hear that again, not after you’ve heard the rest of the work, you need to hear it again right now. It’s the song that defines the artist, the one that you send to your friends when you want to introduce them to this new amazing thing you’ve found. ‘Stay’ is that song, if I ever had to explain to a stranger what soul and blues was, this would be on my list of evidence, it might not be exhibit ‘A’ – but it certainly figures in the case.

 

The track that stands out however, is ‘Two-bit Texas town’, not because it’s the best track on the album, it certainly isn’t that, but the lyrics are the most interesting, almost disturbing. Annika tells the tale… “Scared me half to death, to know he was on the prowl – Back when the radio could turn your life around, I know what it did to me, in that two-bit Texas town”. It’s a story that seems to celebrate the Houston music scene, but despairs of it at the same time, who knows what her experience is, but it seems it helped to make her write and sing, so we have to be thankful for that.

‘I feel the same’ is the last track and it’s also where Annika finally embraces the old style blues, where Robert Johnson and Charley Patton lived and played so many years ago, it’s a rare glimpse into the past, but she deals with it effortlessly, it’s like she could exist in any era of the blues.
Annika Chambers is a performer who weaves a wonderful voice around her experience of life, she picks great musicians to accompany her on that path, I humbly suggest your honour that the jury should leave a space on their playlist for Annika Chambers, there will be times when it’s just what you need.

copyright Jon Hutchinson 2019. ©

 

JEREMY IVEY releases debut album The Dream And The Dreamer via ANTI- Records

Listen to the title track HERE

Photo credit: Cal & Aly

“Modern, indie, super-cool sounds abound in ‘The Dream & The Dreamer’, produced by Price.” – NPR Music

“Ivey cooks up a gentle country rhythm featuring fingerstyle acoustic guitar, woozy Dobro licks, and electric guitar accents, evoking Mutations-era Beck” – Rolling Stone

“Margo Price captures her husband’s vibe perfectly, keeping the sound open, airy and enticing. And who better to help steer Ivey’s first solo set than the person who knows him best?” – American Songwriter

“There is a substantial portion of [Nashville]’s underground that’s enamored more with Warren Zevon than, say, George Jones. I can see that in Ivey, but I see a whole lot more. His music is grounded in the best the ’70s had to offer, introspective country-rock with a dash of psychedelia that he first explored in the band Buffalo Clover.” – No Depression

Nashville-based storyteller Jeremy Ivey has released his debut album The Dream and the Dreamer today; Listen to the title track HERE. Ivey has operated in the background for years, initially performing in bands like Secret Handshake and country-soul group Buffalo Clover with his wife, celebrated country-rock luminary Margo Price. But now, at 40, Ivey is ready to take a much-deserved step into the spotlight. Ivey recently sat down with Rolling Stone to chat about his early 40’s ambitions, being adopted and recently listening to Springsteen’s Greetings From Asbury Park, N.J. for the first time. Read that interview HERE.

“I want to prove that you can be in your 40s and be at the peak of your creativity,” he says. “Not a has-been, but as an ‘is-being.’” Recorded in a “little bitty house studio” in Nashville and produced by Price, the nine-song album hosts a collection of homespun, deeply introspective tracks. Ivey, who writes prolifically and ideally wants to release an album a year, cites everyone from the Beatles to Neil Young, Leonard Cohen, and Bob Dylan as influences.

“I wrote The Dream and the Dreamer in my sleep,” comments Ivey. “[Margo and I] were in Mexico. We both passed out kind of early and I woke up in the night and I had this dream about these two characters. One of them was a glowing green ball and the other one was a figure. The dream is a green ball and a figure was the dreamer… And then it turned out that it was a story is about America, and that the dream was the American dream. The dreamer was the exodus from England to find a new place.”

Meanwhile, Ivey is invested in his own version of the American Dream—specifically, offering up a melting pot of genres, ideas, and stories. “The best thing I could say is that I’m trying to fill the holes that I can see in the scene,” he says. “Whether it be Americana or country or rock or whatever. There’s a certain type of song that isn’t being written.”

Order ‘The Dream and the Dreamer’ HERE

JEREMY IVEY: Website | Facebook | Instagram | Twitter

Texas Songwriter Helene Cronin to Release Full Length Album, start listening on TMEfm Radio.

Helene Cronin : Old Ghosts & Lost Causes 
Americana : Folk
Release Date : October 11th
www.HeleneCronin.com 
Facebook 

“Helene Cronin can flat out spin a lyric. Her ability to crawl within a subject and pull a story or emotion out the other end is what makes her a brilliant songwriter. Those writing chops delivered with those earthy vocals have made her one of the best artists I’ve heard in a long time.”
– Terri Hendrix, Songwriter

“I like songs that tell the truth. Helene Cronin’s songs do just that. Helene delivers her songs with sheer soul. She invites you into her world and it’s a great listen.”
– Lloyd Maines, Producer and Musician

“Helene is a master of words who writes and sings straight from the heart. Each song is a handcrafted mini-movie.”
– Zane Williams, Artist

Helene Cronin spent over 15 years performing and songwriting — often for other people — before she awakened to the idea that she needed to follow her muse and start making records that more accurately represent the songs coming from her own heart. Following 2 recent EPs, Old Ghosts & Lost Causes is her first full length offering, although Cronin is a seasoned player. Produced by Matt King and featuring Kenny Vaughan, Byron House and others, the album serves up Cronin’s phenomenal songwriting in a sonic landscape that runs the gamut of the label Americana with hard driving guitar and thoughtful, top shelf musicianship.

The crux of it all is the lyrical mastery and vocal delivery that made Cronin a New Folk winner at the prestigious Kerrville Folk Festival in 2018.  Starting off the album is the first single, “Careless With a Heart”, a reflective song that considers how we treat the fragile but resilient human heart. Following that is the blues-infused “Mean Bone”, a co-write with her novelist daughter, Alex, which examines the idea: what if someone did in fact have a “mean bone in his body” contrary to the popular use of that expression? From that song about the darker side of humanity, Cronin flows into what she calls a centerpiece of the album, the uplifting “Humankind” which celebrates people’s inherent desire to care for others. Later in “Riding The Gray Line”,  she turns her attention to a host of characters riding a Greyhound bus and weaves their stories over an acoustic-based bed. To close out the record Helene returns fully to her folk roots with “Ghost”, a six minute ballad, recounting from his perspective the story of a dead husband, performed completely solo long after the band had finished their work in the studio.

Overall, Old Ghosts & Lost Causes is the perfect vehicle for the precision of Helene Cronin”s songs. It showcases her versatility as a writer and performer while maintaining a cohesive overall feeling.  In a world obsessed with singles and rushing to the next thing, Old Ghosts will grab ahold of you and demand that you sit and give it the attention a proper album deserves.


Helene Cronin: vocals, background vocals, guitar
Bobby Terry: acoustic and  steel guitar, mandolin
Byron House: bass
Chad Cromwell: drums Kenny Vaughan:
electric guitar Heidi Newfield: harmonica, background vocals
Matt King: background vocals

Produced by Matt King
Engineered & mixed by Mitch Dane

Changes at TME.fm Radio as from ….NOW!

YEP CHANGES here at TMEfm. New widgets on the web site courtesy of Online Radio Box

A new player which gives you a much larger list of songs played. A top ten songs chart exclusive to TMEfm (OK it will take time to show a true chart, be patient)

Still don’t know what I was waitin’ for
And my time was runnin’ wild
A million dead end streets and
Every time I thought I’d got it made
It seemed the taste was not so sweet
So I turned myself to face me
But I’ve never caught a glimpse
How the others must see the faker
I’m much too fast to take that test

 

If you use the link to Online Radio Box you get the radio’s page where there are lots of interesting clicky things to click, get going and explore.

Ch-ch-ch-ch-changes
Turn and face the strange
Ch-ch-changes
Don’t want to be a richer man
Ch-ch-ch-ch-changes
Turn and face the strange
Ch-ch-changes
There’s gonna have to be a different man
Time may change me
But I can’t trace time

 

Mmm, yeah
I watch the ripples change their size
But never leave the stream
Of warm impermanence
And so the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re goin’ through

As for the Schedule, it’s changed, finally we are officially under the genre of BLUES at ShoutCast so that means we have said bye bye to Country music show, not to Harry just Country music. If you go to Online Radio Box via the link above you will not find schedule but you will find program, click it and see what happens.

 

Ch-ch-ch-ch-changes
Turn and face the strange
Ch-ch-changes
Don’t tell them to grow up and out of it
Ch-ch-ch-ch-changes
Turn and face the strange
Ch-ch-changes
Where’s your shame?
You’ve left us up to our necks in it
Time may change me
But you can’t trace time
Strange fascinations fascinate me
Ah, changes are takin’
The pace I’m goin’ through

 

What is Harry going to do then?

He has a new show called “Harry Spins the Singles”. Yes you guessed, songs that are, have and will be on the RMR SINGLE charts. He has a good choice, there are over 200 charts on RMR and Shane and his Dad started RMR in 1998, that’s a lot of singles.

Ch-ch-ch-ch-changes
Turn and face the strange
Ch-ch-changes
Ooh, look out you rock ‘n’ rollers
Ch-ch-ch-ch-changes
Turn and face the strange
Ch-ch-changes
Pretty soon now you’re gonna get older
Time may change me
But I can’t trace time
I said that time may change me
But I can’t trace time

 

Any more CHANGES?

Well I trimmed my beard this morning, as for more browse the site and see if you can find any.

 

 

Disclaimer.

Any offence to Country Music lovers was unintentional and there will still be some Country songs played on TMEfm, guess you will have to stay tuned in.
Any bias toward Blues musicians and their PR companies is intentional as they send most of the music we receive, thank you!

Thanks to Helen Green for the best GIF ever and will be so forever and ever and to the late, great David Bowie for being David Bowie and never CHANGING.

 

JULY ALBUM OF THE MONTH. Simon Kinny-Lewis – A Day In San Jose.

Here at TME.FM Radio we always try to avoid favoritism when choosing an Album of the Month, be it a Country, record label, PR company, sex of artist or genre. All we do is choose a favorite album of ours over the last few months.

 

 

This month we have another Australian taking the place of Liza Ohlback June’s Album of the Month, Simon Kinny-Lewis and his album of covers A Day In San Jose.

 

Seeing as we still have not replaced our review writer and this is not a Blind Raccoon record I will copy/paste from Simon’s Bandcamp Page

the excellent review by Ethan Burke of The Blues Source.

 

Simon Kinny-Lewis (SKL) is the full package. If you get the pleasure of seeing him live (either solo with his acoustic guitar, or with his full band) he beams with energy, soul and passion for the music. His vocals have been compared to Joe Bonamassa’s, but his overall style and delivery is unique and peppered with character. Also, Simon’s guitar playing is up there with the best guitarists of today, conveying all of the right elements that make an enthusiast satisfied, including tastefulness, technique and great tone.

Although one of SKL’s strengths is song-writing too (be sure to check out his albums ‘Street Blues’ and last year’s ‘Bad Whiskey’), we were ecstatic to hear that the next album would be Blues standards, classics and covers. And where would an Australian Blues-man go to record such an album? The Home of the Blues – the U.S.A., of course.

The successful and well received 2018 tour of the states saw Simon and his also Aussie drummer Tony Boyd team up with Californian musos Nate Ginsberg (keyboards), Dewayne Pate (bass), Andy Just (harmonica), and Walter Jebe (slide guitar), for a one day session at premiere studio Reeds Recordings. The resulting new album – ‘A Day in San Jose’ – is magnificent and a golden highlight in Simon’s discography.

It could have been a risky affair executing an entire album of covers of Blues classics. Blues purists might throw a phrase like: “Muddy got it right the first time,” but these are the closed-minded ones, scared of the new. What Simon is doing is paying tribute to some of his heroes, with the help of an experienced and respectful group of musicians. Nothing sounds old or tired either. Freshness circulates through each track as Simon offers every slice of his individual talent and energy to the performance, while keeping true to the soul of the originals.

We get a hard-driving ‘Crossroads’, before the laid-back cool of Robben Ford’s modern classic ‘Chevrolet’, followed by Blues favourites such as ‘Further On Up The Road’, ‘Hoochie Coochie Man’, ‘Rollin’ and Tumblin’’, and ‘Walking Blues’, the latter two of which are perfectly complimented and supported by the slide guitar skills of Walter Jebe.
Freddie King’s ‘Have You Ever Loved a Woman’ is carried along by Just’s raucous honking mouth-harp as the band swings and struts, before the album closes with a cover of Blind Willie Johnson’s gospel Blues masterpiece ‘Nobody’s Fault But Mine’. Led Zeppelin already had a turn with this song on their 1976 album ‘Presence’, but Simon’s arrangement of the song makes it the most impressive track on the album, sounding like no other cover we’ve heard of this song before.
Nate Ginsberg’s keyboards flow like a zephyr in the background, while Simon’s sustaining guitar pierces through in spires of tone. And leading towards the climax, we get an impressive and funky bass solo from Dewayne Pate.

Along with others such as Ray Beadle and Matty T. Wall, Simon Kinny-Lewis is a shining beacon of musicianship and talent on the Australian Blues scene, now making a crossover to pleased U.S. audiences. Awesome releases like ‘A Day In San Jose’ simply support that the Blues is still a genre of strength to keep your eyes and ears on.

Simon Kinny-Lewis – Vocals/Guitar
Tony Boyd – Drums
Nate Ginsberg – Keys
Dewayne Pate – Bass
Andy Just – Harmonica
Walter Jebe – Slide Guitar

Produced by Simon Kinny-Lewis

Engineered by Adam Reed at Reeds Recordings San Jose, CA, USA

Mixed and Mastered by Simon Cotsworth

All songs arranged by Simon Kinny-Lewis except #3 Walking Blues and #7 Rollin’ And Tumblin’ by Walter Jebe

Photography by Kevin Case, Paul Rutigliano, John Mcdonald, Rachel Kumar, Brian Phillips

Artwork by Simon Kinny-Lewis

 

Goodbye old friends.

Yes we have said goodbye to 2018 releases on our main chart rotation, time to move over and let the 2019 releases have their day (or year).

There have been too many wonderful albums over the last year to mention them all so we will mention none but they know who they are.

 

The good news is any 2018 song still in the singles charts will still get airplay so we do not completely forget them.

Of course if the PROGRAM DIRECTOR decides to add a song from 2018 so much the better.

 

PLAYLIST BELOW OF SONGS THAT WILL ALWAYS BE AROUND ON TME.FM RADIO. (NOT ALL OF COURSE)

 

 

Winter Wilson off to Canada and prepare for new live album to be released in August,

Some opportunities in life are just too good to miss. When UK-based ​Winter Wilson were invited to appear as special guests on Fairport Convention’s Winter Tour 2018, the couple immediately recorded Far Off on the Horizon, which soon became their best-selling album to date. Welcomed into the heart of the Fairport family, both by the band and their die-hard fans, the tour was a huge success for Winter Wilson, culminating in their playing with Fairport on the stage at Cropredy Convention, in a tribute to the late Sandy Denny.

But what really sets this pair apart (and convinces so many venues to book them time and time again) is their live performance. “We’re very aware that we’re in the business of entertainment,” says Kip. “When people pay their hard-earned money for a concert, they want to hear good music, obviously, but it’s more than that. Some of our songs can be pretty hard hitting, so it’s important that the bits in between lift people up again.”
Dave adds, “It has been suggested that we go into stand-up comedy. I’m not sure whether the chap thought we were really funny, or he just didn’t like the songs. Either way, it’s just what we do. We both like a laugh, often at each other’s expense, and it tends to come out on stage. It’s not rehearsed; it just happens.”
With all this in mind, a live album seemed a no brainer, especially when that live album could feature the talents of ​Fairport Convention​.

Myself a Lover​ featuring the unmistakable fiddle of ​Ric Sanders). Unusually for Winter Wilson, there’s also a cover but then, if you were invited to sing Sandy Denny’s​It’ll Take a Long Time in front of almost 20,000 people, you’d probably want to shout about it too. The album will officially be launched at Fairport’s Cropredy Convention in August 2019.​Winter Wilson​ continue to tour throughout the year, including their first trip to Canada in September. As gap years go, there’s been worse.

Liza Ohlback and her MERCY TRAIN arriving to be our Album of the Month for June.

TMEFM RADIO

WOW our web site editor went over the top with that poster.

With so many great albums albums arriving at the moment the choice for Album of the Month was very difficult so using democracy I decided and the others followed.

 

We still have not replaced our overly expensive reviewer so if you want to read a great review Google Liza Ohlback – Mercy Train, that’s what Google is for and cheaper than paying for a reviewer. Below are a couple of tracks from album so you can all review it yourselves.

 

Originally from Tasmania , Liza started out in Classical music playing Cello
and singing in her mum’s Gospel singing group.  She grew up in the Blue Mountains
supporting touring bands at a very young age, and then she moved to Sydney where
her love of artists such as Ann Peebles, Gladys Knight and Tony Joe White led her immerse
herself in the Blues, Jazz, Soul  and Funk scene.

This triple Chain Award winner has been a force on the Blues Scene for years now, with her distinctive style Of Jazz laced Blues with a Gospel spirit. She has a stunning voice inspired by the great Southern singers including Etta James, Mavis Staples and Aretha Franklin, and her performances are embellished with witty tales and wrapped up with emotionally driven performances like that of a 1940’s Torch singer.

Her last Album “Give you Hell” reached no 2 on the Australian Blues Charts and saw her as a finalist in Australian Blues artist of the year, and got to no 12 in the UK. She has also performed at the Sydney opera House for the Billy Holiday 100 year anniversary and the Ella Fitzgerald 100 year anniversary and played the lead of Janis Joplin in the successful Theatre Rockumentary Pearl – The Janis Joplin Story.

Her new CD”Mercy Train” was released in late November to rave reviews and in 2019 for the rest of the world to enjoy, and is now no 1 on the Australian Blues Charts – a mix of New Orleans Blues/Jazz with plenty of Sass and funk, a wicked Brass section , Gospel style Harmonies and featuring some of the finest musicians around, including Internationally renowned organ Whiz Clayton Doley (Harry Manx) and Rick Melick (Jo Bonamassa) who cowrote some of the songs plus Eric Rasmussen (Heatwave) plus the Mercy Train Gospel singers.
of the world, and is now no 1 on the Australian Blues Charts – a mix of New Orleans Blues/Jazz with plenty of Sass and funk, a wicked Brass section , Gospel style Harmonies and featuring some of the finest musicians around, including Internationally renowned organ Whiz Clayton Doley (Harry Manx) and Rick Melick (Jo Bonamassa) who cowrote some of the songs plus Eric Rasmussen (Heatwave) plus the Mercy Train Gospel singers.