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TME.fm Radio Song for September – Magic Of The Music by Josie Bello

“SING THE BLUES, LIGHTEN YOUR LOAD”

Blues from Josie and I believe it was just for me.

A cheerful, twangy Blues song that helps sorrows fall like rain.

Josie really shows her songwriting ability with this opus and her backing vocals are great too.

 

A lot of stars are behind Josie (see image) and I hope they are queuing up for her to write some songs for them.

Kelly’s Lot has new album ready and waiting for release August 28, 2020

California based band releases their 15th album in 26
years. Another Sky is Contemporary Folk, Roots Rock,
and at times, Alt Country. Americana with Guts and Heart.
Co-produced with Doug Pettibone, pedal steel, mandolin
and guitar player who has toured with John Mayer, Lucinda
Williams, Zucchero and most recently Kiefer Sutherland
After playing the Blues for the last 10 years, Kelly’s Lot
returns to their Folk beginnings, featuring songs inspired by
words from their fans and the hearts of those they
encounter.

Focus Songs
BUTTERFLY
A Contemporary Folk song that brings on happy tears as
you say goodbye to those you love. The guitar dances with
the mandolin and the background vocals hug the singer in
a warm blanket. The song celebrates those we love who
will continue to fly like a butterfly.

I WILL FIND YOU AGAIN
A Roots Rock song inspired by everlasting love and the
sacrifice that soldiers make as they travel to distant lands.
With an Irish feel, the guitars and fiddle harmonize on a
bed of drums, bass, pedal steel and B3.

A Little History
Kelly’s Lot was formed in 1994 by Kelly Zirbes, a Folk
singer/songwriter with a heart for the Blues. In 1996 Kelly Z
met guitar player and soundman, Perry Robertson, who
soon after produced ‘Kelly’s Lot – Live at the Troubadour’.
Within a year he joined the band, started writing songs with
Kelly Z and added the southern sound and Texas
influences that have shaped their music. In May and June
of 2020, Kelly Z and Perry worked with Doug Pettibone to
record a new selection of Contemporary Folk and Roots
Rock songs. Six of the songs on the album were inspired
by words from fans on Facebook. Kelly Z challenged them
to look in their hearts and share just one word. She then
chose a word and wrote a song in two hours.
As a duo, a 4 piece, or a full 8 piece band they always pack
a lot of energy while still getting to the heart of the listener.
KellysLot.com

[email protected]

818.769.2701

We have a Spotlight Album for August! never mind Covid, Josie Bello releases “Have Purpose Live Long” on the First of the Month.

Quite a Hiatus but “Spotlight album” is back.

One of our favorite Artists Josie Bello releases Have Purpose Live Long

And we love it!

Have Purpose, Live Long is a collection of 8 original Josie Bello songs, and will be available for streaming and download through most popular music sites like Spotify, Soundcloud and Amazon on August 1st. Physical CDs will be available for purchase at Bandcamp and CD Baby. The album was produced and recorded by Mike Nugent and mixed by Kevin Kelly at the Workshoppe East in Huntington, NY.

Track Two “Magic of the Music” will be Song of the month on Radio BluesFlac during August

Don’t forget you can also listen to TMEfolk Radio and catch a track there in glorious lossless flac.

TMEfolk Radio

Radio BluesFlac

https://josiebello.com/

Have Purpose Live Long – Josie Bello, from a radio station managers point of view

Not a review as such because our Station Manager is not a reviewer, the following words are his thoughts on Josie’s sophomore album.

 

“Eight tracks so not too much to listen to, some of those 14 track albums take some listening to.

Having waited for months to hear Josie’s new work on “Have Purpose Live Long”  I  was excited and nervous when I put the CD on.

The debut album “Can’t Go Home” was a very good album showing off Josie’s enormous talent as a song writer, yes I was nervous.

First up was the title track and as it started I thought Josie was doing a duet with Mary Gauthier as lead but no it was just Josie showing that she can sing too.

As a songwriter she has shown she has great talent and should be selling songs left, right and center. On “Have Purpose Live Long” not just great lyrics but the music performed by Josie, Mike Nugent and Jonathan Mele is first class. Don’t forget Kelly & Kat’s vocal backing, short and sweet.

So after four & a half minutes I was no longer nervous, I settled down to enjoy the other seven songs.

35 minutes later I knew I did not have to tell little white lies to Josie when she asks “WELL?”

All the lyrics are as good as any written by the “majors” and the music goes perfectly with them.

It was fun to imagine who could do a cover of each song and my list of names was impressive. There is nothing wrong with Josie’s performance but the songs are that good they need that little bit extra artists like Bonny Raitt, Mary Gauthier, Emmylou Harris or Tom Waits.

The album is perfect for airplay, songs not to short and not to long, the lyrics make you “listen” and the music is mixed with the voice by Kevin Kelly just right. Crisp and clear singing not overpowering the music and Vice versa.

Now to the highlight of the album for me Track two – “Magic Of The Music”. Blues, Josie wrote a Blues song for me! she knows I love the Blues. I joking said “you wrote a Blues song for me”

btw: I actually did write Magic of the Music for you. I can’t believe you said that” Josie replied.

Listen to Magic of the Music below.

10 out of 10 to Mike Nugent for his work on the album as producer and Guitars, Bass, Banjo & Uke, he also recorded it. In fact 10 out of ten to all involved. (Josie’s voice gets a 10 for effort).

If  the album “Have Purpose Live Long” was performed by a Lear Jet owner it would top the Billboard charts and be in line for a Grammy, performed by Josie Bello it is a perfect showcase of her songwriting talent and will get plenty of airplay and hopefullt spins on Spotify, Deezer etc.”

Have Purpose, Live Long will be available for streaming and download through most popular music sites like Spotify, Soundcloud and Amazon on August 1st. Physical CDs will be available for purchase at Bandcamp and CD Baby.  The album was produced and recorded by Mike Nugent and mixed by Kevin Kelly at the Workshoppe East in Huntington, NY. 

 

 

 

 

 

 

 

 

 

 

 

Aoife O’Donovan – Bull Frogs Croon (and other songs). A Music Emporium Review by Jon Hutchinson.

Great singer songwriters work within the spaces of music, making the most of a self-imposed rationing of their talent, creating subtlety where others chase chaos and noise. Aoife O’Donovan has captured the art of seemingly effortless creativity, weaving fine threads of poetry around the light frameworks of her music. There is such depth in her voice, which is at times mesmerizing, layer upon layer of tone and expression, it’s complex and so effortless.

O’Donovan hails from Massachusetts, but spent childhood summers in Ireland, and the influence of melodic and often haunting Irish folk, and the often irreverent and adventurous nature of American folk is inherent throughout her compositions. Alison Krauss recognized this when she recorded Aoife’s “Lay my burden down”.  I guess most musicians will become the driver of their music or the follower of someone else’s, in O’Donovan’s case she seems driven to explore, to invent, to innovate. Having helped to create ‘Crooked Still’, she went on to co-create ‘Sometymes Why’, two ventures that produced so much in a short time. In 2015, a collaboration with Sarah Watkins and Sarah Jarosz at a bluegrass festival ended with a tour and an album for ‘I’m with her’. All this was happening whilst a much-vaunted solo career was in the making.

The wonderful thing about this new work is that it is an album with a theme, or should I say a part theme ‘Bull Frogs Croon (and other songs)’ is as good a description as you’ll see anywhere, offering variations on the main motif interspersed with two traditional folk songs, O’Donovan works with a string quartet to produce an original and introspective work.

Opening with ‘Bull Frogs Croon – Night Fishing, the central theme is set for the Bull Frog tracks that follow. The use of a string quartet and the variations on that central theme which O’Donovan explores are reminiscent of the classical style. Sometimes delicate and fragile, they build through ‘Bull Frogs Croon – The Darkness’, in haunting staccato layers, before returning to peace in the third track ‘Bull Dogs Croon – Valentine’ a reprise of the main theme but with added depth and charm, just as a classical work puts forward a central refrain, then explores the limits of it, before returning to its core.

The album then takes a detour, and it’s a song that O’Donovan has sung many times. ‘The Lakes of Pontchartrain’ is a traditional American folk song with a fascinating, if uncertain, history. It appears at the beginning of the 19th Century and is a tale of a man given shelter by a Creole woman. Man falls in love with the woman who has saved him and in the twist that gives the song all its poignant beauty, she declares that she is betrothed to another and her promise and loyalty to him is final. It’s not a tale of unrequited love, but rather two people who in another world could be together. There is such warmth and depth in this track, it might be a variation from the main emphasis of the album, but it is wonderful, it is warm, sensitive, a bittersweet song that leaves a strange kind of comfort in its wake.

‘Pretty Bird’ follows the same path, treading ground untouched by the Bull Frogs and adding to the charm of the whole work. A song penned by Hazel Dickens. This pure and simple version is testament to Aoife O’Donovan’s ability to wrest every last emotion from a song, every last drop of meaning and inflection.

Returning to Bull Frogs Croon (Reprise) for the final act in this work, there is a more upbeat feel to the arrangement, the work with the quartet has come full circle, it is time to take stock of what we have heard and what we have experienced. As the strings take their leave and we can look back and take in what Aoife O’Donovan has achieved with this album.

Bull Frogs Croon (and other songs) is a work that furthers O’Donovan’s standing as an artist with immense talent, there was little doubt about that in all honesty, but this venture suggests that she is prepared to explore, and that is why this this album is so welcome. We have a songwriter with a soulful voice, forged in Irish and American folk music, who seems tied only to her own boundaries.

©Jon Hutchinson

New Single “Reckless Daydreams” by Trevor Alguire

 

Reckless Daydreams – the new single, marks the first taste of Trevor Alguire’s 7th album, bringing with it a maturity in songwriting seldom seen and rarely reached, captured by only a select few of this country’s most prolific well-travelled veteran songwriters. Alguire draws from over a decade of touring across North America and Europe.

Trevor had just hit the studio to start recording Reckless Daydreams when he received the news that his mom had cancer, six weeks later she was gone. Trevor boarded a plane one week later for a two-week tour of Europe unsure if he would even continue the album upon his return. “My mom was my anchor, keeping me grounded every day, and to suddenly have her taken away I can’t even start to describe that kind of heartache. Forcing myself back into the studio as a way to grieve was my way of coping, and each song started to take on its own meaning and direction.” Thus forming an album unlike any other Trevor has written to date, an album of reflection, loss, heartache and hope.

 

Rebecca Noelle (backing vocals) and Jeff Asselin (drums) of The Commotions accompany Trevor on the new single Reckless Daydreams, along with Fred Guignion on guitar and Alex Mastronardi on bass and keys. Reckless Daydreams comes on the heels of his last album Perish in The Light’s very successful run in the top 5 for over 32 weeks on the Roots Music Report Chart and calls from many to the awards committees (The Juno Awards & The Polaris Prize) to take note.  With over 70 songs recorded in only a decade Alguire travels through this world passionately sharing these stories with everyone he meets. All the while gathering and documenting these special moments and conversations while continuing his heart felt journey assured to leave in his wake a lifetime of precious stories told.

Irish Contemporary Singer-Songwriter Siobhán O’Brien Announces Third Full-Length Album “You Can’t Run Out of Love” Out Late January 2020

(New York, NY) November 2019: Conveying honesty and vulnerability, contemporary singer-songwriter Siobhán O’Brien is excited to announce her new album You Can’t Run Out of Love, out late January 2020. Recorded in Austin, Texas, at Cicada Moon Studios, O’Brien worked alongside John Bush (percussionist for Edie Brickell &  New Bohemians) and Matt Hubbard (keyboardist for Edie Brickell &  New Bohemians). Together they brought to life 10 original songs, each documenting important moments in her life since she left Ireland for the US in 2016.

Inspired by great American singer-songwriters such as Joni Mitchell, Bob Dylan, Neil Young, Leonard Cohen, Brandi Carlile,  Sheryl Crow, and Joan Baez, O’Brien creates heartfelt tracks inspired by changes throughout her life. She shows her raw and vulnerable side through her tracks such as “Love Is The Holy Grail,” “Mother,” and “She Hides My Plecs.”

Reflecting on her upcoming album, O’Brien says, “I feel this record is about transitioning, it’s about acceptance, it’s about adventure, it’s about risk-taking. It’s a reminder to me to stay the course. To not give up. The theme is ‘women’ as I co-wrote the title track  ‘You Can’t Run Out Of Love” with Jude Johnstone which is about the modern-day stress and struggles that mothers have to endure and ‘I Stayed Too Long’ is a co-write with  Linda McRae. The last track ‘Mother’ is an apology to my own mother. “She Hides My Plecs” is about my sister. I want this record to bring joy and healing.”

Now, Siobhán O’Brien is excited to share her third studio album, You Can’t Run Out Of Love, with the world on late January 2020. The record will be introduced through her new single and title track “You Can’t Run out Of Love” releasing in November.

Be sure to follow Siobhan O’Brien on social media for exclusives and music updates.

 

 
You Can’t Run Out Of Love
Tracklist…

1. You Can’t Run Out Of Love
2. The King’s Fool
3. Love Is The Holy Grail
4. Give Me Back The Love
5. The Burger Song (2 – 2.15 am)
6. Hold Me In Your Arms (Maybe this too)
7. I Stayed Too Long
8. She Hides My Picks
9. Sanctuary
10. Mother

 

As a fourth-generation Irish musician, music has always been an important part of Siobhan O’Brien’s life. At the age of 16, she threw aside the piano and fiddle, dedicating herself to the guitar. Her musical ambitions grew as she released her original music to the world. Her debut album Mumbo Jumbo Bla Bla, released in 1996, went on to garner praise and national airplay throughout Ireland. In 2008, Siobhan released her album I Grew Up To, which featured famed Irish musician Paddy Moloney of The Chieftans and led to a performance at the Boston Symphony Hall with them the same year.

In 2016, Siobhan O’Brien made the move to America, deciding that was where she wanted to lay down her musical roots. She hit the ground running, opening for artists such as Nick Lowe at the acclaimed Birchmere Music Hall and had been awarded a coveted spot in the Folk-DJ Showcase at North East Regional Folk Alliance (NERFA) by Mary Cliff.

Libby Koch to Release New Album, Redemption 10 in October

 

Libby Koch : Redemption 10 : Live At Blue Rock
Release Date : October 18th
Americana, Country, Folk
www.LibbyKoch.com 
Facebook : Twitter : Instagram

Hear “Just The Way” on Americana Highways

 

“In an era of widespread vocal sweetness, Libby Koch has that rare blend of powerful real-life honesty in her vocals that lends instant depth and credibility to her songs.”
– Melissa Clarke, Americana Highways

“Her music makes you want to persevere on the off chance that the new morning might yield an unexpected creation. Such moments may be fleeting, but there are none as rewarding.”
– No Depression

“Koch plays country the way it is meant to be played, with emotion, musicianship, and earthy, clever songwriting.”
– That Music Mag

To celebrate the tenth anniversary of her first album, Redemption, Americana singer-songwriter Libby Koch is releasing a full band, track-for-track reimagining of the original solo acoustic recording. Redemption 10: Live at Blue Rock will be released by Berkalin Records on October 18, 2019.

The format of this record was an experiment for Koch. Recording her 2016 album Just Move On on Music Row in Nashville hooked Libby on the energy of making a record with a band playing the songs together, recording live in the studio. She wondered what it might be like to add a live studio audience to the equation – to let fans be part of the experience as well. Koch found the perfect location for this endeavor at Blue Rock Artist Ranch and Studio in Wimberley, Texas. Blue Rock is a state of the art studio and performance space in the Texas Hill Country that has the capability to film and broadcast live performances while providing an intimate experience for the audience and capturing pristine audio of the performance.

With the location set, Libby enlisted her friend Patterson Barrett (Buddy Miller, Jerry Jeff Walker, Nanci Griffith) to co-produce the project and assemble an all-star band of Austin musicians to record Redemption 10 in front of a live studio audience at Blue Rock. Tickets quickly sold out. Libby and the band played the album straight through once and then played a second take of a couple of songs, but in the end they decided that the flow and the feeling of the first takes were the ones that needed to be on the record. It was a magical evening.

While not a traditional live album, the atmosphere and the feedback from the crowd absolutely fed the band and shaped the experience that was caught on tape. Koch and her band sound relaxed and in an energized zone that only a live setting can provide, but at the same time they have the tight knit sound of an experienced studio band. In the end the experiment was a resounding success. The record shows a Libby Koch that her fans have loved for a decade now and presented these tracks in a fuller more realized way. If Redemption 10 is your introduction to Koch, you are in for major musical treat.

The band of Austin all-stars included lead guitarist Bill Browder (Denim, Steve Fromholz), drummer Eddie Cantu (Bruce Robison, Maren Morris), violinist Javier Chaparro (Austin Symphony, John Denver), and Glenn Schuetz (Jimmy LaFave). Libby played acoustic guitar, harmonica, and sang lead vocals, while Patterson Barrett rounded out the sound of the record by providing pedal steel, piano, organ, mandolin, and harmony vocals.

When asked about the inspiration behind the project Koch says:

“Ten years ago, when I recorded Redemption, I was a young attorney at a big law firm in Houston. At the time, I thought this was probably the only record I would ever make, and I certainly didn’t anticipate I would ever have a career in music. Once I self-released the album and started playing shows and selling copies of the CD in Houston, one thing led to another, and before I knew it, I was building a career in music! Ten years later, I’ve put out a few more records (Redemption 10 will be the sixth), and I’ve played hundreds of shows across the US and Europe. It’s been an incredible adventure, and I’m most thankful for all the great friendships I’ve made with musicians and music lovers across the globe. Revisiting my first album feels like a fun and fitting celebration of the music and memories I’ve made over the past decade.”

 

Songs:

1. Houston: I wrote this song the day after I graduated from law school in Nashville. The movers had come and gone, and the house was empty. I was leaving for my new job and new life in Houston the following morning, but before I left, this song had to be written. At the time, I thought I was saying goodbye to a guy, but upon reflection I now see that I was closing one chapter and starting another.

2. Just the Way: This song is about the somewhat cyclical nature of “dating” (I don’t think the kids call it that anymore). It was written in a time when I was perpetually single and not particularly good at keeping it casual! This has been one of the most fun songs from Redemption to revamp and play live, both for the band and the folks on the dance floor.

3. Can’t Complain: Writing this song was an attempt to gain a little perspective after a breakup and remind myself that, at the end of the day, I was going to be okay. In true Texas style, I was raised to dust myself off and get back on the horse after you fall out of the saddle, and this song is part of that tradition.

4. Stay With Me: I wrote this song in law school. When I played it for my roommate, she said “oh my god, that’s the saddest song I’ve ever heard.” Little did she know, I was just getting started!

5. Redemption: One of the most interesting elements of this project has been revisiting the songs to see if they’ve changed, I’ve changed, or both! This is one of the songs that has grown in meaning and depth for me, as it was written for someone who I now know never really loved me back. Now I sing it for someone who really deserves these words.

6. How Long: This record definitely intertwines spiritual themes into love songs…How Long is a great example of that. I based this song on the text of Psalm 40, with lines of each verse and the chorus tracking the Psalm: “I waited patiently for the Lord, and he turned to me and heard my cry. He brought me up out of a slimy pit, out of the miry clay, and set my feet upon a rock, and gave me a firm place to stand”

7. Down: This is probably the song that changed the most from the original version. I always heard this song in my head as a honky tonk number, but Patterson said “what if we make it a rocker?” Once the band kicked into gear on this groove it was clear that it was meant to be. We had THE most fun with this song!

8. Don’t Give Up On Me: This is a spiritual song that I wrote in high school. I got my start playing guitar in my church’s youth group and the Young Life band, so a lot of my early songs were written from a spiritual angle. At such a young age it was easier for me to write those spiritual songs than it was to write something personal about someone else…I was so afraid people would figure out the songs were about them!

9. Ready Now: This is another song I wrote when I was young that started out as a spiritual song, but ended up being a love song. It’s also one of the songs that has changed for me in the past decade since I recorded the original version. Now I see this song as a readiness to dive in headfirst to life and love to see what happens (spoiler: good things usually happen when you do that).

10. I Still Miss Someone: I decided to close the album with one of my favorite Johnny Cash songs, I Still Miss Someone. The original Redemption version was just me, my harmonica, and my guitar…a really intimate version of the song. This live version ended up being a little more lively and faster than we anticipated, but I think we were all having such a great time and in a nice groove that it turned out the way it did. I love both versions and am so happy with how this entire project turned out.

 

www.BrokenJukeboxMedia.com
[email protected] 

Full length debut album from East Nashville resident, Nick Nace. Wrestling With The Mystery will release officially on October 25th.

Dust of Daylight premiered the first single, “Fly In A Bottle” last week. The record was produced by Jon Latham and is being released by Flour Sack Cape Records. Below is more info on Nick and the album, downloads and a private stream. A select number of hard copies will go in the mail soon, so if you’d like one please let me know. Nick is available for interviews upon request as well. Thank you all for everything you do.

Hear “Fly In A Bottle” on Dust of Daylight

“Nick Nace’s songs pair well with a good, long drive. Each one moves just at the right speed, poetically painting scenes of all those characters you meet out on the road — and all those thoughts you think alone behind the wheel. He’s not just a songwriter’s songwriter, he’s a troubadour’s troubadour.”
– Jaimee Harris (Songwriter)

“I love Nick’s writing style, reminds me of John Prine but with it’s own character also, check him out!”
– Mick Flannery (Songwriter)

Nick Nace’s path from Canada to New York City to Nashville has been one filled with music, but the acclaimed folk singer-songwriter admits his muse led him in a different direction throughout his younger days than it does presently. Even though he was raised on a steady diet of Queen, The Band, the Beatles and even Beck, it was the bite of the acting bug that led him to relocate from the Great White North to the Great White Way.

“I always loved music, but I was a drama kid,” he admits. Fresh out of high school in the late ’90s Nace moved to New York City to pursue acting, and it was then his musical urges began taking a greater hold of his spirit than ever before. He bought a cheap, blue guitar and found himself playing in student housing halls more frequently as the months passed. He was attending acting school, but that cheap guitar was guiding him towards the tunes.

“I loved acting school,” he remembers. “But I could feel this pull to the guitar and songs that I had never felt for drama. Then I heard Bob Dylan’s first record and my mind was blown. The rawness and energy floored me. I was hooked. then my friend played me some Velvet Underground and I couldn’t stop listening. It had soul, it had honesty. After that, I pretty much stopped acting.”

“Why would I be a conduit for someone else’s words when I could write my own,” Nace asked himself during that college-aged musical enlightening.

Soon after forming his first folk duo, A Brief View of the Hudson, with a friend from acting school, Nace found himself with prime weekly gigs, and eventually recording an EP and an LP with the duo. And for a while, that was enough. But the urge to grow as a songwriter and to tell new stories in new ways led him to discover that the Big Apple wasn’t where he needed to be in order to move ahead.

Nace has come a very long way since moving into an East Nashville basement apartment, sight unseen, in December of 2015. He discovered a community of talented, like minded writers and musicians and began working with them. He’s toured Ireland, Canada and throughout the United States, including prized slots at the Mississippi Songwriters Festival, Dripping Springs Songwriter Festival and even won the Gulf Coast Songwriter Shootout.

Wrestling With the Mystery, Nace’s latest full-length effort, is as open-hearted and sincere as it is addictively catchy and melodic, recalling the fine country-folk efforts of Hayes Carll, Justin Townes Earle, Slaid Cleaves and James McMurtry. Recorded with producer John Latham, who also provided guitar and vocals to the record, at Nashville’s Cafe Rooster, the album features stories that are intimately, even painfully, personal, touching and tragic.

The stunning Fly in a Bottle, looks into the sort of regrets we all have, though few of us ever admit to. It’s a great example of how Nace can turn something dark into something shining.

“At the time I wrote this my ex-wife was in a fairly bad and abusive relationship and it was very painful to watch her go through something that. It was very hard to understand. It made me think if perhaps I’d been a better partner she wouldn’t have ever put herself in that horrible situation in the first place.”

Inspired by a chance encounter one day after attending Easter church services in Mississippi, “Clarksdale Katie,” is the sort of out-of-nowhere tale that grabs the listener with a force that doesn’t let go until the track changes. Artists like Nace have a gift for taking each day’s interactions and chronicling them in ways most of us can’t fathom.

“I ended up meeting and sitting beside a nice young woman named Katie. After the service we were hanging out at a local watering hole and she was very worried about not hearing from this friend of hers. So, we drove over to the friends and knocked on the door but no one answered. Later in the day Katie disappears for some time. It turns out she had a bad feeling and went back to her friends place only to find her in bed half unconscious having swallowed a bottle of pills. Somehow, she gets inside, calls an ambulance and saves her friend’s life.”

When he sings, “I’ve given up on love, burned your wedding gown, given up on concrete, and riding underground” in album-opening “One More Song” he’s looking into the dissolution of not only a romantic, real-life relationship, but at his break-up with New York City, the place he thought he would live out his days living a different sort of dream.

To close out the record, Nace offers perhaps his most personal story. In a confessional, storyteller’s way that Guy Clark would be proud to hear, Nace sings about “Grandpa’s Old Guitar.”

“It’s the true story of my Grandpa’s old Gibson guitar he bought for $50 after getting back from WWII,”he says. “He loved to play guitar and sing old folk and country songs. He would play it at family picnics and gatherings, and towards the end of his life he offered to pass the guitar down to me. But the day I went by his place to get it he wasn’t home. Two weeks later he went into the hospital and never came out. My grandmother eventually gave it to me but I never got a chance to have that moment with my grandpa and I’ll always regret not making it back over there before he passed away.”

From Ontario to the Big Apple to Music City, Nick Nace has moved in order to experience, to grow. But through it all he’s continued to craft stunning song after stunning song based upon the people, conversations, trials and triumphs of the path that only he has traveled, and only he can share.
Nick Nace : Wrestling With The Mystery 
Release Date: October 25th
Americana : Folk
www.NickNace.com 
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Cornell Kinderknecht Timeless sound for a contemporary world… Dreamtime.

The flowing melodies and subtle harmonies of Cornell Kinderknecht’s flutes, reeds and keyboards blend with the moving rhythms of Martin McCall’s drums and percussion to take you to a place where all things are possible – a place where you can be at peace while feeling energized – a place of mystique and wonder – a place of fantasy where you can play and let your imagination run free…

Label: Little Greyhound Music Catalog #: AMUS-0104

Release date: November 2013

Genres: Instrumental, World Fusion, New Age, Ambient

Together, Cornell and Martin create a collection of instrumental music that is equally poignant as it is bold. It’s the perfect music for listening while at the same time, you can zone out and chill with it, get up and move with it, or let it accompany you on a long road trip. Whether it be the grounding earthy songs like Gecko, the mind-opening vastness of Big Sky, the astral exploration of Orion and Voyager, or the quiet longing of One Summer, each song on this work has the power to engage on multiple levels. World flutes and winds virtuoso Cornell Kinderknecht is an award-winning recording artist, composer and performer whose music touches the heart and feeds the soul. He is a winner in the Instrumental category of the Great American Song Contest and has twice been nominated as Texas Music Awards “Musician of the Year” for his solo recordings. His work can be heard in film, television and advertising as well as on numerous other artists’ albums in multiple genres. Martin McCall is a veteran drummer and percussionist and past winner of the Carmine Appice Drum Solo Contest and named a Texas Tornado by Buddy Magazine. Cornell and Martin’s synergistic collaboration provides the perfect roadmap to that special place where all things truly are possible.

“The album is an elegant exploration of melodic soundscapes which convey warmth, contemplation and an innate healing spirit.” – Candice Michelle, Journeyscapes Radio

“I heartily recommend this work for those who want their music to provide them with relief from stress and the modern world, and who seek some quiet time for introspection, and, of course, Dreamtime.” – Rick McDaniel, Independent Reviewer

“Dreamtime is bright and groove inducing, perfect for work and a delight for pure listening enjoyment…” – Amy Martin, Moonlady Media

Cornell Kinderknecht Timeless sound for a contemporary world…
Music that can move the heart, take you on an exhilarating ride and then set you down gently and sweetly right where you need to be. Cornell’s instrumental music has that power to let you lose yourself in bliss with its melodies, tone colors and beauty. Allow yourself to take that ride. You’ll be glad you did.
Cornell Kinderknecht is an award-winning world flutes and reeds virtuoso, pianist and keyboardist. His world flute and reed instruments include Native American flute, bansuri, ocarina, whistle, recorder and saxophone, among others. He is an Indian Summer Music Awards winner, a Top 5 Winner in the Great American Song Contest instrumental category, and has twice been a finalist for Musician of the Year at the Texas Music Awards. Venues Cornell has performed include the prestigious Carnegie Hall, the magnificent amphitheater built into the 2000-foot red rock cliffs of Zion Canyon, the underground “Cave Without A Name,” the Meyerson Symphony Center, and the AT&T Dallas Cowboys Stadium. His music can be heard in film, television series and advertising. In addition to his own recordings, Cornell’s playing can be heard on numerous artists’ CDs in multiple genres. He is in high demand as a performer at festivals around the US.
Cornell‘s original compositions and playing have been described as soothing, soaring, haunting, and playful with influences of Native America, the Middle East, India, and the Far East. His style, which draws from his experience in world, Classical, folk and pop, brings a new and fresh flavor to the instrumental and new age genres.