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Texas singer songwriter, Chad Richard’s second album, Worthy Cause. Worthy Cause, produced by Walt Wilkins, will officially release on April 26th

 

Wow that photo is BIG.

Anyway I spend a lot of time reading reviews and looking for “new artists” and I read a couple of excellent ones and listened to “12 More Days Of Blue”

 I thought I should reach out to Chad and get a copy of the album to play on TME.fm as it is going to be good. Lets see it climb the RMR charts and enjoy the music at the same time.

Chad told his PR man and I received a copy immediately, also Adam the man has more artists who are top notch and we will be mentioning those another day. Adam the man actually remembers dickthespic, small world.

 

www.ChadRichardSongs.com
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“Worthy Cause is an album full of honest truths in styles that range from country to zydeco in blended forms, and this song is at the heart of it.” – Melissa Clarke

Chad Richard (pronounced REE-shard) is a native of the Sabine River bottom, where the river merges Louisiana with Texas’ soil as it winds along. Steeped in the mingling influences of the region, Richard’s songwriting and musical sensibilities fuse Cajun, Texas swing, country and blues styles into an effortlessly born offspring of each side of the river.

Richard writes songs from the heart. Like so many of us, he has loved, laughed, experienced fatherhood, suffered break-up, sorrow, and divorce, and loved again. The experiences of trying to do all the right things as single Dad shaped his songwriting in unique ways, as much as the musical influences surrounding him did. Holding it all together by day, working in a chemical plant, he’d still play solo gigs at night. When Walt Wilkins happened upon Richard at one of these gigs in 2012, Wilkins invited Richard to sit in Wilkins’ band, at about the same time Todd Purifoy (producer and photographer for the Texas Music Scene) approached him about making a record. Forces aligned, connections solidified and before long Walt was producing Richard’s successful debut album: Veteran’s Grocery (2015).

His second release, Worthy Cause (2019), was recorded at Jumping Dog Studio in Austin, Texas. Again Richard turned to Walt Wilkins (Sam Baker, Jason Eady, Susan Gibson) for production and the album was engineered by Ron Flynt. In addition to Richard’s songwriting, acoustic guitar and vocals, other musicians contributing to the album include Wilkins and Flynt, Marian Brackney on fiddle, Chip Dolan (The Band of Heathens, Greg Trooper) on pianos and organs, Geoff Queen (Kelly Willis, Jason Boland & the Stragglers) on steel guitar, and Corby Schaub (Ryan Bingham) on lap steel. The rhythm section is Ray Rodriguez on drums and Bill Small on bass.

Worthy Cause is an album with songs characterized by stories as only Richard can tell them. “Slow Rollin’ Stateline” spins a tale of growing up on the Texas/LA border with “Zydeco to the east, Texas swing to the west,” as the song bears the musical marks of those influences. “German Angel” recounts a story of a couple living in a historic German house in the Texas Hill country, where the wife believes a ghost resides to watch over the manor, as told from the ghost’s perspective. “Worthy Cause” highlights Richard’s riveting vocals over hushed acoustic guitar and pedal steel, with an imperfect man’s tribute of gratitude towards the good, faithful woman who loves him. “Waters Rise” was inspired by Richard’s first hand experience of the kindness and humanity that shone through the floodwaters in the wake of hurricane Harvey – “waters rise, but people rise above.” “12 More Days of Blue” narrates the poignant tribulations of a loving, single Dad as he masks adult pain in order to experience the best with his child. The entire record showcases Richard’s striking ability to commandeer attention with his powerful vocal presence and compelling direct narrative style.

“I got my first real paying job when I was 11 years old. The man I went to work for gave me some advice. He said “Don’t ever turn something you love into your job! When you do you’ll soon lose the love for it!” I always remembered that and always kept music as a part time escape from my less than favorite job for fear of losing the love for it. Now with 30 years in a chemical plant and only 2 years left till I retire from this less than favorite job, I’m beginning to wonder if just maybe, there’s a possibility, that perhaps, he may have been full of shit!” – Chad Richard

“Chad doesn’t ever have to insist on himself – His completely unique Louisiana-Texas-Soul-Country voice grabs the listener, and in just a few minutes, everyone who hears him likes him,” – Walt Wilkins, Texas Songwriting Legend, Producer

Chad Richard – Worthy Cause (2019)
1. Slow Rollin State Line 4:03
2. Love Anyway 2:54
3. German Angel 3:41
4. Right Now 3:26
5. Worthy Cause 5:43
6. Fredericksburg 3:08
7. Waters Rise 3:28
8. The Big and The Little Hand 4:25
9. My Name 3:04
10. 12 More Days of Blue 3:49
11. Shawdy and a Shiner 3:01
12. The game 3:50
All Songs FCC Clean
Focus Tracks: 2, 3, 7, 10

All songs Written By Chad Richard, Barn Noise Publishing (BMI)
RECORDING & PRODUCTION CREDITS:
Produced by Walt Wilkins & Ron Flynt
Recorded at Jumping Dog Studio, Austin, Tx.
Mastered by Jerry Tubb at Terra Nova Mastering, Austin, Tx
Chad Richard-Vocals & Acoustic Guitar
Walt Wilkins- Acoustic & Electric Guitars & Percussion
Ray Rodriguez- Drums & Percussion
Bill small- Bass
Corby Schaub-Lap Steel Guitar
Chip Dolan- Piano, Wurlitzer Piano, & B3 organ
Marian Brackney- Fiddle/Violin & Viola
Geoff Queen- Steel Guitar & Dobro
Ron Flynt- Bass, “Waters Rise” & “Shawdy and a Shiner”
Piano, “Waters Rise” & “Worthy Cause”
Wurlitzer Piano, “My Name”
B3 organ, “12 More Days of Blue” & “Waters Rise”
Matt Giles- Electric Guitar, “Slow Rollin State Line”
Kurt Baumer- Fiddle, “Fredericksburg”
Harmonies- Walt Wilkins & Tina Mitchell Wilkins
Artwork- Julie Sckittone
Photography- Cory Hoover Photography

 

Copyright © 2019 Broken Jukebox Media, All rights reserved  

oops didn’t see that, never mind we are a “pirate radio”.

Tme.fm Radio’s Song of the Month for April is “Blues in My Blood” by Tiffany Pollack & Eric Johanson.

Yes I know you all have listened to it a lot over the last month but we had a three-way tie for the spot, so I asked the artists to decide.

“We would like to choose Blues in My Blood mainly because it is the story of my life and our family. I wrote the lyrics and sent them to Eric and he came back with a melody and a chorus. It happened so organically. We knew it would be the title track as soon as we finished it. The song practically wrote itself. “

So now you know.

Richard Thompson – Summer 2019 festival and Irish dates

Richard Thompson – Summer 2019 festival and Irish dates

Richard Thompson – Summer 2019 festival and Irish dates

Richard Thompson - 13 RiversRichard Thompson has a busy Summer ahead of him with appearances at festivals throughout August and into September as well as a handful of dates in Ireland. Thompson will be appearing at festivals including Cambridge Folk FestivalSidmouth Folk FestivalFairport’s Cropredy ConventionGreen Man Festival and more.

Buy, listen or download Richard Thompson’s latest album 13 Rivers here

Scroll down to find all of Thompson’s upcoming UK and Irish dates.


Upcoming Tour Dates

Date City Venue Country
Friday, 2nd August 2019 Belladrum Belladrum Tartan Hearts Festival 2019 United Kingdom
BUY TICKETS
Sunday, 4th August 2019 Cambridge Cambridge Folk Festival United Kingdom
BUY TICKETS
Thursday, 8th August 2019 Sidmouth Sidmouth Folk Festival United Kingdom
BUY TICKETS
Friday, 9th August 2019 Cropredy Fairport’s Cropredy Convention United Kingdom
with friends Dave Mattacks, Simon Nicol, and Dave Pegg BUY TICKETS
Saturday, 10th August 2019 Dublin Vicar Street Ireland
Address: Vicar Street, Dublin, Republic of Ireland. BUY TICKETS
Sunday, 11th August 2019 Belfast Ulster Hall United Kingdom
BUY TICKETS
Tuesday, 13th August 2019 Galway Galway Town Hall Theatre Ireland
Venue phone: 091 569777. BUY TICKETS
Wednesday, 14th August 2019 Kilkenny Kilkenny Arts Festival Ireland
BUY TICKETS
Thursday, 15th August 2019 Cork St Luke’s Ireland
BUY TICKETS
Saturday, 17th August 2019 Crickhowell Green Man Festival United Kingdom
BUY TICKETS
Sunday, 18th August 2019 Suffolk FolkEast United Kingdom
BUY TICKETS
Monday, 26th August 2019 Rye Rye International Jazz & Blues Festival United Kingdom
BUY TICKETS
Sunday, 1st September 2019 Birmingham Moseley Folk & Arts Festival United Kingdom
BUY TICKETS

Birds, bread, medicine, and stewarding someone else’s mystery: Kelly Hunt’s “Even The Sparrow,” Coming May 17

On the walls of any local used music shop there hangs a gallery of mysteries. Picked up and handed down across the decades, each instrument contains the imprints and stories of those who have played it before, most of which remain untold. For Kansas City-based songwriter Kelly Hunt the most intriguing of these stories is the origin of her anonymous calfskin tenor banjo. “I really wasn’t looking for it,” she says, “but I opened up the case and it said ‘This banjo was played by a man named Ira Tamm in his dog and pony show from 1920 to 1935.’ I strummed it and said ‘This is unlike anything I’ve ever heard.’ People often think of the banjo as being rather brash and tinny – loud and kind of grating – but this was so warm and mellow, with an almost harp-like quality to it, very soulful” – apt words for the Memphis native’s debut album, Even The Sparrow, coming out May 17 on Rare Bird Records.

The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French breadmaking, and medicine, all the while making music as a private endeavor. “I wanted get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.”

After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of glass photographic plates in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of war. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.

 

As for the original owner of Kelly Hunt’s mysterious tenor banjo, not much is known. “I’ve never been able to find anything about Ira Tamm,” she says. “I think he just had a humble little traveling show,” she says. What’s clear is that the itinerant performer laid down his banjo at the height of the Great Depression, almost eighty years before it would be picked up by Hunt. “That banjo has stories. I wish I knew them all,” she says, though the banjo’s most intriguing story may just be beginning with Even The Sparrow. “The marks of Ira’s hands are still in the calfskin head, so I can see where he played and left his mark,” she says. “Now my own hand marks are there too, in different places, like a kind of portrait.”

 

Even The Sparrow
Kelly Hunt

May 17, 2019 • Rare Bird Records

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Publicity Contacts
Carl-Eric Tangen

[email protected]
+1 206 557 4447
hearthmusic.com

Lone Star Blues And Heritage Festival, OCTOBER 25-27, 2019

 

JAIL, DENTIST, not my kind of venue.

Nola Blue, Inc. is delighted to announce the establishment of a new blues festival  to preserve, celebrate and support the rich musical legacy of Texas blues.  The inaugural East Texas-based event will be held October 25-27, 2019 at Salmon Lake Park. Confirmed performers include Benny Turner, The Peterson Brothers, Steve Howell and Kathy & the Kilowatts.  Additional lineup announcements forthcoming.

The festival’s location is significant because the area is considered the westernmost region of the Deep South, and has been fertile ground for some of the most influential blues artists of the twentieth century including Blind Lemon Jefferson, ‘The Father of Texas Blues,’; Lightnin’ Hopkins; T-Bone Walker; Freddie King and more.

Salmon Lake Park’s beautiful 100 acres provides an idyllic setting for the event, with a vintage bandstand nestled in a shaded area, a fresh water lake and plenty of buildings and other nostalgia from a bygone era of East Texas.  Well-suited for group gatherings of families or close friends, there are more than 350 RV hookups, furnished cabin rentals and tent camping available for those who wish to spend the weekend onsite.  Reservations can be made directly with the park by calling 936-687-2594.  Festival tickets will be sold separately.

When her client, Benny Turner, was approached with the opportunity to produce a blues festival not far from where he was born, Nola Blue President Sallie Bengtson knew that it was the right thing to do, at just the right time.  Turner embodies a living musical legacy, born on the porch of his Gilmer, TX family home where he and his older brother Freddie King listened to their mother and uncles playing the blues.  Turner continues to play the blues to enthusiastic audiences everywhere, more than sixty years after beginning his music career, carrying on a tradition of which he is very proud.  Bengtson says, “We look forward to celebrating with Benny on his 80th birthday (October 27, 2019) during this inaugural event.”

LINEUP

(Times to be announced)

Friday, October 25

Annika Chambers

Dylan Bishop

Salvation From Sundown

Saturday, October 26

Benny Turner

Kathy & The Kilowatts

Peterson Brothers

Sparky Parker

Steve Howell & The Mighty Men

Steve Krase

Trudy Lynn

Sunday, October 27

Gospel Brunch with Keeshea Pratt Band

Shake Anderson

Sue Foley

LINKS

Billboard Emerging Artist And Chart-Topping Folk Singer-Songwriter Bringing “Changes” To Radio

BA ChangesBill Abernathy “Changes”

KC-based folk artist Bill Abernathy has released his new single, “Changes” to radio stations everywhere. It is the second single from “Crossing Willow Creek.”

We are constantly in flux, learning to adapt to the many changes and challenges that occur in our lives every day.”

— Bill Abernathy

KANSAS CITY, MO, USA, March 25, 2019 — In 2017, Kansas City, MO-based singer-songwriter Bill Abernathy hit the top of the Roots Music Report’s Traditional Songs chart with “Goodbye Will Never Come Again.” His album, “Find A Way” reached the Top 5 on the Traditional Albums chart, that same year. The following year, Bill released “Crossing Willow Creek,” an album of revamped versions of previously released tracks, covers and one new song. That album spawned the politically-charged radio hit, “Cry Wolf,” which reached the Americana Top 15, the iTunes Top 100, the Airplay Today Top 20, and #4 on the New Music Weekly country singles chart. The track led to Bill’s feature as an Emerging Artist in Billboard Magazine.

Now, Bill Abernathy is releasing the 2nd single from “Crossing Willow Creek,” “Changes:” “Change is the one constant in our lives we can depend on,” said Bill. “We are constantly in flux, learning to adapt to the many changes and challenges that occur in our lives every day. My tune, ‘Changes’ explores how changes have affected me personally and how embracing these changes have brought me to where I am today. ‘Change always teaches us to be everything we’re destined to be.”

ABOUT BILL ABERNATHY: Everyone loves a good story about second-chances, and that’s exactly what Bill Abernathy’s story is all about. The Kansas City, Missouri resident began writing songs in his early teens. He played all through his school years, but then he stopped…Life took over. Bill went about getting married, building a business career, and raising his children. After his kids graduated from school and started their careers, Bill picked up the guitar again and began trying to rekindle his love of music. In 2017, Bill’s album “Find A Way” reached #5 on the Roots Music Report Traditional Folk Albums chart, spending more than a year on the chart. His single, “Goodbye Will Never Come Again” reached #1 on the Traditional Folk Songs chart. His current album, “Crossing Willow Creek” features the Top 100 iTunes chart and Top 5 New Music Weekly chart single, “Cry Wolf.” Bill is a Billboard Magazine Emerging Artist. www.billabernathy.com

http://www.facebook.com/billabernathymusic
http://www.twitter.com/bill_abernathy
https://open.spotify.com/album/4ZyeucH7iBLIQ9WFqVUKzX

Introducing our ARTIST of the MONTH for APRIL, California’s one and only KATIE KNIPP.

NO SPOTLIGHT, NO ALBUM, APRIL WILL HAVE AN ARTIST OF THE MONTH.

Having hit #10 on the Blues Albums Billboard Charts with her 5th album release titled “Take it With You,” Northern California Blues Americana Siren Katie Knipp is equipped with powerful vocals and plays a variety of instruments from boogie woogie piano to slide guitar, to honest harmonica laden stories in between.  Her various performance formats from raw solo act to full band captures audiences hearts from her first notes.  She has opened for Robert Cray, Joan Osborne, The Doobie Brothers, Tim Reynolds, Jon Cleary, The James Hunter Six, among many others.  Her sound has been compared to Larkin Poe, Bonnie Raitt, Joss Stone, Beth Hart, and what the late Taz Digregorio of the Charlie Daniels band once said, “Dylan in a Dress!”

Blues Americana artist Katie Knipp has been on a passionate musical journey her entire life. Always in choir, she was drawn to the piano at the age of 15. Since there was no piano at home, she began teaching herself on every lunch break during high school in the choir room. Beginning college, Katie believed it would be practical to major in medicine. Singing in a choir rendition of Mozart’s Requiem changed her future path. The haunting beauty of the music made tears roll down her face, and she knew that, in order to follow her heart, she would dedicate herself and her studies to music. Attending U.C. Santa Cruz, Katie enjoyed the calm, serene new environment.

Driven to continually grow, she taught herself guitar on the beaches of California’s coast. “The waves would drown out any mistakes I made, so that I wouldn’t be embarrassed by wrong notes,” says Katie. As she dug deeper into her music major, it became clear to Katie that she also wanted to write her own material. Witness to a gruesome on-campus suicide on her 21st birthday, she decide she needed a change of scenery; she transferred to Cal State Hayward, where she would earn her Bachelor’s Degree in Music with an emphasis in vocal performance. The dark experience of the suicide, however, would stay with her, and became one of many events that helped mold her writing into the gutsy, soul-on-a-platter type material. To date, Katie has released four studio albums, a DVD, and played hundreds of venues throughout California. Sacramento News and Review nominated her for Best Blues Artist in Sacramento in 2017.

Readers of The Northbay Bohemian voted her band “Number One Band in Marin County” for two consecutive years. Currently laying down roots in Sacramento, Katie has worldwide radio support, has opened for such acts as Robert Cray, The James Hunter Six, Jon Cleary, The Doobie Brothers, Tim Reynolds and Tommy Castro, and shared the stage as a back up singer for Barry Manilow. Her music can be found on iTunes, many other digital mediums, as well as retail cds on www.katieknipp.com. Katie unflinchingly maintains the goal of being a viable force in the music world. Her success is largely based upon her willingness to take risks, diversify her format and learn from collaboration with others. Katie performs in several formats, from solo to full band. Equipped with a powerful voice, Katie also plays piano, guitar, dobro and harmonica. Her hard work has shaped her into a mature artist, focusing on the organic, free elements that reach people the most.  She is also busy raising her two toddler boys as well as teaching piano and voice lessons in Rocklin, California.

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FRANCINE HONEY Releases her latest single and video ‘Shacked-Up Sweetie’ From the album ‘To Be Continued…’

Hard-luck stories can have happy endings. Especially in Francine Honey’s world. “Some of these songs are about going through tough times and then getting to the other side,” the Ontario singer-songwriter says of her third record To Be Continued... “I know I’ve certainly been through my share of struggles. But it’s important to have hope and know you’re not alone. If you’re going through something, someone else has gone through it too. And you have to remember: You don’t know what’s around the corner. Your ‘to be continued…’ might be beyond what you ever imagined.”

To Be Continued… is an album that showcases Honey’s most striking and stirring compositions. “I’m so happy,” she says. “I’m really proud of this record and how it all came together.” Cut in Nashville with Grammy-nominated producer Neilson Hubbard (John Prine, Mary Gauthier, Jason Isbell) and first-call players like guitarists Will Kimbrough and Kris Donegan, pianist Dan Mitchell, bassist Dean Marold and legendary fiddler Eamon McLoughlin, To Be Continued… takes Honey’s mix of Americana, Country, Rock, Canadiana and Blues to the next level, capturing the sound she’s been chasing for years. “It’s hard to articulate what you hear in your head and get it to come to life through other musicians,” she says. But after getting Hubbard’s name from singer-songwriter Gretchen Peters, she knew she’d found her man. “I looked up the songs he produced and went, ‘That’s what I’ve been hearing!’

Although she’s made music since childhood — “I wrote my first song in 1976” — Honey never dreamed of making it a career.  However, along the way, the down-to-earth artist has displayed extraordinary dedication to her craft. Francine’s debut self-produced album An Ordinary Woman came out in 2008 and was followed in 2014 by Re-Drawn, produced by Lang Bliss in Nashville.  As a graduate of the Berklee College of Music Professional Singer-Songwriter Certificate Program, Francine regularly makes the nine-hour drive from Ontario, Canada, to song-writing workshops in Nashville, where she has been mentored by icons like Beth Nielsen Chapman (who contributes backup vocals to Honey’s Snowflakes On My Eyelashes), Mike Reid (I Can’t Make You Love Me), Mary Gauthier (Mercy Now), Verlon Thompson (Boats to Build), Gretchen Peters (Independence Day) and Jonatha Brooke (My Mother has 4 Noses). Francine is a member of the Songwriter’s Association of Canada (SAC), Nashville Songwriter’s Association International, Canadian Country Music Association and Americana Music Association. She co-ordinates the SAC’s Leamington/Windsor Regional Writer’s Group, mentoring other songwriters. She has showcased at the Texas Songwriters Symposium four years in a row, the WinterFolk Blues and Roots Festival in Toronto, the Kingsville Folk Music Festival and the Folk Music Ontario conference. Francine’s music and song-writing have not only taken her through Canada and the U.S but to the U.K., Switzerland and Italy.

Now, To Be Continued takes Francine’s listeners on a journey.  Courageously drawing from her own life, Honey’s latest songs run the gamut of emotion. Snowflakes on My Eyelashes channels the grief of loss; Can’t Break Through to You examines PTSD; and the moving Marilyn documents a harrowing health scare. “That’s a very tough subject and a very personal song,” she confesses. “The room goes quiet when I play it. But I’ll see someone wipe a tear from their eye, and know that song has touched someone.” It’s not alone: Stay was a semi-finalist in the Canada Songwriting Contest and Mamas Take Bad Dreams Away made the top five in the Canada South Songwriting Contest.

Equally laudable are cuts on the lighter side of the roster: The upbeat driving ode Open Road, the sexy come-hither blues of Honey and the uplifting title cut that chronicles her romance with a friend who re-entered her life at just the right time. “I sure had to kiss my share of frogs,” she quips. “I thought I was just meant to be single and figured we would just be friends, and I was happy with that. Little did I know!” And about Shacked-Up Sweetie, Francine’s latest single release and video, “I wrote this song for my sweetie and I. We talked about getting married and decided not to. It took me a while to work through my feelings about not getting married, but in the end, I realized that it’s really all about the commitment you make to each other, not the church ceremony. True love is just bigger than all of that.”

Francine’s music can be heard on CBC radio, Sirius XM and country stations across North America and she receives millions of views on her videos. She has appeared and been interviewed on CTV News, CFRU’s Folk Roots Radio and more.


Check out the single  ‘Shacked-Up Sweetie’ here:

SPOTIFY

Other useful links:

MEDIA PHOTOS

Links to the full album “To Be Continued…” here :

 ITUNES
AMAZON
APPLE 
GOOGLE PLAY 
SPOTIFY
NAPSTER
TIDAL
YOUTUBE
SOUNDCLOUD

Check out more about Francine Honey here:

Folk Roots Radio interview with Jan Hall:
http://folkrootsradio.com/francine-honey-folk-roots-radio-interview/

Sessions Podcast with Barry Davis :
https://soundcloud.com/user-250213153/sessions-nov-9-2018-guests-francine-honey-kenny-wayne

CTV News Windsor:
https://windsor.ctvnews.ca/video?clipId=1541019&binId=1.1143910&playlistPageNum=1

Scribes & Songsters Interview:
https://youtu.be/nnF_P32ibss

Listen to the new single Alyssa by Kelly’s Lot from the upcoming album’Can’t Take My Soul’

Provided us with a copy of the new single from Kelly’s Lot.

We provide you  all a chance to listen to this beautiful, sad song.

 

Kelly Z told us

“Alyssa is the first song released from our upcoming CD, ‘Can’t Take My Soul’. Alyssa was the daughter of DJ Mark Mushin. We met on facebook after he started playing my last release ‘Rescue’ He asked me for a station ID, personalized for his daughter. He told me stories about Alyssa, her spirit and her battle with Canavan Disease. A few months later she passed away and the song was inspired by all the stories Mark told me. By writing the song, Perry and I wanted to reach out to everyone who needs to be reminded that we must grab a hold of the joy we have today because we don’t now how long it will last.”

 

A note about Alyssa from her family -“Alyssa was born with Canavan Disease, a rare and fatal genetic brain disease. In her short 23 years, without ever speaking a word, Alyssa was able to shine her light on everyone around her. She had a smile that would melt your heart and her laughter would always sooth your soul. Her amazing journey started with me holding her for 4 hours when she was born, forming a bond that will live for all time. She then became a medical pioneer being one of the worlds first to receive gene therapy. She continued to share her pure spirit throughout her whole life making all who knew her the best they could be and taught us all the meaning of true love. Although her earthly experience is done, she still sends us signs from above and continues to inspire us all.”

ALYSSA Credits

Written by Kelly Zirbes and Perry Robertson
Kelly Z – Vocals
Perry Robertson – Guitar
Matt McFadden – Bass
Mike Sauer – Drums
Bobby Orgel – B3
Background vocals – Jenna Mushin, Andrew Mushin, and Jeri Goldenhar
Mixed by Fred Paragano
Mastered by Mike Milchner at Sonic Vision Mastering

ALYSSA Lyrics

It’s there in your heart not trapped in your mind
And easier to feel than to search out and find
And Alyssa she knew the way to get you through
She was never behind but one step ahead of the blues

Some just don’t know what’s right there to see
Looking for easy to set them free
And Alyssa she knew these things don’t get you through
She was never behind but one step ahead of the blues
She was never behind but one step ahead of the blues

Don’t hold on to worry when the answer is there
Don’t try to fix every why, when and where
Take a deep breath and throw away your fears
Cause it’ll all be gone before you know that you’re here

She was never behind but one step ahead of the blues

Don’t hold on to a worry when the answer is there
Don’t try to fix every why, when and where
Take a deep breath and throw away your fears
Cause it’ll all be gone before you know that you’re here.

Stop chasing the questions when its all right there
No one promised this life would be fair
And Alyssa she knew the way to get us through
She was never behind she was one step ahead of the blues
She was never behind she was one step ahead of the blues
She was never behind she was one step ahead of the blues

 

Out Today: Anyone Can See by The Honey Dewdrops

 

March 1, 2019
“This is the kind of slow, thought-out acoustic music that is increasingly hard to come by, with the songwriters putting an equal emphasis on the the craft of lyricism and nuanced yet complex and intricate guitar solos.
– Glide Magazine

Though Kagey Parrish and Laura Wortman of The Honey Dewdrops have long ago traded the Appalachian mountain air for the Baltimore sea breeze, one thing is certain: the duo, who’s fifth independent release, Anyone Can See out on March 1st, 2019, has lost none of the creative energy so prevalent on their previous releases. Rather, the duo are growing rapidly as artists, enthusiastically exchanging perfection for the compelling ebbs that accompany an intimate, authentic kind of expression.

For their newest release, Parrish and Wortman recreated the flexible, spontaneous atmosphere of their live performances. “We focused in on that live energy by sitting close to each other in the studio so we could hear everything in a natural way,” says the duo. “There is no click track on this album and we found that the takes that had the magic, often had some variation of pitch and rhythm.”

While chasing the magic, Parrish and Wortman found that their sense of musical clarity also evolved over the course of the album’s creation. “The process made us look at how we define what is “right” and what is “wrong” in our performances,” says Parrish and Wortman. “What sounded good to us tended to go more in the direction of emotion, dynamics, and improvisation in the arc of a song.”

Though the creation of Anyone Can See contains elements of an artistic awakening in certain senses, Parrish and Wortman have also remained loyal to their roots, with the album evoking the duo’s characteristic heart-wrenching melodies and intricate chord progressions. Producer Nick Sjostrom kept them on a path throughout the process, guiding the duo towards a grounded result even while they were undergoing such rapid growth as artists. “Nick has a great sense of melody and timing and brought forth some interesting ideas for rhythm changes and variations in our song structures,” says the duo. “His input became the fitting pieces to this record puzzle.”Ultimately, Parrish and Wortman decided to keep their listeners at the forefront of their thoughts throughout the production of Anyone Can See. “We want listeners to feel like they are sitting in the room with us, close by,” said the duo. “We used condenser mics to capture the voices and instruments, and we set up a few extra mics at different locations in the studio to get a “room” sound and feel with natural reverb.”

The result is a record drenched in sonic roominess, each of the tracks stretching to fill the space, but with a warmth that allows the album to fit cozily into whichever personal living room, bedroom, bar, or studio it might find itself in. In this way, the intimacy oscillating throughout the record complements and overturns the melodic vastness: nobody will get lost in this expanse.

The Honey Dewdrops are 
on tour now

Tour Dates

Publicity Contact
Lauren Ball
+1 206 557 4447
[email protected]
hearthmusic.com