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Jake Xerxes Fussell



On his solo debut, Jake Xerxes Fussell sounds like an explorer. He was the son of a folklorist who documented vernacular culture in the Southeast. He’s worked with blues men and played in country bands. He was a student in the Southern Studies program at Ole Miss. He recorded with Rev. John Wilkins, and now he’s made this record, produced by guitarist William Tyler and engineered by Mark Nevers. All that travel lends the looseness and curiosity of a wanderer to the folk and blues numbers Fussell makes his own on this record. “Let Me Lose” embraces the freedom in the down and out, and you can feel that freedom, that shrugging off of burdens we don’t need, in the rolling guitar work and shuffling percussion. “Star Girl”, with melting pedal steel and Fussell’s clear, soft-spoken singing, is pastoral, bittersweet and lonesome in the best way possible. It contrasts nicely with the stomping, dusty “Raggy Levy” or the shadowy atmosphere of “Boat’s Up the River”. The album rolls through folk and blues traditions but pushes them to fresh new horizons. There’s something almost scholarly at the heart of Fussell’s approach. There’s an in-the-blood knowledge of these traditions at play, but with Tyler and others following along, it’s always Fussell’s sense of discovery, the looseness of wandering, that wins out. Even with all the history built into these songs and this record, Fussell still emerges as a fresh and vital new voice, as a singer, a musician and a torch bearer for every true sound he’s come across to now.


Cahalen Morrison & Eli West

It means something that the word about Americana roots duo Cahalen Morrison & Eli West spread first among musicians. Their debut album was passed around the ranks of some of the best American roots bands, raved about to fans online, and seen as a model to strive for in songwriting and musicianship. In this way, you could think of Cahalen & Eli as musician’s musicians. They’re the artists that other artists run to see at a festival. This is because their music seems effortlessly simple, but is complex enough to engage us far beyond the usual way we listen to roots music. Cahalen Morrison’s songwriting is as much informed by the dark lyricism of Cormac McCarthy as it is by Appalachian stringband songs, and Eli West’s angular, racing arrangements owe as much to the speed and aggression of early jazz as they do to bluegrass greats like Bill Monroe. Together they make music that draws from the well of American tradition, but reshapes these traditions into beautiful new forms.

With their new album, I’ll Swing My Hammer With Both My Hands, Cahalen Morrison & Eli West have perfected their chemistry as a duo, falling into long-form instrumental grooves and threading their vocal harmonies together as tightly as a weaver. Produced by Grammy-winning artist Tim O’Brien, they recorded the album at the Colorado Rockies studio ofAaron Youngberg. Colorado FiddlerRyan Drickey returned for the album, and renowned Boston fiddler Brittany Haas joined on as well. Erin Youngberg played bass, and Tim O’Brien brought out the mandolin and bouzouki, but the focus here belongs on the musical intimacy shared between Cahalen & Eli. As instrumentalists (Cahalen on banjo, mandolin, bouzouki, and dobro and Eli on guitar and bouzouki), their interplay is revelatory. Their melody and harmony lines duck and weave around each other; an interconnected roots system of music that seems to have no beginning or end. Their vocals intertwine as well, with Eli’s harmonies nudging Cahalen’s melodies into new and unexpected directions. Here they trade the lead more than ever, with Eli moving to the front on songs like “Pocket Full of Dust.” The traditional songs covered on the album are chosen with great care, from old-time singer Alice Gerrard’s slow dirge “Voices of Evening” to country legends The Louvin Brothers’ “Lorene.” As a songwriter, Cahalen has brought a lighter touch to his songs, as can be heard on “James is Out” about an ornery mule, or “Livin’ In America,” a fun yet biting song about American privilege. But his raw, transcendent power as a lyricist is still on display here. Songs like “Fiddlehead Fern” or “Down in the Lonesome Draw” showcase his uncommon ability to use evocative natural imagery to channel human emotions.

Cahalen Morrison & Eli West make music with the hands of master craftsmen wise beyond their years. They make music that’s informed by the roots of American music, whether country, bluegrass, old-time, or blues, but also music that touches deeper than the tradition. They approach music not as a craft that must be labored over, but as an act of creation, an effort to touch the unknown with eyes closed and fingers wrapped around the neck of your instrument and voices raised in beautiful harmony.