Libby Koch : Redemption 10 : Live At Blue Rock
Release Date : October 18th
Americana, Country, Folk
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Hear “Just The Way” on Americana Highways
“In an era of widespread vocal sweetness, Libby Koch has that rare blend of powerful real-life honesty in her vocals that lends instant depth and credibility to her songs.”
– Melissa Clarke, Americana Highways
“Her music makes you want to persevere on the off chance that the new morning might yield an unexpected creation. Such moments may be fleeting, but there are none as rewarding.”
– No Depression
“Koch plays country the way it is meant to be played, with emotion, musicianship, and earthy, clever songwriting.”
– That Music Mag
To celebrate the tenth anniversary of her first album, Redemption, Americana singer-songwriter Libby Koch is releasing a full band, track-for-track reimagining of the original solo acoustic recording. Redemption 10: Live at Blue Rock will be released by Berkalin Records on October 18, 2019.
The format of this record was an experiment for Koch. Recording her 2016 album Just Move On on Music Row in Nashville hooked Libby on the energy of making a record with a band playing the songs together, recording live in the studio. She wondered what it might be like to add a live studio audience to the equation – to let fans be part of the experience as well. Koch found the perfect location for this endeavor at Blue Rock Artist Ranch and Studio in Wimberley, Texas. Blue Rock is a state of the art studio and performance space in the Texas Hill Country that has the capability to film and broadcast live performances while providing an intimate experience for the audience and capturing pristine audio of the performance.
With the location set, Libby enlisted her friend Patterson Barrett (Buddy Miller, Jerry Jeff Walker, Nanci Griffith) to co-produce the project and assemble an all-star band of Austin musicians to record Redemption 10 in front of a live studio audience at Blue Rock. Tickets quickly sold out. Libby and the band played the album straight through once and then played a second take of a couple of songs, but in the end they decided that the flow and the feeling of the first takes were the ones that needed to be on the record. It was a magical evening.
While not a traditional live album, the atmosphere and the feedback from the crowd absolutely fed the band and shaped the experience that was caught on tape. Koch and her band sound relaxed and in an energized zone that only a live setting can provide, but at the same time they have the tight knit sound of an experienced studio band. In the end the experiment was a resounding success. The record shows a Libby Koch that her fans have loved for a decade now and presented these tracks in a fuller more realized way. If Redemption 10 is your introduction to Koch, you are in for major musical treat.
The band of Austin all-stars included lead guitarist Bill Browder (Denim, Steve Fromholz), drummer Eddie Cantu (Bruce Robison, Maren Morris), violinist Javier Chaparro (Austin Symphony, John Denver), and Glenn Schuetz (Jimmy LaFave). Libby played acoustic guitar, harmonica, and sang lead vocals, while Patterson Barrett rounded out the sound of the record by providing pedal steel, piano, organ, mandolin, and harmony vocals.
When asked about the inspiration behind the project Koch says:
“Ten years ago, when I recorded Redemption, I was a young attorney at a big law firm in Houston. At the time, I thought this was probably the only record I would ever make, and I certainly didn’t anticipate I would ever have a career in music. Once I self-released the album and started playing shows and selling copies of the CD in Houston, one thing led to another, and before I knew it, I was building a career in music! Ten years later, I’ve put out a few more records (Redemption 10 will be the sixth), and I’ve played hundreds of shows across the US and Europe. It’s been an incredible adventure, and I’m most thankful for all the great friendships I’ve made with musicians and music lovers across the globe. Revisiting my first album feels like a fun and fitting celebration of the music and memories I’ve made over the past decade.”
1. Houston: I wrote this song the day after I graduated from law school in Nashville. The movers had come and gone, and the house was empty. I was leaving for my new job and new life in Houston the following morning, but before I left, this song had to be written. At the time, I thought I was saying goodbye to a guy, but upon reflection I now see that I was closing one chapter and starting another.
2. Just the Way: This song is about the somewhat cyclical nature of “dating” (I don’t think the kids call it that anymore). It was written in a time when I was perpetually single and not particularly good at keeping it casual! This has been one of the most fun songs from Redemption to revamp and play live, both for the band and the folks on the dance floor.
3. Can’t Complain: Writing this song was an attempt to gain a little perspective after a breakup and remind myself that, at the end of the day, I was going to be okay. In true Texas style, I was raised to dust myself off and get back on the horse after you fall out of the saddle, and this song is part of that tradition.
4. Stay With Me: I wrote this song in law school. When I played it for my roommate, she said “oh my god, that’s the saddest song I’ve ever heard.” Little did she know, I was just getting started!
5. Redemption: One of the most interesting elements of this project has been revisiting the songs to see if they’ve changed, I’ve changed, or both! This is one of the songs that has grown in meaning and depth for me, as it was written for someone who I now know never really loved me back. Now I sing it for someone who really deserves these words.
6. How Long: This record definitely intertwines spiritual themes into love songs…How Long is a great example of that. I based this song on the text of Psalm 40, with lines of each verse and the chorus tracking the Psalm: “I waited patiently for the Lord, and he turned to me and heard my cry. He brought me up out of a slimy pit, out of the miry clay, and set my feet upon a rock, and gave me a firm place to stand”
7. Down: This is probably the song that changed the most from the original version. I always heard this song in my head as a honky tonk number, but Patterson said “what if we make it a rocker?” Once the band kicked into gear on this groove it was clear that it was meant to be. We had THE most fun with this song!
8. Don’t Give Up On Me: This is a spiritual song that I wrote in high school. I got my start playing guitar in my church’s youth group and the Young Life band, so a lot of my early songs were written from a spiritual angle. At such a young age it was easier for me to write those spiritual songs than it was to write something personal about someone else…I was so afraid people would figure out the songs were about them!
9. Ready Now: This is another song I wrote when I was young that started out as a spiritual song, but ended up being a love song. It’s also one of the songs that has changed for me in the past decade since I recorded the original version. Now I see this song as a readiness to dive in headfirst to life and love to see what happens (spoiler: good things usually happen when you do that).
10. I Still Miss Someone: I decided to close the album with one of my favorite Johnny Cash songs, I Still Miss Someone. The original Redemption version was just me, my harmonica, and my guitar…a really intimate version of the song. This live version ended up being a little more lively and faster than we anticipated, but I think we were all having such a great time and in a nice groove that it turned out the way it did. I love both versions and am so happy with how this entire project turned out.