• NOW PLAYING

Hailing from Perth, Western Australia, world-traveling singer-songwriter Gav Brown has now released his second studio album: Road Less Travelled.

Early International Success is following:

  • Debut Single “Railroad Track” goes # 1 in Hotdisc Country Top 40 1/9/2019 and has been in the charts for four weeks. The video has been featured on SKY TV in the UK for five weeks to date.

  • “Road Less Travelled” album has obtained multiple #1’s in Play MPE weekly top 20 charts for Downloads and Streams to Radio for: Adult Contemporary, Rock, Triple A, and Australia

  • All Tracks from the “Road Less Travelled” album have had strong rotation on Radio in America, Australia, New Zealand, South Africa and Europe.

  • 760,000 video views for “Road Less Travelled” tracks, (released July 19, 2019) -most popular in Australia, Canada, England, and Malaysia. “Railroad Track” video viewed 168k times with most views from Canada.
  • Over 2.3 million music video views to date.

 “It’s awesome stuff. I began to play the album on Thursday and will continue to promote. There are some amazingly technically perfect songs like “Nashville” and “Railroad Track.” I chose, however, “Mood for Love” to lead off with as it has the same underlying audiological draw for me as “Greatest Player.” You sound more relaxed and certain of your incredible talent on this latest work. Having said that- the same characteristic vocals and same smoking hot lead and sax are working their magic here, just as on the first release. From a strictly radio standpoint- give me 50 albums a month like this and I’ll be quite satisfied, indeed.”

-Gerry Sorensen WAAY Radio (Ohio, USA)

“Road to You song reminds me of my time on the road. All the while missing my fiance. She said yes. She is my wife now. I can never be far from her. All the roads I would ever take now lead me back to my wife and boy.”

-John Ragsdale 

The Road Less Travelled Album weaves captivating songs, an instrumental tune, and a multi-layered masterpiece of musical styles into a musical delight.

Road Less Travelled follows the internationally successful release of Gav’s debut album, Sound Circus, which was released in November 2018 and enjoyed success in the Play MPE charts for 12 weeks, reaching #1 in Australian, Rock, Triple A, and Adult Contemporary charts.
Popular Sound Circus single “Peter Pan” spent 9 weeks in chart Tasmanian Country Airplay Charts and reached #15. Sound Circus’s idyllic track 1, “Artist’s Dream”, reached #14 in Hotdisc Top 40 during its 6 weeks in the chart, and the video for “Artist’s Dream” was featured on SKY TV in the UK for four weeks. All tracks from the Sound Circus Album have had radio airplay, with strong rotation in Australia, New Zealand, Europe and America and South Africa.

A regular on the live music scene in Perth, West Australia, Gav Brown has performed his soul-fuelled mix of country-rock, folk and pop around Australia, New Zealand, United States of America, Hong Kong and Singapore. A singer-songwriter and multi-instrumentalist, Gavin uses guitar, banjo, piano, harmonica, mandolin, cigar-box guitar and ukulele to craft honest uplifting music that captures the spirit of a traveller.

Brown has a passion for music which is clear in his song-writing. His influences include George Gershwin, Bruce Springsteen, Sting, James Taylor, Carlos Santana and John Mayer and he has been compared to Tom Waits, Joe Cocker, The Pogues and Dave Alvin.

Regularly compared to The Pogues and Tom Waits, and inspired by his childhood heroes; George Gershwin, James Taylor and Bruce Springsteen, Brown’s use of guitar, mandolin, banjo, piano and cigar-box in his writing process create a rare and compelling musical palette. Combine this with his engaging and gravelly vocals, heart-felt honesty and addictively catchy melodies, and you can see why he’s mesmerising audiences across the country.

More information
www.gavbrown.com.au

    

www.gavbrown.bandcamp.com

Radio Promo Contact

Gav Brown
Mob: +61419818288

Busby Marou – Postcards From The Shell House

If Rockhampton duo Busby Marou hadn’t already found a nice little groove over their first two records, then Postcards From The Shell House ensures they have now.

Think melodic, acoustic tunes with heartfelt lyrics delivered by the John Mayer-esque Tom Busby. From the opening cut, Best Part Of Me, none of the 11 tracks particularly break the mould, nor do they need to. Busby and his partner in crime, Jeremy Marou, are at their best when they’re throwing down three-minute guitar-pop tunes, and their growing legion of fans are sure to lap up this latest collection.

Shell House picks up where the island sway of Farewell Fitzroy (2013) closer “Waterlogged” left off. At once a homecoming (“Living in a Town”) and a departure from the country leanings of preceding offerings, it’s an album steeped in the gentle rhythms of the coast. Opener “Best Part of Me” champions Busby’s breezy croon and Marou’s earthy guitar, recalling Josh Pyke and laidback moments from Bernard Fanning. Reconciliation anthem “Paint This Land” bears the sonic stamp of producer-collaborator Jon Hume, while folk-rock anthem “Getaway Car” is piloted by the pair’s sparkling harmony.

Marcus Blacke – Marcus Blacke

Marcus Blacke new self-titled album, out now via Three Sirens Music Group, is a lot of things. The Australian’s latest 12 songs go from deep and emotional to dripping with socio-political subtext to something more traditionally categorized as Americana – but one thing it is not, is comfortable. Regardless of what Blacke is singing about in his unique vocal style – and, with equal weight, playing guitar (more on that later) – you are there to feel it. And believe me, you will.

People spend their life avoiding feelings. I’m not writing songs so people can dance. I want them to know it is okay to feel something. We’re built to be melancholy sometimes. – Marcus Blacke

The album may be far from “easy” listening, but it is well worth the emotional journey that Blacke takes you on. And speaking of that guitar work, and all the music really, it provides the perfect backdrop; bucking convention with twists and turns of its own – it is recorded as raw and searching as the lyrics themselves.
The first contemporary connection my brain makes with Marcus Blacke is one of my earliest musical hand-holds, Elliott Smith. Smith’s music had such a profound effect on me during his life, more so in death as I was growing up and trying to be an adult. Something to go back to, something to fall back on when I needed it. I find Blacke’s songs here provide the same musical template for my required emotional attach/detachment.
It’s no surprise, to me anyway, that I gravitate towards Blacke’s “Only Orchid” and “Holding Tokens”, while also having great regard for “Russian Orchard” and “Master of Eden”. Blacke is nothing if not honest and humble throughout not just these 4 songs, but for all of this album’s material – 12 expertly crafted lyrical and musical compositions that will stick with you long after it’s run-time is over.