• NOW PLAYING

GREG JACQUIN SHARES NEW ALBUM CLOCKS SLOW DOWN

LISTEN & SHARE: Greg Jacquin – Clocks Slow Down LP
Soundcloud / Spotify / Bandcamp / Apple Music

LISTEN & SHARE: Greg Jacquin – “Store Policy”
Soundcloud / Spotify

LISTEN & SHARE: Greg Jacquin – “Barry”
Soundcloud / Spotify

LISTEN & SHARE: Greg Jacquin – “Time Again”
Soundcloud / Spotify

“The singer-songwriter has spent much of his life with music at its center, a steady marker amidst the turbulence. Born in Tarrytown and an active contributor to the Hudson River folk scene, the New York artist’s plaintive Americana stylings blossom throughout ‘Time Again’.”
– PopMatters

“With a charming, wistful folk sound and a strong lyrical presence, Greg Jacquin and his band can expect an awful lot of critical acclaim when their new album.”
– The 405

“Greg Jacquin brings unconditional love.”
– Substream Magazine

“Hudson Valley is quite an impressive return to the ‘arena’ for Greg Jacquin and his band’s anticipated full length, due in 2019, will undoubtedly prove to be one of the year’s most compelling indie releases.”
– No Depression

Today, New York-based, indie folk, singer songwriter Greg Jacquin shares his new albumClocks Slow Down, out now on all DSPs. Earbuddy exclusively streamed the record in advance, stating “Recorded at Woody’s House in Croton, New York, the album is a sometimes somber meditation on pain, suffering, and self-discovery. Add a little politics and humor, and you have yourself an album.” Jacquin has announced East Coast tour dates in support of the album, and will be celebrating the release tonight with a performance at NYC’s Rockwood Music Hall Stage 1 at 6pm. See below for all his upcoming dates. Clocks Slow Down is out now on all streaming platforms.

Greg Jacquin and bandmates Paul Griffin (piano, keys, vocals), Rich Berta (guitar, vocals), Peter Wilson (drums) and Lalit Loomba (bass) recorded Clocks Slow Down, a beautiful collection of eleven original songs. The album is a sprawling statement of sadness and hopelessness, pain and suffering, rebuilding and self-discovery, with a dash of politics and humor, too. This time around, Jacquin enlisted another impressive crew of musicians for the album, including Andrew Bordeaux on violin and guitar, Jim Keyes and organ and electric piano and Sarah Browne on vocals. The album was recorded by Fred Gillen Jr. (Pete Seeger) at Woody’s House in Croton, NY, and mastered by Scott Hull (John Zorn, Snarky Puppy, Loudon Wainwright III, Uncle Tupelo, Edie Brickell, Ani DiFranco) at Masterdisk. The album art is by Ian Felice (The Felice Brothers).

All songs were written by Jacquin, eliciting collaboration with a variety of artists and bandmates. “Store Policy” and “Time Again” saw Lalit Loomba & Jacquin team up in their writing process, “Coffee” was written by Greg Jannacone and Jacquin, “Too Hungry For Dinner” and “Highways & Hotels” was written by Paul Griffin.

TOUR DATES
02.15 – Rockwood Music Hall – New York, NY (LP Release Show)
02.22 – Six Degrees of Separation – Ossining, NY
03.18 – Hotel RL (Brooklyn) – Brooklyn, NY
03.19 – Hotel RL (Baltimore) – Baltimore, MD
03.24 – Pianos – New York, NY
04.02 – Pianos – New York, NY
04.18 – Hotel RL (Brooklyn) – Brooklyn, NY
04.25 – Forest & Main Brewing Company – Ambler, PA
04.26 – Seasons & Seasons – Washington, DC
04.27 – Garden Grove Brewing – Richmond, VA
04.28 – The Juggling Gypsy Cafe – Wilmington, NC 
05.02 – The Cellar in Newnan – Newnan, GA
05.06 – El-Rocko Lounge – Savannah, GA
05.10 – Hotel RL (Baltimore) – Baltimore, MD 
05.11- Hotel RL (Washington DC) – Washington, DC 
05.14 – Pianos -New York, NY
CLOCKS SLOW DOWN LP – TRACKLISTING
01. All These Strangers
02. Store Policy
03. Coffee
04. Too Hungry For Dinner
05. Time Again
06. What If I?
07. Higher
08. Barry
09. Jim Carrey
10. Hedgehog
11. Highways & Hotels
BIO

New York-based, indie-folk, singer-songwriter Greg Jacquin has spent much of his life writing and playing music. From singing and playing guitar as a little kid through writing his songs with his best friend and cousin in the 80s up to the present moment, Jacquin has been contributing to the rich music scene in New York’s Hudson Valley. Drawing on his own life experiences, the natural world, and politics, Jacquin is still out there pouring his heart and soul into every song he releases. His EP Hudson River was released to rave reviews in February 2018. After playing the new songs all over New York and the Hudson Valley for the past year, Greg was eager to get back into the studio in the summer of 2018.

For all Greg Jacquin press related inquiries please contact
Rachel Rossen [email protected]com

Getaway by Abigail Lapell

Getaway
Abigail Lapell

February 1, 2019

“As (Getaway) unwinds, a palpable intensity mounts and gets under the skin.”

– The Vinyl District

Toronto vocalist, guitarist, and multi-instrumentalist Abigail Lapell is rewriting the narrative of her past in a new album that says farewell to transience, both emotional and physical. Recently engaged, and with her new album, Getaway, due out today via Coax Records / Outside, Lapell in her latest work offers parting words to a time in her life she’s leaving behind. A bold vocalist with the rare ability to stop you cold with her voice, Lapell’s powerful, uncompromising nature is mirrored in her determined new album.

A whirlpool of genres, Getaway is grounded by the resolute essence of Lapell’s crystal voice, which demands a peaceful concentration. Drowned in an ethereal beauty, waves of pop persuasions are overturned by avant-garde forays, while classic rock riffs and indie folk roots float to the breezy surface. Reminiscent of the introspective strength of Bridget St John, the vocal power of Natalie Merchant, and the trance-like lulls of Sybille BaierGetaway combines a mid-century tone with a modern edge.

Getaway
Abigail Lapell

Website
Facebook

LP opener and first single “Gonna Be Leaving” echoes the certainty that sooner or later, every relationship will end. “This is one of my favorite tunes on the album, and one of the most fun to play live,” says Lapell. “The song started as a guitar  part that I couldn’t get out of my head, this insistent line that keeps circling back on itself, doubled by the vocals in a sing-song rhyme all about the contradictions of couplehood: the push and pull of independence versus commitment, trying to make it work even against the odds, or trying to leave and not being able to.” Closing the album, “Shape of a Mountain,” written in the Alberta Rockies during a Banff Centre artist residency, sets majestic scenes of wanderlust over cinematic strings.

Though an active member of the thriving Toronto indie folk scene and a winner of a 2017 Canadian Folk Music Award, Lapell’s sound is distinct due in part to the influences she’s been surrounded by on her extensive travels. Throughout her career, Lapell has performed around the world, toured by bike, canoe, and train, shared a cheap Montréal apartment with tUnE-yArDs, and completed writing residencies across North America. The result is work that’s primarily rooted in indie folk, but that delicately weaves in sounds like Canadiana desert rock and even an accordion-driven shanty on “Runaway.”

Watch the video for “Down by the Water,” premiered at The Bluegrass Situation
Working once again with producer Chris Stringer at Toronto’s Union Sound studio, Lapell expanded her pool of collaborators, recruiting Christine Bougie (Bahamas) on lap steel, Dan Fortin (Bernice) on bass, and Jake Oelrichs (Run With The Kittens) on drums. Trumpeter and composer Rebecca Hennessy plays on “Sparrow for a Heart”—her trumpet swirling in a sublime duet with Lapell’s synth flute and electric guitar—and also arranged horn parts for band workout “Little Noise.” The album also features longtime collaborator Lisa Bozikovic on piano and vocals and fellow Canadian indie roots singer Dana Sipos on vocals. One of the record’s most striking moments is just acoustic guitar and two voices: Lapell and Sipos, captured live in a room together, harmonizing atop plucked strings on the transfixing “Down by the Water.”

Abigail Lapell is no stranger to constant traveling, but she’s now making peace with putting down roots, both with her life in Toronto and within love. The eleven prairie noir tracks on Getaway represent a dynamic closing to this reflective journey. Whether transient and exploring, or switching gears to build a home, one thing about Abigail Lapell remains fixed and clear: all of it will be on her terms.

Abigail Lapell is 
on tour now

Tour Dates

Pickathon Announces 2019 Lineup

 

Pickathon Announces 2019 Lineup

Pickathon returns to the woods outside Portland, Oregon from August 2-4, 2019, with an initial lineup to be released January 21. Pickathon has built a reputation over the last twenty years as the best festival experience, combing groundbreaking programming focused on discovery, sustainable ethics, and a lineup that pushes the boundaries of genre. This vision is clear in Pickathon’s initial lineup, which brings together key headliners like Nathaniel Rateliff & The Night Sweats (Rateliff’s first time playing Pickathon and he’ll be bringing two different bands), Khruangbin, Mandolin Orange, Tyler Childers, Lucius, Preservation Hall Jazz Band, Fruit Bats, and Mountain Man with a voraciously broad cast of other performers like well-loved Americana outsiders Caamp, Lambchop, and H.C. McEntire, doom metal band YOB, North African desert blues artist Mdou Moctar, new supergroup Bonny Light Horseman, Northwest indie royalty Damien Jurado, Laura Veirs, and Courtney Marie Andrews, returning favorite Julia Jacklin, psych soul outfit The Marías, Polaris prize winner Lido Pimienta, Congolese experimentalists Jupiter & Okwess, and word-of-mouth newer artists like Sudan Archives, Miya Folick, B Boys, The Beths, and Black Belt Eagle Scout, among many others.

Pickathon 2019 Lineup

Nathaniel Rateliff & The Night Sweats
Khruangbin
Mandolin Orange
Nathaniel Rateliff
Tyler Childers
Lucius
Preservation Hall Jazz Band
Fruit Bats
Mountain Man
Caamp
YOB
Damien Jurado
Lambchop
Laura Veirs
Julia Jacklin
The Marías
Miya Folick
Sudan Archives
Bonny Light Horseman
Mdou Moctar
Courtney Marie Andrews
Lido Pimienta
Cedric Burnside
Town Mountain
Jupiter & Okwess
The Beths
B Boys
Our Girl
JJUUJJUU
Sneaks
Young Jesus
Sam Evian
Black Belt Eagle Scout
Flasher
Mike and The Moonpies
Nap Eyes
Soft Kill
H.C. McEntire
Helena Deland
The Cordovas
Lauren Morrow
Bodega
David Nance Group
The Po’ Ramblin’ Boys
Virginia Wing
Garrett T Capps
Martha Scanlan
Gold Star
Colton Turner
&more (Chill Moody & Donn T)
David Bragger & Susan Platz
The initial lineup shows the kind of deep curation and wide-ranging musical interests that have made Pickathon a key tastemaker event in the American music scene. It’s a lineup based on discovery, not draw, a diverse lineup intended to represent the best contemporary snapshot of music across more than a dozen genres. With many artists requesting to return each year, Pickathon has become a kind of pilgrimage for artists looking to renew themselves at a well of creative inspiration. Walking onto the festival grounds at Pendarvis Farm in the small town of Happy Valley, OR, you can see what draws artists back year after year. Pickathon is a riot for the eyes, a festival that takes a holistic view to the music. Each stage is visually spectacular, from the woven branches that make a towering shell of the Woods stage to award-worthy architecture of the Treeline stage, using renewable resources in a different array each year. The Mt. Hood Stage, the mainstage of Pickathon, was ringed with living gardens in 2018, and the festival makes use of rustic, picturesque existing buildings like the late-night-raging Galaxy Barn, or the interview-focused Lucky Barn. Each artist’s sets are curated specifically to each stage and the timing of the festival meticulously planned, all to inspire the artists to new heights and historic performances. An army of over 600 videographers and audio specialists record Pickathon, pushing for a spread of nearly 200 videos that will be released between festivals. It’s a wildly ambitious project that involves so many people because each person has come to realize that Pickathon represents our best vision for how music and community come together.

“Our secret,” explains festival founder Zale Schoenborn. “is that we continue to double down on choices that only make sense when your primary focus is to make the best experience possible, even when it sometimes conflicts with maximizing profits. We made a conscious choice some years back to limit our attendance to favor the comfort of our attendees over finding new ways to maximize how many people we can jam into Pendarvis Farm. Entering our 21st year, Pickathonremains inspired to innovate new ways to create the best festival experience.”

Visit pickathon.com for more information

Tickets On Sale Now:pickathon.com/tickets
Pickathon 2019 Spotify Playlist:spoti.fi/2RW0zy0
Download 2019 Pickathon Poster here
Pickathon, like a microcosm of the Northwest itself, somehow continually manages to walk the line between quiet and pleasant genteel and/or raggedy and unkempt and wild,” says Eric Johnson of Fruit Bats. “Even though the visual pallette and lineup and feelings seem to get honed down to an ever-sharpened point every year, it still always feels totally raw and spontaneous at the same time. I like the blurred lines between the artists and audience, the children running wild, and the fact that I’m always compelled to not miss any set. You’ll never see more musicians watching other musicians. I’ve always likened it to a dog park for bands. I love running around with the other pups at this thing. It creates a completely unique unfiltered atmosphere that anyone watching can feel, even if they can’t explain it.”

Laying back on the grass late at night, with hyperdrive spreads of neon light flashing overhead on the Starlight Stage, Pickathon soaks into your soul. It’s the kind of festival you come back to every year, a place to renew yourself.

Publicity Contacts
Hearth PR

206 227 7622
Devon Léger: [email protected]
Carl-Eric Tangen: [email protected]com
Lauren Ball: [email protected]
hearthmusic.com

The Honey Dewdrops’ new album, coming March 1st, chases the magic of spontaneity

Upcoming Release: March 1
Anyone Can See

The Honey Dewdrops

Release Date: March 1, 2019

Americana duo The Honey Dewdrops – Laura Wortman and Kagey Parrish– have long felt the push-and-pull between their original roots in the Appalachian mountains and their current home in urban Baltimore. You’ll hear it in their harmony soaked songs and the mastery of their instruments’ acoustic tones, but also in their songwriting, which reflects the hard realities of today. With their fifth independent release, Anyone Can See out on March 1st, 2019, they have primed the creative energy so prevalent on their previous releases. Each song sparkles with focused intensity, and, with their new album, the duo show that they’re growing rapidly as artists, enthusiastically exchanging an impossible quest for perfection for the compelling ebbs and flows that accompany an intimate, authentic kind of expression.

With Anyone Can See, Parrish and Wortman wanted to recreate the flexible, spontaneous atmosphere of their live performances. “We focused in on that live energy by sitting close to each other in the studio so we could hear everything in a natural way,” says the duo. “By recording each song in its entirety and keeping edits minimal we found the takes that had the magic often had some variation of voice and rhythm, like the songs were unfolding themselves.” Chasing this magic, Parrish and Wortman also found their sense of musical clarity evolving over the course of the album’s creation. “The process made us look at how we define what is “right” in our performances,” says Parrish and Wortman. “What sounded good to us was the unexpected, the improvisational moments that enhanced the arc of a song.” It helped too that producer Nick Sjostrom guided the duo towards a grounded result, helping to manifest a succinct album while also encouraging a freeing creative atmosphere. Though the creation of Anyone Can See contains elements of an artistic awakening in certain senses, Parrish and Wortman have also remained loyal to their roots, with the album evoking the duo’s characteristically powerful melodies and intricate chord progressions.

The Honey Dewdrops are
On Tour Now

View dates at
http://www.thehoneydewdrops.com/shows/

Making the album in Baltimore, it was inevitable that the city would be reflected in the songs, and three of the album’s best tracks focus on different experiences in Baltimore today. “Rainy Windows” paints the scene for the many overcast and wet days the two have had there, and “Welcome to the Club,” is a somewhat ironic take on their changing neighborhood of Hampden. One of the most powerful songs on the album, “Going Rate,” is a sobering reflection on the protests and the curfew that surrounded the death of Freddie Gray in 2015 while in police custody. Not ones to shy away from difficult topics for songwriting, “For One More,” speaks to a more humanist view on immigration based on welcoming rather than excluding. “We’re all better together,” says Parrish. Rounding out the album, the duo return to their American folk and country roots with the melodic instrumental “Ecola” and a clever cover of Hank Williams’ “Ramblin’ Man.”

Ultimately, The Honey Dewdrops decided to keep their listeners at the forefront of their thoughts throughout the production of Anyone Can See. “We want people to feel like they are sitting in the room with us, close by,” said the duo. The result is a record drenched in sonic roominess, each of the tracks stretching to fill the space, but with a warmth that allows the album to fit comfortably anywhere. In this way, the intimacy oscillating throughout the record complements and overturns the melodic vastness: nobody will get lost in this expanse.

Watch The Honey Dewdrops perform “More Than You Should Say”
Anyone Can See
The Honey Dewdrops

Release Date
March 1, 2019