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Travis Bowlin – Secundus is not second its #1 !!!!!

Yep #1 for Secundus on the RMR BLUES ROCK Chart

TME. FM RADIO SPOTLIGHT ALBUM ALSO UP TO #5 ON BLUES CHART

 

That is one bad screenshot

“Sameness is the mother of disgust, Secundus the cure”. Petrarch

“Secundus is like a pile of presents at Christmas, every track a wonderful surprise on playing but you don’t know which to play again there is so much variety”. TME.fm Radio

We sure know how to pick a spotlight album here at TME.fm but when it comes to writing reviews we are the at the bottom of the queue actually we are not in the queue!

So this is what Blind Raccoon and Travis say about the album.

Travis Bowlin’s second studio album, “Secundus,” is a flavorful, driven, yet sultry rock/soul/blues opus that takes us from the jazzy, smoky lounge feeling of ‘Casaurina Sand’ to heavy-hitting rock songs like ‘Dancin’ with the Devil.’ 
There’s plenty of soul in between with tunes like ‘Strange Vibes,’ with its Wilson Pickett feel from start to finish, and the downright dirty blues stylings of tracks like ‘Slow Cooker Man’ & ‘Vicksburg Blues.’ This record is filled with lyrics that take you right there like a movie inside your head. There’s love, hate, happiness, sadness, and plenty of attitude throughout. The 12 original compositions were recorded at Mainframe Recording Studio with Bowlin serving as producer and Nathan Smith as sound engineer. 

“Secundus is Latin for the Second but can also be used to describe being lucky or favorable,” says Bowlin. “I’m the second so named after my father. The Latin way for saying this and the other meanings of the word really resonated with me. My roots are blues and this word, Secundus, and its meanings, reminded me of John Lee Hooker’s song ‘Mr. Lucky.’ I feel very lucky and blessed to be able to do what I do. I have really put a lot of myself into this record in more ways than one. As an artist you never are satisfied with anything you do, but there’s a time when you have to say ok, that’s enough. Here are 12 songs about how I feel, how you might feel, and for everyone to have an opinion on. I am very proud of the music that was made in the studio and the “fun work” put into this record. I’m excited for everyone to hear it.”

 

 

 

GOMEZ RETURN FOR MORE UK TOUR DATES AFTER SELL OUT SHOWS IN THE SPRING

OXFORD, NEWCASTLE, NORWICH, BIRMINGHAM, CARDIFF, AND MANCHESTER SHOWS ANNOUNCED

20TH ANNIVERSARY EDITION OF DEBUT ALBUM ‘BRING IT ON’ OUT NOW VIA UMC

Gomez UK Tour August September 2018 Bring It On Anniversary Poster

Due to the huge success of their Spring UK tour, Gomez will be returning this August and September to celebrate the 20th Anniversary of their Mercury Prize winning record ‘Bring It On’. UMC have also released a super deluxe box set containing: 35 previously unreleased tracks. The collection features 25 demos & 13 songs never released in any form by Gomez, including covers of Neil Young’s “Unknown Legend” and “T-Bone Walker’s Mean Old World” plus the band’s 1998 Glastonbury performance and BBC sessions.

Package includes a 10,000-word essay by journalist Paul Stokes, with new interviews with the band and those close to them. Red & Yellow coloured vinyl edition are available + Standard black vinyl edition both in gatefold packaging.

GOMEZ ‘BRING IT ON’ NEW TOUR DATES UK

AUG 23 THU – O2 Academy Oxford
Oxford, United Kingdom

 AUG 24 FRI – O2 Academy Newcastle
Newcastle Upon Tyne, United Kingdom

AUG 25 SAT – UEA LCR Norwich
Norwich, United Kingdom

AUG 26 SUN – Victorious Festival
Portsmouth, United Kingdom

AUG 28 TUE – O2 Institute
Birmingham, United Kingdom

AUG 29 WED – Tramshed
Cardiff, United Kingdom

AUG 31 FRI – Bingley Festival
Bradford, United Kingdom

SEP 2 SUN – O2 Ritz Manchester
Manchester, United Kingdom

U.K. fans — For sold out shows, please note that Gomez have appointed Twickets as their official ticket resale partner. Twickets enables fans to trade tickets for gigs at face value and helps fans avoid exploitation and overpricing on secondary ticketing platforms.

 

MORE ON 20 YEARS OF ‘BRING IT ON’:

“No other record captures that period so perfectly,” says Elbow’s Guy Garvey. “The concerns of the songs. The stories, the experimental sounds. It was so brave for a band to record themselves at that time: it allowed a direct and undiluted account of the band as aspirational, big-hearted friends in love with making music and each other. It dared us to record ourselves. But they did it first. It’s the most deserving recipient of the Mercury Prize in its history: a breathlessly ambitious and lovingly crafted masterpiece. It should be called Bring It ‘The Fuck’ On.

To commemorate the 20th anniversary of Gomez’s Mercury Music Prize winning debut album, Bring It On has been re-mastered and reissued as a super-deluxe 4CD with an accompanying remastered double LP release. The 4CD 20th Anniversary edition of Bring It On contains the original, classic album remastered by Frank Arkwright @ Abbey Road studios and 35 previously unreleased tracks including 25 demos (recorded between January 1996 and August 1997) – 13 of which are appearing on an official Gomez release for the first time.

The band have played the album in its entirety this Spring on their UK & Ireland tour, then going on to Australian and US dates.

Twenty years on, the debut album by Gomez sounds not of its time, but ahead of its time. You can hear its echoes in so much of the music that followed it: not just in Elbow, but in any artist who heard Bring it On and realised the possibilities of combining indie and roots music with lo-fidelity electronics: a modern experimental sensibility with a love of the past. Bring It On was an album that synthesised styles in a way that seemed remarkable then, and now sounds utterly unforced and contemporary. Where so many of its contemporaries sound completely of their time, Bring It On sounds as if it could have come out to equal acclaim at any point over the past 20 years. It’s a record that thoroughly merits its expanded 20th anniversary edition.

Bring it On sounds as if it’s been made by kids who’ve been exploring the outer expanses of Spotify, scouring it for unlikely sources, rather than four lads in a Southport garage, and the fella they met at university. Though, in a way, Bring It On is the pre-streaming version of that very process, bringing together all the five members’ tastes, without ever allowing one style to dominate. You can hear their love of so much different music: Tom Waits, Tim Buckley, Prince, Talking Heads, Johnny Cash, Portishead, The Chemical Brothers, Led Zeppelin, Neil Young, jazz and folk and indie and the West Coast and classic rock. Between them, Ian Ball, Ben Ottewell, Tom Gray, Paul Blackburn and Olly Peacock created something that was far more than the sum of its parts.

In 1998, of course, it sounded revolutionary. “Gomez came along at exactly the right moment,” says the DJ Steve Lamacq, who championed the band on his Radio 1 show. “After Britpop had collapsed in on itself, there was a massive hole on the Evening Session, waiting to be filled. But what we found was, people reacting against the commerciality of the Britpop wave and heading off on all sorts of strange tangents. The audience was really receptive to sounds that maybe wouldn’t have fitted in a few years earlier.”

Gomez hadn’t even recorded with the intention of making an album, which is perhaps why it sounds so unforced. The basis of the album was seven tracks recorded on an ancient four-track recorder. The band’s label, Hut, had to use the home recordings – for practical reasons. “They couldn’t recreate those recordings because they’d done them in one of their dad’s garages on the four-track, and just after they’d finished doing the last one the thing broke,” says Hut’s David Boyd. “So we decided it needed a little bit of mixing and embellishment, but not a lot, and they trotted off to Liverpool to do the touch-ups, but to all intents and purposes that was Bring It On.”

In Liverpool, engineer Ken Nelson awaited them, and helped them turn those seven tracks into a whole album. “They’d have an idea and would look to me to make it work,” Nelson says. “Their home-learned skills transferred well to the studio and I believe we learned so much from each other. I’d never worked with a band who were so creative before: it was truly exciting for me.”

The spectacular results had an immediate impact and influence, Chris Martin admired Bring It On so much that Coldplay hired Ken Nelson to produce their first album (he went on to produce three for them). Indeed, without some of Gomez’s freewheeling influence, it’s much harder to imagine the British music scene making a comfortable home for the innovating likes of Alt-J, Everything Everything & Field Music, or across the pond where subsequent harmony bands blending indie, antifolk and art rock have thrived.

Bring It On went on to win 1998’s Mercury Music Prize, beating Pulp, Massive Attack, Cornershop and The Verve, the judges describing the album as “an intriguing blend of swamp blues, bar-room rock and eerie power”.

Bring It On remains the album Gomez are best known for in the UK, but it was only the starting point for a spectacular career. The band built audiences internationally, especially in the US and Australia. In the States, in particular, Gomez have become bigger and bigger, with their two most recent albums, A New Tide (2009) and Whatever’s on Your Mind (2011), becoming the highest-charting records of their career.

But Bring It On remains the landmark: The introduction to their singular nature. Hence the deluxe reissue. Hence the anniversary tour in the Spring on which many of the shows – including an appearance at the Royal Albert Hall – sold out in moments. Hence more tour dates being added this August and September. Twenty years later? Once again, bring it on.

TME.fm RADIO SPOTLIGHT ALBUM

 

YES FOR 40 DAYS AND NIGHTS SECUNDUS from TRAVIS BOWLIN is our SPOTLIGHT ALBUM.

One of the songs from album played every hour.

 

Travis Bowlin’s second studio album, “Secundus,” is a flavorful, driven, yet sultry rock/soul/blues opus that takes us from the jazzy, smoky lounge feeling of ‘Casaurina Sand’ to heavy-hitting rock songs like ‘Dancin’ with the Devil.’ There’s plenty of soul in between with tunes like ‘Strange Vibes,’ with its Wilson Pickett feel from start to finish, and the downright dirty blues stylings of tracks like ‘Slow Cooker Man’ & ‘Vicksburg Blues.’ This record is filled with lyrics that take you right there like a movie inside your head. There’s love, hate, happiness, sadness, and plenty of attitude throughout. The 12 original compositions were recorded at Mainframe Recording Studio with Bowlin serving as producer and Nathan Smith as sound engineer.
“Secundus is Latin for the Second but can also be used to describe being lucky or favorable,” says Bowlin. “I’m the second so named after my father. The Latin way for saying this and the other meanings of the word really resonated with me. My roots are blues and this word, Secundus, and its meanings, reminded me of John Lee Hooker’s song ‘Mr. Lucky.’ I feel very lucky and blessed to be able to do what I do. I have really put a lot of myself into this record in more ways than one. As an artist you never are satisfied with anything you do, but there’s a time when you have to say ok, that’s enough. Here are 12 songs about how I feel, how you might feel, and for everyone to have an opinion on. I am very proud of the music that was made in the studio and the “fun work” put into this record. I’m excited for everyone to hear it.”

BIOGRAPHY

In 1988, Travis Bowlin was born in a little river town just off the Ohio River called Aurora, IN near Cincinnati, Ohio. He found his love for roots music at the age 11, when he started singing for the honorable Cincinnati Boy Choir in Cincinnati Ohio. He first discovered his joy for playing instruments at age 15 when he received his grandmother’s old acoustic guitar. Throughout his teenage years Travis was very heavily involved in his school’s music program in both band and choir. Through the school Travis was able to perform solo at Disney World twice, the Indianapolis 500, and Cedar Point (Winning outstanding performer). After high school Travis traveled his tri-State of Ohio, Kentucky, & Indiana booking as many shows as he could to work on his craft.

It wasn’t until 2012, when Travis would sign his first independent record deal, that things changed, allowing him to learn more about the music business and taking him to Music City (Nashville, TN). On March 1, 2014 Travis released his first studio single ‘Bad, Bad Man’ that was featured on many radio stations across the world and would land Travis and his band a performance spot on Nashville’s NBC News. 2014 would also bring Travis his first Master and Sync license and first global TV debut performing his original song ‘Traveling Man’ on TLC’s show 19 Kids and Counting for the episode “A Duggar Leaves Home.” During this same time Travis released his second studio single, ‘Got the Goods,’ which received great notoriety in the blues/rock/roots music world and scored him a feature in L.A. based Rock n Roll industries Magazine.

On June 9, 2015 ‘See You Again’ was released together with Travis’ first full length official music video. ‘See You Again’ climbed the charts reaching #5 on iTunes new blues and debuted at #3 on the Roots Music Report Blues/Rock chart. For nearly six months ‘See You Again’ charted on Roots Music Report and was listed on the 2016 Grammy entry ballot in American Root Performance and American Roots Song. His music video was nominated for a Midwest Video Music Award and the RockErie Awards.

Travis is currently traveling and performing in about 30 US states and 3 countries. He has performed at the Bayfront Blues Festival, Aurora Farmers Fair, National Cornbread Festival, Riverfront Nights, and Texas River Fest. He has headlined the Delta Dragon Riverboat Regatta, the Bendigo Blues & Roots Music Festival, and has shared the bill with Ricky Skaggs, Cyril Neville, John Mayall, Samantha Fish, Big Something, Eugene “Hideaway” Bridges, and Big Smo. In 2016 he was a “Best Band in Nashville” nominee and in 2017 toured Australia extensively. He is currently preparing for a tour to Iceland at the end of August and has recently been endorsed by Lace Music Products as their first and only Cigar Box Guitar pickup artist.

Listen to new track from Alejandro Escovedo. Album release 14 September

Yea a new album from legend Alejandro Escovedo coming.

The Crossing will be released September 14th

 

First listen to New country artist Mark Williams single “Lady On The Run”

FIRST LISTEN> Yes I read everything below before listening and my feet and heals were tapping after ten seconds, after 3 minutes and forty seconds I came to the conclusion Mark might have grown up with Willie Nelson and Garth Brooks playing all around him but he wasn’t listening.

“New” country it definitely is, that new I didn’t recognize it as country.

Now here at TME.fm we have 7 shows a day and one of them is country, Lady On The Run will not get played on that show.

It will get played on the Americana show, we could swing it for some plays on the Roots show and hopefully on the Charts show.

Right remember I am writing after the first listen,the only listen so far, yes so far, I will be playing Lady On The Run a lot, it is a very good song, it has a great sound, cracking lyrics, ok the voice isnt a Bruce Springsteen or a Neil Young but it is OK, overpowered by the instruments a little but not everybody can afford a T-Bone.

One thing for certain I look forward to hearing the rest of the album to encounter some “country” hopefully it will be “Country Americana” and not “NEW”.

VERDICT. A very enjoyable song, a song to listen to again and again(if only to hear where the country is, I might have heard a mandolin in the opening 20 seconds), 7 out of ten aint bad Mark, but country?

 

Mark Williams has been performing on the music scene for a number of years as a singer/songwriter.  Formerly under the name Marc Lavoie, Mark hit the BDS TOP 40 charts with his single ‘Bang ‘Bang’ and played to audiences in major venues across the country including  Montreal’s Formula 1 Grand Prix (70 000+ people), and hockey’s “Remparts de Quebec” show (20 000+ people), plus many shows at Club Soda with a number of of renowned artists such as Gabrielle Destroismaisons, Luc De La Rochellière, Rick Hugues, Les BB, Andree Waters, and more.

 

Now, with hundreds of shows and two albums under his belt, Mark can certainly be called an accomplished artist, passionate about all projects he undertakes. Whether in pop, rock or country, Mark gives every ounce of energy he has to please his fans and his audience.

 

In October 2017, Mark began work with music producer/arranger Michel Francoeur (Robby Johnson, Bobby Bazini). Growing up with country music all around him with influences such as Willie Nelson and Garth Brooks, Mark decided it was time for him to jump into the “new-country” style for his next album.  The 12 new songs from his upcoming album ‘In Motion’ were mastered by Abbey Road Studios in London and features his debut release to country fans called ‘Lady On The Run’.

 

A national tour is planned for 2018-2019 which will give an opportunity for new country lovers to enjoy Mark’s brand new material, as well as covers of the biggest country classics from yesterday to today.

LISTEN TO THE SINGLE ON SPOTIFY

LISTEN TO THE SINGLE ON SOUNDCLOUD

WATCH THE VIDEO HERE

Website : www.markwilliamsmusic.com

Spotify: https://open.spotify.com/album/4vuVdRoGnKZd6B3h5rVn3v

Itunes: https://itunes.apple.com/us/album/lady-on-the-run-single/1400909167

Facebook : https://www.facebook.com/Mark-Williams-Music-159628774754738/

Youtube : https://www.youtube.com/channel/UCLJViTC5P_tEqKJ2aDkl-SQ?view_as=subscriber

Soundcloud: https://soundcloud.com/markwilliamsmusic

Instagram: https://www.instagram.com/markwilliamsmu/

Twitter: https://twitter.com/MarkWil56757358

Youtube (Lady On The Run): https://youtu.be/AuMkuR8cHmE

 

For more information please contact:

Media (International)/Radio (Canada):
Last Tango Productions Ltd.
E: [email protected]
P: 416-538-1838

Creedence Clearwater Revival – Celebrating 50 Years – Watch video for “Fortunate Son”

CELEBRATING 50 YEARS OF AMERICA’S GREATEST ROCK BAND, CREEDENCE CLEARWATER REVIVAL

“FORTUNATE SON” RECEIVES THE OFFICIAL MUSIC VIDEO TREATMENT –WATCH HERE

MORE ANNOUNCEMENTS TO FOLLOW INCLUDING A SPECIAL RELEASE DUE THIS AUTUMN

Craft Recordings proudly announces the 50th anniversary of America’s greatest rock bandCreedence Clearwater Revival. It was in the summertime half a century ago that CCR, a group that would reach sky-high success while retaining a resolutely rootsy, earthbound sound, released their debut album. This marked the beginning of an incredible legacy that was formed over just four years of unbridled creative output (1968-1972).

CCR‘s canon has become a staple in the Great American Songbook. Songs like “Bad Moon Rising,” “Down on the Corner,” “Have You Ever Seen the Rain,” “Proud Mary,” and “Up Around the Bend” have been ingrained into the pop-cultural consciousness—not just as classic rock staples, but as American standards.

As the United States speeds towards another anniversary of its own on 4th JulyCraft is kicking off the CCR50 campaign by releasing an official music video (the first ever) for one of the band’s most enduring classics, “Fortunate Son,” a song as vital now as ever.

Beyond its anti-war sentiment, “Fortunate Son” is an anthem for the 99%ers, condensing a critique of elitism and class privilege into three simple, but powerfully defiant words: It Ain’t MeCraft partnered with director Ben Fee(Band of Horses, The War on Drugs, The Lumineers, Aesop Rock) to give a whole new generation a visual entry point into the world of Creedence.

The song already has an undeniable place in history as one of the most visceral, attention-grabbing protest tunes of the Vietnam era. With the new video, Feeextends the reach of “Fortunate Son” even further. “For me, protest right now is just showing pure positivity in the face of division and anger.” Says Fee, “I wanted to highlight the community and positivity that everybody shares…I wanted to show what America feels like when you actually hit the road and drive throughout the states.”

Though the Vietnam war is decades away in the rearview mirror, the people CCRwere speaking for in the song are still the heart and soul of America, and they’re still the underdog, facing a whole new set of challenges. So, Fee turned the video into a celebration of their indomitable spirit, giving viewers a glimpse of the broad array of characters comprising the patchwork that is our country at its core.

In spotlighting the diversity and unconquerable spirit of America’s so-called 99%, Fee created a concept as relevant to today’s world as it is to the original 1969setting of “Fortunate Son. “I met so many beautiful people,” says Fee of the folks he shot for the video. “I went to the Taos Pueblo people, into their land, and met with the war chief, and they were very big fans of CCR. They were so welcoming because they knew the song and the band, and they really loved the idea of protest through positivity.” 

Click here to watch the video.

Fee’s video road trip took him across the country, from Los Angeles to Miami and all points in between. The footage captures people across America of diverse ages, cultures, ethnic backgrounds and locations (including Florida, Louisiana, Texas, New Mexico, California, Washington and Hawaii) to document the true spirit that makes up the fabric of the United States, for which CCR have been the soundtrack for 50 years.

In addition to the video, the half-century celebration will continue in the coming months to fill out the CCR story even further. Craft will be honouring the band’s musical legacy via a diverse array of media, products and events; including a special release coming this autumn. The fête will also provide fans with new ways to engage with CCR online–sharing their memories, streaming new content, and diving deeper into the band’s legendary history. Stay tuned to CCR50.com for more details, coming soon.

In the meantime, you can dig in to more from the Creedence Clearwater Revival catalogue (and build your 4th July playlists) via Apple Music (click here for the Essentials) or Spotify (click here for This Is).

More about Creedence Clearwater Revival:

Creedence Clearwater Revival’s 1968 self-titled debut album introduced the world to guitar-playing brothers John and Tom Fogerty, drummer Doug Clifford, and bassist Stu Cook, four young men out of El Cerrito in the San Francisco Bay Area. Though they emerged in a place and time where trippy psychedelic visions were the order of the day, CCR bucked the trends and instead tapped into a rich, traditional seam of American music that connected to blues, country, rockabilly, gospel, folk and R&B.

While their contemporaries were unfurling mind-bending musical excursions with elaborate productions, Creedence crashed into the upper rungs of the album and singles charts with songs that wasted nary a note or word, overflowing with raw soul and unbridled energy. Although the band members were only together for four years under the Creedence Clearwater Revival appellation, they managed to accomplish more than many artists do in their entire career – they released 14 Top 10 hitssix Platinum albums, and one Gold in just four intensely prolific years, all powered by John Fogerty‘s gut-level growl, with Tom FogertyStu Cook and Doug Clifford providing just the right kind of gritty, in-the-pocket punch to propel CCR‘s vision.

The band’s West Coast origins notwithstanding, Fogerty‘s voice contained echoes of everything from the Chicago blues bite of Howlin’ Wolf to the Alabama twang of Hank Williams and the Memphis swagger of Elvis Presley, creating an archetypal example of Americana decades before anybody ever thought of using that term to define a musical genre.

For all the indelible guitar hooks and commanding vocals the CCR catalogue contains, their songs are more than catchy tunes. CCR was a people’s band in more ways than one; hand in hand with the accessibility that made their music relatable to just about everybody, there was a strong sense of identification with America’s common folks, the ones whose stories were told in the songs.

On tunes like “Born on the Bayou” and “Green River,” Creedence harnessed the sonic hoodoo of almost dangerously deep, “swamp rock” grooves to propel vivid New Orleans imagery. “Long As I Can See the Light” floats luminously with the kind of sanctified soul feel that we’ve come to expect only from the South. And the spry country two-step of “Lookin’ Out My Back Door” finds its feet in Nashville, at least in a spiritual sense. While CCR‘s signature song, “Proud Mary,” is a Southern-soaked riverboat travelogue, with stops in Memphis and the Crescent City.

Even some of the covers of Creedence‘s tunes have become part of history—Ike & Tina Turner’s sped-up, R&B-slathered 1971 recording of “Proud Mary” almost rivaled the original in popularity. And an astonishing array of artists, from Johnny Cash and Willie Nelson to R.E.M. and the Ramones, have recorded “Have You Ever Seen the Rain,” to home in on the reach of just one of their profusely covered songs.

The group also performed a historic headlining set at Woodstock, and toured the world before disbanding in 1972CCR‘s music endures today – still in popular rotation on the radio, and heard regularly in films and TV shows. Having sold over 30 million albums in the U.S. alone, Creedence received a rare Diamond certification from the RIAA in 2016, marking 10 million units in sales for their 1976 compilation album, Chronicle: The 20 Greatest Hits.

The appeal of Creedence Clearwater Revival isn’t tied to any one era or milieu; whether it’s 50 years ago or 100 years from now, all you need is a pair of ears to pick up on their sound. As John Fogerty once sang on a certain 1969 hit single, “Over on the corner there’s a happy noise/People come from all around to watch the magic boys.”

Creedence Clearwater Revival on Facebook

Harper Grae’s “Bloodline” Music Video Premiered t’other day.

First Video in the Buck Moon Medleys Four-Song/Four-Music Video Set

Nashville, TN  June 8, 2018 —  The music video for “Bloodline,” the first release in a concept four-song/four-music video set from Harper Grae, premiered a few days ago. The song and music video companions are part of Grae’s upcoming Buck Moon Medleys EP.  Each song and its correlating video will be released every eight weeks over the course of the year, and are interconnected, with each release carrying forward the story thread of the collection — does the apple fall far from the family tree?

The EP was produced by Jennifer Hanson and Nick Brophy, and the music written by Grae and some of Nashville’s most creative writers, including Hanson, Brophy, Fred Wilhelm, Dakota Jay and Will King. “Bloodline,” a “Must Hear Song” according to Rolling Stone Country, is already garnering high praise from fans and music critics alike.  The song “has all the creative ingredients that hit records are made of,” according to Billboard Country Update editor Tom Roland. Music Row’s Robert K Oermann declares it “her best yet,” and adds “despite the toe-tapping tempo and upbeat mood, the underlying message is a desperate quest to know the mother she never had. Very involving.”

The music video for Bloodline was produced and directed by Robby Stevens and Alexander Jeffery of Midtown Motion. For all of the latest information on the Grae Area Records/ONErpm artist, including announced tour dates, please visit harpergraemusic.com.

Photo ID (l-r): Robby Stevens, Grae and Alexander Jeffery
Contact:
Jennifer Bohler/Alliance
615 292 5804
[email protected]

Brooke Annibale Releases New Album ‘Hold To The Light’, On Tour Now

Hold To The Light finds Annibale making strides in both songwriting and production, incorporating a wider and more experimental range of instruments.”
– Uproxx
“‘Glow’ is a prototype of what Annibale sought for the new set…[It] introduces a sunnier kind of tone to Annibale’s songs, another musical sea change that’s echoed throughout Hold To The Light.”
– Billboard
Hold to The Light is a pop-progressive album that offers a fusion of textured electronic and traditional instrumentation and ‘Glow’ stylishly represents this shift.”
– Under The Radar
“Brooke Annibale is transitioning from her usual indie-acoustic vibe to a more pop and electronic sound with her latest album Hold To The Light…a fresh take on indie pop.”
– The Wild Honey Pie
“…a more intellectual version of Haim.”
– Glide Magazine
Singer-songwriter/guitarist Brooke Annibale released today her third full-length album Hold To The Light. The new record marks Brooke’s return following her 2015 critically acclaimed album The Simple Fear and features several major departures in terms of both songwriting and production. Brooke sheds a few layers of her folk-acoustic skin and introduces a new indie-pop direction offering a fusion of textured electronic and traditional instrumentation centered around her stunning voice and keen, soulful lyricism. Listen to the album now via SpotifyApple Music, and all other streaming services.
Watch the video for single “Glow” HERE.
Hold To The Light has been embraced by UproxxBillboardUnder The RadarThe Wild Honey Pie, and Glide Magazine among many others.
The songs on Hold To The Light develop like Polaroid photos: each reveals a memory suspended between the perspective of the past with all its wistfulness, pain, and joy, and the revelations of the present. Produced by Sam Kassirer (Josh Ritter, Lake Street Dive, Craig Finn) at his Great North Sound Society in Maine, Hold To The Light features contributions from seasoned artists Zachariah Hickman (Ray Lamontagne, Josh Ritter) on bass; Josh Kaufman (The National, Josh Ritter) on accompanying guitars; Sean Trischka on drums; and Matt Douglas (Sylvan Esso, Mountain Goats) on woodwinds. Brooke’s thoughtful, layered songwriting anchors the production to explore a range of narratives working through themes of seeking truths, letting go, and reconciling the past with the present.
Catch Brooke on tour this Summer which includes stops in Los Angeles, San Francisco, Philadelphia, New York City, and Boston. To purchase tickets, visit www.brookeannibale.com/shows.
Tour Dates:
06/08 – Pittsburgh, PA @ Three Rivers Arts Festival
06/15 – Philadelphia, PA @ Philadelphia Folksong Society
06/16 – New York, NY @ Rockwood Music Hall
06/17 – Northampton, MA @ The Parlor Room
06/19 – Burlington, VT @ The Skinny Pancake
06/21 – Boston, MA @ Fraser Performance Studio
07/03 – Edgartown, MA @ Harborview Hotel – WMVY Porch Concert Series
07/14 – Los Angeles, CA @ Hotel Cafe – 2nd Stage (w/ The Sweeplings)
07/15 – San Francisco, CA @ Neck of the Woods (upstairs) (w/ The Sweeplings)
07/16 – Portland, OR @ Doug Fir Lounge (w/ The Sweeplings)
07/17 – Seattle, WA @ Sunset Tavern (w/ The Sweeplings)
07/18 – Spokane, WA @ The Bartlett (w/ The Sweeplings)
07/29 – Allison Park, PA @ Hartwood Acres (w/ Lucius)
08/16 – Fort Collins, CO @ Magic Rat
Hold To The Light Track List:
01) Hold On
02) Glow
03) Distraction
04) Hold To The Light
05) We Were Not Ready
06) Collided
07) Either I
08) Underneath
09) Point Of View
10) Then Again
11) Imagination
Follow Brooke Annibale:
Website – Facebook – Twitter – Instagram – YouTube
Hold To The Light is now available for purchase on iTunesAmazonand
through Brooke’s webstore.

JASON CHARLES MILLER Announces New Album via RED MUSIC, Debuts First Track “Hundred Pound Hammer”

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JASON CHARLES MILLER Announces Details On New Album, “In The Wasteland”

Unveils Debut Single “Hundred Pound Hammer”
Click Here To Listen

Album Release Scheduled For June 15, 2018 via RED MUSIC (Sony)

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May 18, 2018 – (Los Angeles, CA) JASON CHARLES MILLER is proud to announce the upcominv release of “In The Wasteland,” his definitive new album set to come out June 15, 2018 via RED MUSIC/ SONY.

Mixed and produced by Grammy Award-winner Matt Hyde (Jonny Lang, No Doubt, Deftones) and featuring drummer Kenny Aronoff (John Mellenamp, John Fogerty), “In The Wasteland” showcases 11 tracks that blur the lines between Southern Rock, classic country, and the outlaw attitude that has earmarked MILLER‘s career as a singer, songwriter, producer and performer for more than two decades and over a dozen releases.

From the many different styles of music that have influenced me over the years, to the lyrics that are a mixture of observational storytelling and pure emotional ferocity – some songs are collaborations or even duets, and others were written alone in a darkened room” exclaims MILLER, “If you’ve followed the journey of my career as an entertainer, you’ll hear every place I’ve been, and where I ended up today.  I’ve released a lot of music in the last few years for a lot of various projects – other artists, video games, TV shows, musicals and films – but this is my first solo album in six years… you can bet I’ve got a lot to say!

“In The Wasteland” includes guest performances from the likes of Lynyrd Skynyrd guitarist Rickey Medlocke and keyboardist Peter Keys, legendary Soul vocalist Brenda Lee Eager (Stevie Wonder, Ray Charles and Diana Ross), Blackberry Smoke vocalist Charlie Starr, King’s X frontman Dug Pinnick, guitarist Duane Betts (son of founding Allman Brothers guitarist Dickey Betts), guitaristAdam Shoenfeld (Tim McGraw, Jason Aldean) and  ‘Cowboy’ Eddie Long (Jamey Johnson).

MILLER adds, “To be able to collaborate with so many of my heroes on this album is completely surreal, totally mind-blowing and incredibly humbling, all at the same time. If I were to put a dream list of musicians together to play with, every single person on this record would be on that list. This truly is an all-star team of players, singers and stars that I somehow tricked into showing up to the studio… then, while they weren’t looking, I hit the record button! In all seriousness, each and every performance helps elevate the album to a level that I could never achieve alone, and I’m grateful to every single person who helped me bring In The Wasteland to life.

“​IN THE WASTELAND” Track Listing
1. Hundred Pound Hammer (feat ‘Cowboy’ Eddie Long)
2. In The Wasteland
3. No Bridge Left Unburned
4. Get Thee Behind Me (feat. Dug Pinnick, & ‘Cowboy’ Eddie Long & Duane Betts)
5. Trunk Full Of Bibles
6. Riverbank
7. Old Scarecrow (feat. Charlie Starr & Rickey Medlocke)
8. The Line
9. Running
10. No More Reasons
11. Finding My Way In The Dark (feat. Peter Keys, Brenda Lee Eager & Adam Shoenfeld)

The album’s debut single, “Hundred Pound Hammer,” is available now across all digital streaming platforms and can be instantly downloaded as an instagrat track with all digital pre-orders.

Listen to “Hundred Pound Hammer” HERE: 
https://www.youtube.com/watch?v=OPv-r6orS1o

Pre-order “IN THE WASTELAND” HERE: 
https://red.lnk.to/HundredPoundHammer

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Photo Credit: Martin Hausler
ABOUT JASON CHARLES MILLER:
Originally from Clifton, VA, MILLER currently resides in Los Angeles, CA where he runs the successful recording complex, Central Command Studios.Having been formerly known as the frontman and founder of acclaimed rock band GODHEAD — who were signed to Marilyn Manson’s label, Posthuman Records, selling over 250,000 albums and touring internationally with heavyweights including Manson, Ozzy Osbourne, Linkin Park, Disturbed, Rammstein, and Jonathan Davis (KORN) — MILLER has co-written songs with a genre-crossing who’s who of artists  including Billy Ray Cyrus, Ben Moody (Evanescense), Chuck Goff (Toby Keith Band), Driver Williams (Eric Church Band) and Paul Anka.  He has achieved three Gold Record Awards for sales, and his music has been heard on popular tv shows, films and video games including HBO’s True Blood and Hung, WWE Smackdown, The Guild, Queen of the Damned, The Punisher, Disney Channel’s Teen Beach Movie and Metal Gear Rising: Revengeance.

When he’s not writing, recording or performing music, MILLER is a professional voice actor and has appeared in over 100 animated productions and video games. Notable highlights include: Attack On Titan, Hearthstone, Star Trek Online, World of Warcraft, Avatar: The Last Airbender, Batman: The Brave and The Bold, and many more. MILLER is currently host of the popular Geek & Sundry show “Starter Kit” and has also been seen on screen in Battle Planet (SyFy), Stan Lee’s World of Heroes ‘Chatroom of Solitude’, The Guild and squabbling with Lewis Black and Andy Dick in various productions on Comedy Central.​

JASON CHARLES MILLER Online:
https://www.facebook.com/jasoncharlesmiller
https://www.instagram.com/jasoncharlesmiller
https://twitter.com/jasoncmiller
http://www.jasoncharlesmiller.com/

Acclaimed British artist, Jon Allen, releases new album “Blue Flame”

With a voice that is equal parts Rod Stewart, Van Morrison and Sam Cooke, Jon Allen  has an uncanny ability to write songs that feel instantly familiar. The British singer-songwriter returns  after four years, releasing his fourth album, “Blue Flames”May 18th 2018.  This album represents Allen’s growth into soul elements. The record honors classic 60’s style of Motown, with feel-good sounds accompanied by Allen’s signature raspy vocals. From track to track, Allen ventures into the feelings of joy, love, loss, and change.

Throughout his career, Allen has become a go-to favorite for US music supervisors, with his songs being featured in hit prime time TV shows such as Homeland and Bones, along with movies like The OrangesSafe Haven and Army of One.

The first single off the album, “Jonah’s Whale” released March 9th, starts of the record with reminiscent vibes funk and soul. The upbeat single ignites the album.

On the process of writing the single Allen states:
“With ‘Jonah’s Whale’ I stumbled upon the groove and chords first and wanted the lyric to evoke the sense of joyfulness I was getting from playing it through on an acoustic guitar. I settled upon the concept of a central character, head over heels in a love bubble, blinded to the outside world’s troubles. If this song doesn’t make you feel good, I have failed.”

It was the experience of immersing himself in the production and vibe of classic recordings of the sixties and seventies from iconic record labels such as Motown, Stax, Atlantic and Chess that made Allen think it would be great to bring more of that earthiness to his sound for Blue Flame’s recording sessions.

Today, Jon Allen, is looking forward to sharing the soulful excitement of “Blue Flame”, out May 18th 2018.

About Jon Allen
Winchester-born, Jon Allen was originally discovered by Mark Knopfler in 2006 (who later offered to play guitar for him), but it was the single “In Your Light” from Allen’s 2009 debut album Dead Man’s Suit that landed him a coveted spot on “Later…with Jools Holland”. Allen’s second album ‘Sweet Defeat’ (2011) continued his rise, spawning the Radio 2 A-listed hit track “Joanna” – the song that made it onto the soundtrack of the global TV smash Homeland.

Allen toured extensively during this period, both solo and with his band, appearing with Mark Knopfler, Emmylou Harris, Seal (who would tell Jon every day he should be making soul records) and Damien Rice, amongst others. ‘Deep River’, Allen’s last album, released in 2014, received the best reviews of his career to-date from the UK’s national press and was made BBC Radio 2’s ‘Album of The Week’. After his UK tour to promote ‘Deep River’, Jon took a break to write songs with and for other artists, while also writing music for films.

Blue Flame
Track listing:
1. Jonah’s Whale *
2. Keep On Walking
3. Since You Went Away
4. It’s Just the End of the World
5. If You Change Your Mind
6. Tightrope
7. Hold You In My Heart
8. Better Day
9. Stay
10. Waking Dream
11. Blue Flame
12. You (US Exclusive Bonus Track)