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BENJAMIN DAKOTA ROGERS – BETTER BY NOW REVIEW!

Well our permanent reviewer has been working hard again, was a bad day when he found out about “copy/paste”.

Or maybe a good day when you read some of his reviews.

 

Good job there are plenty of music blogs that write great reviews.

 

So here is a video that I inserted for your enjoyment.

 

 

Now you have watched that you can read what was “copy/pasted” from the wonderful PR Company

 

We cover a lot of acoustic singer-songwriters around here, so when we do feature one it has to be good. Rogers is talented. The way he cranks up the intensity of the vocal on the “really oughta know better by now” on the chorus reveals something deep and satisfying. It’s disturbingly personal….it’ll rip your damn soul out.” EAR TO THE GROUND MUSIC

Benjamin Dakota Rogers made his highly anticipated return to the folk world with his brand new single, digitally released January 25. Better by Now, strips the genre down to its core and emotionally charges it with raw human experience, immediately earning a top 40 single spot on the Airplay Direct Folk chart. With the release of his new single, this award-winning singer-songwriter and multi-instrumentalist folk-phenom proves he’s at the top of his game in every way imaginable.

Better By Now, the lead track, “a beautifully sad folk pop ballad” (Folk Roots Radio with Jan Hall) sets the tone, proving the depth and maturity of Benjamin coming of age, as he delves into the state we find ourselves while in a relationship and come to realize we “really ought to know better by now.” Cut two is an upbeat song featuring brilliant unbound violin bidding Fare Thee Well, as we realize we love someone but we need to move on. The third track leans into the love of dark starry midnights, reminiscing about Pretty Girls, and featuring haunting harmony with Meg Conti, the song paints a vivid landscape traveling town to town away from those we are far from.

’Til I Die leaves the listener feeling an ache of loss and a yearning to continue the search in the ocean “though she’s six feet in the ground” in these poetically gorgeous, yet grief-stricken lyrics and sorrow filled melody. Benjamin gives us a glimpse of his growing career as a musician in $7, the money needed, ironically, to continue carving his musical path singing “just need seven more dollars to ride that train.” Followed up by an interlude midway in the cd as Benjamin begs the Lazy Old Moon “bring me home safe to her” after fighting another man’s war.

Life is supposed to hurt, to make you feel, and Benjamin does just that in the gripping tale of Home “because if it doesn’t hurt when everything’s said and done and over with what was the fucking point.” Leading next to a reflective time laying in a field realizing friends and family will be missed as Benjamin’s career begins to take off, with instrumentation and vocals that soar in Rockabye. Bluesy, gritty folk storytelling lends further depth to the album in the next track about a fugitive being hunted by a Mercy (less) bounty hunter, inspired by a 1911 Rangers badge in Benjamin’s antique collection.

She Was A Singer is a song about a father telling his child about his Mother “in one of those old timey rock and roll bands” but she is gone. The final track, begins as a lilting, brutally honest love song launching into an energetic almost frenetic near end chorus with well-appointed harmonies and intense instrumentation buildup about living with mental illness and addiction: Saints And Sinners “you won’t find it in that bottle full of answers, that I found on the drug store shelf.

A multi-instrumentalist, singer songwriter and composer, Benjamin Dakota Rogers pushes the boundaries of traditional folk. Combining fiddle, guitar and mandolin with his unique voice and strong lyrics he is creating music that demands attention.” Jan Hall – Folk Roots Radio with Jan Hall  Previous interview

ABOUT BENJAMIN DAKOTA ROGERS

Benjamin Dakota Rogers found a passion and purpose in folk music after inheriting his Great-Grandfather’s violin at the tender age of seven. From budding musician to awe-inspiring performer, his love of creating meaningful music has taken the reins and garnered much attention from folk artists and enthusiasts alike. “Rogers’ unique voice, thought-provoking lyrics, energetic performances and dynamic fiddle techniques leave this up-and-coming musician in a class of his own.” – InSpades Magazine 

With the release of his most ambitious project to date, Benjamin continues to redefine the genre with an infinite sound evolution that promises to deepen the path he’s already carved for himself for years to come. This is an album that can only be delivered from the honesty and grit of a farm boy’s hands. Hailing from the countryside of rural Ontario, Benjamin funnels his penchant for starry nights and nostalgia into his stylized folk sound, reaching far beyond to include influences of roots, blues and country music.

Read more HERE and find Benjamin’s Canadian tour info HERE

 

P.S.

I THINK THE ALBUM IS GREAT

YOU MAY QUOTE ME

Jane Kramer : Valley Of The Bones

Another great artist from the Broken Jukebox Media, Adam Dawson sure knows how to pick them.

In April 2018, Kramer returned to the studio to record her third full-length album. Valley of the Bones is a triumphant collection of original songs that illustrate and explore the expression human of love in all its various forms.

Tracked mostly live (including the vocal performances,) at Sound Temple Studios in Asheville, N.C., Kramer teamed up with her frequent collaborators: Free Planet Radio musicians River Guerguerian, Chris Rosser and two-time Grammy Award winner Eliot Wadopian; as well as Billy Cardine. The album also includes performances by Nicky Sanders of The Steep Canyon Rangers on violin and Asheville Symphony Orchestra musician Franklin Keel on cello.

The collection of 10 original songs was engineered, mixed and produced by Adam Johnson of Sound Lab Studios and co-produced by Kramer and Chris Rosser. Kramer says of bringing the earliest, tentative versions of her songs to Johnson and Rosser for arrangement help and production ideas, “I have never trusted two people more with my art. In the past, I have seldom let people hear my songs until I felt that they were polished, but as my musical relationship with and respect for [Johnson] and [Rosser] have deepened, it felt important to me to to involve them from the beginning”.

“I know that the songs and the record as a whole are much stronger for it, and their gentle but firmly constructive approach has made me a better artist. I’ve been looking for such allies and mentors for a long time,” she adds.

While most of the aforementioned musicians accompanied Kramer on her acclaimed 2016 release Carnival of Hopes, listeners will hear a distinct difference in the band’s chemistry, cohesion and almost electric intuition with one another on Valley of the Bones.

“Simply put, it’s because we’ve been playing together a lot over the past three years since I’ve moved back home to Asheville,” she says. “We’ve gotten to know each other personally, had a little time on the road together, sold out some shows in theaters together and have built an incredible mutual respect. We had genuine fun in the studio. I think all of that translates and comes through on the record.”


photo credit : Rose Kaz
Valley of the Bones’ songs tackle a breadth of subject matter, ranging from marriage to miscarriage. Spirituality and self-acceptance are expressed with poetic grace, vulnerability and unapologetically honest grit. Kramer’s endearing, self-effacing humor is also on full display. This warm, easy storytelling is paired with rich, nuanced arrangements that aren’t afraid to be simple when called for, and are punctuated with the unmistakably bittersweet southern wail of Billy Cardine’s dobro.

Standout tracks include the gutsy and reflective “Hymn” (which was a “homework assignment” from Mary Gauthier, Kramer’s musical mentor) the undeniably smart and sassy “Waffle House Song”, and the profoundly poetic and transcendent title track “Valley of the Bones”. This song was dubbed a “masterpiece” by Lydia Hutchinson of Performing Songwriter Magazine. Also noteworthy are the quirky and hilarious country zinger “I’ll See Your Crazy and Raise You Mine” and the sweet, earnest “Singin’s Enough” which speaks candidly of the struggles of a touring musician.

All of the songs on Valley of the Bones show Kramer arriving confidently and comfortably at home inside as both a woman and a masterful songwriter after over twenty years of honing her craft.

‘”Waffle House Song” proves that while Kramer may be eighteen years into her journey, she is solidly serving up a sizzlin’ hot and delicious portion of nourishment for one’s soul…..kinda like that yellow signed place she sings about.”
– Tara Joan, The Daily Country

“I have watched Jane Kramer work diligently, patiently and persistently on her songwriting over many years, refining her natural ability with words to the level of songwriting mastery. She has composed a new collection of songs that beautifully serve the bold, confident intensity of her voice, and I could not be more excited about it. Bravo!”
– 
Mary Gauthier

“Jane Kramer is a folk singer, I dig that” 
– Malcolm Holcombe

“For a singer-songwriter, Kramer has presented the holy trinity of brilliant and affecting songwriting, divine vocals that crackle with emotion and high class backing and accompaniment. That the result is a beautifully produced album that is a joy to listen to perhaps shouldn’t be a surprise”
-Pete Churchill, Americana UK

“The North Carolinian’s third album, Valley Of The Bones, is packed with memorable acoustic-led tunes, an expressive and attractive voice with autobiographical stories that leave you staggered at the breadth of topics and profundity.”
– Tony Ives, Americana Music Show

“Her strong pretty voice and penchant for vivid lyrics are the deepest talents on display here, though the crack band (featuring Nicky Sanders of Steep Canyon Rangers on fiddle) is surely deserving of praise”
– Joseph Neff, The Vinyl District 

“A lovely down home voice, a sharp pen and great taste in musical pals make this organic/back porch set a high water mark for Americana that’ll just drive friends of owners of this album crazy since said owners won’t stop playing it.”
-Chris Spector, Midwest Record

“Kramer is a natural and you’ll find that in her music, as the songs take you down quiet, gravel country roads, beautiful forests of peaceful mountain retreats, and the sometimes lonely nights of motels and truck stops on the road of life.”
– Sheryl Craig, Nashville Music Guide

“these songs are kick-up your heels good. These are old timey string band tunes with a modern feel, songs that will appeal to traditionalists and Americana fans alike. Turn it up!”
-Viola Krause, Making a Scene

“She appears to be more comfortable and confident in herself and her songs than ever.”
– Billy Phoenix, Steemit

In Depth Interview with Melissa Clarke of Americana Highways 

Interview with Matt Pieken on Blue Ridge Public Radio

Interview on Making a Scene

Review on Roots time by Freddy Cellis

Recorded at Sound Temple Studios in Asheville, NC
www.soundtemplestudios.com
Engineered and Mixed by Adam Johnson of Sound Lab Studios
www.soundlabstudios.com
Produced by Adam Johnson
Co-Producers: Chris Rosser and Jane Kramer
Additional Engineering, String Arrangement for “Wedding Vows” and Mastering by Chris Rosser of Hollow Reed Arts in Asheville, NC.
www.chrisrosser.com
All Songs (Words and Music) by Jane Kramer (ASCAP, Famous Brown Boots Music.)

The Band Is:
Jane Kramer – Lead Vocals on All Songs
Chris Rosser – Acoustic and Electric Guitars, Keyboards, Harmonium, Octave Mandolin, Harmony Vocals
Eliot Wadopian – Upright Bass
River Guerguerian – Drumset and Percussion
Billy Cardine – Dobro
Allison Hall – Harmony Vocals
Nicky Sanders (of The Steep Canyon Rangers)  Fiddle
Franklin Keel – Cello

Texas singer songwriter, Chad Richard’s second album, Worthy Cause. Worthy Cause, produced by Walt Wilkins, will officially release on April 26th

 

Wow that photo is BIG.

Anyway I spend a lot of time reading reviews and looking for “new artists” and I read a couple of excellent ones and listened to “12 More Days Of Blue”

 I thought I should reach out to Chad and get a copy of the album to play on TME.fm as it is going to be good. Lets see it climb the RMR charts and enjoy the music at the same time.

Chad told his PR man and I received a copy immediately, also Adam the man has more artists who are top notch and we will be mentioning those another day. Adam the man actually remembers dickthespic, small world.

 

www.ChadRichardSongs.com
Facebook

“Worthy Cause is an album full of honest truths in styles that range from country to zydeco in blended forms, and this song is at the heart of it.” – Melissa Clarke

Chad Richard (pronounced REE-shard) is a native of the Sabine River bottom, where the river merges Louisiana with Texas’ soil as it winds along. Steeped in the mingling influences of the region, Richard’s songwriting and musical sensibilities fuse Cajun, Texas swing, country and blues styles into an effortlessly born offspring of each side of the river.

Richard writes songs from the heart. Like so many of us, he has loved, laughed, experienced fatherhood, suffered break-up, sorrow, and divorce, and loved again. The experiences of trying to do all the right things as single Dad shaped his songwriting in unique ways, as much as the musical influences surrounding him did. Holding it all together by day, working in a chemical plant, he’d still play solo gigs at night. When Walt Wilkins happened upon Richard at one of these gigs in 2012, Wilkins invited Richard to sit in Wilkins’ band, at about the same time Todd Purifoy (producer and photographer for the Texas Music Scene) approached him about making a record. Forces aligned, connections solidified and before long Walt was producing Richard’s successful debut album: Veteran’s Grocery (2015).

His second release, Worthy Cause (2019), was recorded at Jumping Dog Studio in Austin, Texas. Again Richard turned to Walt Wilkins (Sam Baker, Jason Eady, Susan Gibson) for production and the album was engineered by Ron Flynt. In addition to Richard’s songwriting, acoustic guitar and vocals, other musicians contributing to the album include Wilkins and Flynt, Marian Brackney on fiddle, Chip Dolan (The Band of Heathens, Greg Trooper) on pianos and organs, Geoff Queen (Kelly Willis, Jason Boland & the Stragglers) on steel guitar, and Corby Schaub (Ryan Bingham) on lap steel. The rhythm section is Ray Rodriguez on drums and Bill Small on bass.

Worthy Cause is an album with songs characterized by stories as only Richard can tell them. “Slow Rollin’ Stateline” spins a tale of growing up on the Texas/LA border with “Zydeco to the east, Texas swing to the west,” as the song bears the musical marks of those influences. “German Angel” recounts a story of a couple living in a historic German house in the Texas Hill country, where the wife believes a ghost resides to watch over the manor, as told from the ghost’s perspective. “Worthy Cause” highlights Richard’s riveting vocals over hushed acoustic guitar and pedal steel, with an imperfect man’s tribute of gratitude towards the good, faithful woman who loves him. “Waters Rise” was inspired by Richard’s first hand experience of the kindness and humanity that shone through the floodwaters in the wake of hurricane Harvey – “waters rise, but people rise above.” “12 More Days of Blue” narrates the poignant tribulations of a loving, single Dad as he masks adult pain in order to experience the best with his child. The entire record showcases Richard’s striking ability to commandeer attention with his powerful vocal presence and compelling direct narrative style.

“I got my first real paying job when I was 11 years old. The man I went to work for gave me some advice. He said “Don’t ever turn something you love into your job! When you do you’ll soon lose the love for it!” I always remembered that and always kept music as a part time escape from my less than favorite job for fear of losing the love for it. Now with 30 years in a chemical plant and only 2 years left till I retire from this less than favorite job, I’m beginning to wonder if just maybe, there’s a possibility, that perhaps, he may have been full of shit!” – Chad Richard

“Chad doesn’t ever have to insist on himself – His completely unique Louisiana-Texas-Soul-Country voice grabs the listener, and in just a few minutes, everyone who hears him likes him,” – Walt Wilkins, Texas Songwriting Legend, Producer

Chad Richard – Worthy Cause (2019)
1. Slow Rollin State Line 4:03
2. Love Anyway 2:54
3. German Angel 3:41
4. Right Now 3:26
5. Worthy Cause 5:43
6. Fredericksburg 3:08
7. Waters Rise 3:28
8. The Big and The Little Hand 4:25
9. My Name 3:04
10. 12 More Days of Blue 3:49
11. Shawdy and a Shiner 3:01
12. The game 3:50
All Songs FCC Clean
Focus Tracks: 2, 3, 7, 10

All songs Written By Chad Richard, Barn Noise Publishing (BMI)
RECORDING & PRODUCTION CREDITS:
Produced by Walt Wilkins & Ron Flynt
Recorded at Jumping Dog Studio, Austin, Tx.
Mastered by Jerry Tubb at Terra Nova Mastering, Austin, Tx
Chad Richard-Vocals & Acoustic Guitar
Walt Wilkins- Acoustic & Electric Guitars & Percussion
Ray Rodriguez- Drums & Percussion
Bill small- Bass
Corby Schaub-Lap Steel Guitar
Chip Dolan- Piano, Wurlitzer Piano, & B3 organ
Marian Brackney- Fiddle/Violin & Viola
Geoff Queen- Steel Guitar & Dobro
Ron Flynt- Bass, “Waters Rise” & “Shawdy and a Shiner”
Piano, “Waters Rise” & “Worthy Cause”
Wurlitzer Piano, “My Name”
B3 organ, “12 More Days of Blue” & “Waters Rise”
Matt Giles- Electric Guitar, “Slow Rollin State Line”
Kurt Baumer- Fiddle, “Fredericksburg”
Harmonies- Walt Wilkins & Tina Mitchell Wilkins
Artwork- Julie Sckittone
Photography- Cory Hoover Photography

 

Copyright © 2019 Broken Jukebox Media, All rights reserved  

oops didn’t see that, never mind we are a “pirate radio”.

Harper Grae’s “Bloodline” Music Video Premiered t’other day.

First Video in the Buck Moon Medleys Four-Song/Four-Music Video Set

Nashville, TN  June 8, 2018 —  The music video for “Bloodline,” the first release in a concept four-song/four-music video set from Harper Grae, premiered a few days ago. The song and music video companions are part of Grae’s upcoming Buck Moon Medleys EP.  Each song and its correlating video will be released every eight weeks over the course of the year, and are interconnected, with each release carrying forward the story thread of the collection — does the apple fall far from the family tree?

The EP was produced by Jennifer Hanson and Nick Brophy, and the music written by Grae and some of Nashville’s most creative writers, including Hanson, Brophy, Fred Wilhelm, Dakota Jay and Will King. “Bloodline,” a “Must Hear Song” according to Rolling Stone Country, is already garnering high praise from fans and music critics alike.  The song “has all the creative ingredients that hit records are made of,” according to Billboard Country Update editor Tom Roland. Music Row’s Robert K Oermann declares it “her best yet,” and adds “despite the toe-tapping tempo and upbeat mood, the underlying message is a desperate quest to know the mother she never had. Very involving.”

The music video for Bloodline was produced and directed by Robby Stevens and Alexander Jeffery of Midtown Motion. For all of the latest information on the Grae Area Records/ONErpm artist, including announced tour dates, please visit harpergraemusic.com.

Photo ID (l-r): Robby Stevens, Grae and Alexander Jeffery
Contact:
Jennifer Bohler/Alliance
615 292 5804
[email protected]

Video: I’m With Her “I-89”

The new single from Aoife O’Donovan, Sarah Jarosz and Sara Watkins, aka I’m With Her is predictably classy and delightful, as is the album from which it’s taken, ‘See You Around.’

CURSE OF LONO Announces New Album, AS I FELL To Be Released August 17th Via Submarine Cat Records New Single “Valentine” Is Streaming Exclusively on Magnet Magazine

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CURSE OF LONO 
Announces New Album, AS I FELL To Be Released August 17th Via Submarine Cat Records

New Single “Valentine” Is Streaming Exclusively on Magnet Magazine

CLICK HERE TO LISTEN

Album Documentary By Gregg Houston (Noel Gallagher, Michael
Kiwanuka, Tinie Tempah, Foy Vance). 

Watch Full Film over at Relix

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“The quintet, led by vocalist/guitarist Felix Bechtolsheimer, is back August 17 with sophomore album As I Fell, and the LP continues the band’s exploration of its patented Amerigothica sound—one that comfortably rides right alongside both Black Rebel Motorcycle Club and Drive-By Truckers.” – Magnet Magazine

May 10, 2018– Acclaimed London  five-piece  Curse  Of  Lono announces their new album,  As  I  Fell, to be released on  August  17th via Submarine Cat Records.  Today, the band has unveiled the first single, “Valentine.” CLICK HERE to listen exclusively on Magnet Magazine

Recorded between Joshua Tree and London with producer Oli Bayston (AKA Boxed In), the track builds on the band’s deeply cinematic blend of harmony-laden Americana and driving, gothic alt-rock. It’s a sound that owes as much to old faithfuls like The Doors and The Velvet Underground as it does to more contemporary artists such as The War On Drugs and Wilco.

Felix says, “Valentine is about the kind of murderous jealousy that twists you up until you don’t recognize yourself anymore. The sort of dejection that will make you do things you know you will regret,” says Felix. “I think the vocal harmonies floating over the tribal beat, distorted bass and filthy baritone guitar going through a tiny 1950’s Selmer practice amp, really capture that feeling.

Formed in London in 2015, Curse Of Lono is Felix Bechtolsheimer (vocals and guitar), Joe Hazell (lead guitar and vocals), Dani Ruiz Hernandez (keys and vocals), Charis Anderson (bass and vocals) and Neil Findlay (drums). ‘As I Fell’ is the follow-up to ‘Severed’, one of the most critically acclaimed debuts of 2017, and builds on Curse Of Lono’s deeply cinematic blend of harmony-laden Americana and driving, gothic alt-rock. It’s a sound that owes as much to old faithfuls like The Doors and The Velvet Undergroundas it does to more contemporary artists such as The War On Drugs and Wilco. Although some of the songs on ‘As I Fell’ revisit familiar themes like murderous jealousy and the death of loved ones, much of the album covers new ground.

Having spent much of 2017 on tour in Europe and the UK, Curse Of Lono will be embarking on their first UK headline tour in May this year. They have also been invited to open for Steve Earle and for Southside Johnny & The Asbury Jukes in Europe in July and in the UK in October.

CURSE OF LONO Tour Dates
May 17 – The Alternative Escape, Brighton
May 24 – Fat Lil’s, Witney (UK Headline Tour)
May 25 – The Lexington, London (UK Headline Tour)
May 26 – Dot-To-Dot Festival, Mr Wolf’s, Bristol
May 30 – Greystones, Sheffield (UK Headline Tour)
May 31 – Hug & Pint, Glasgow (UK Headline Tour)
June 1 – Gullivers, Manchester (UK Headline Tour)
June 2 – The Ent Shed, Bedford (UK Headline Tour)
June 22 – Black Deer Festival, Kent
June 24 – Isle Of Wight Festival
July 7 – Maverick Festival, Suffolk
July 12 – Oltrivierenhof, Antwerp (with Steve Earle and Southside Johnny)
July 13 – Toogenblik, Brussels (headline)
July 14 – Paradiso, Amsterdam (with Southside Johnny)
July 18 – Fabrik, Hamburg (with Southside Johnny)
July 19 – Kaufleuten, Zurich (with Southside Johnny)
July 21 – The Sage, Gateshead (with Steve Earle – Summertyne Americana Festival)
July 22 – Summertyne Americana Festival, Gateshead (main stage)
August 26 – Graze Festival, Hampshire

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CROOKED JADES / New Album Tour May 17-20!

Super Exciting!! The Crooked Jades have been working their music alchemy in the studio, completing their 9th album, “Empathy Moves the Water.” We’re about to head out on our CALIFORNIA TOUR, including our San Francisco hometown show at the Great American Music Hall! And we are thrilled to have Megan Adie, our beloved bass player, coming in all the way from Sweden! Come on down!

The band’s following have been clamoring for a new album, and one fan in particular, who wants to remain anonymous, is helping to make this possible. He was so impressed with the Crooked Jades’ performance at the California Bluegrass Association Father’s Day Bluegrass Festival in 2017, that he became a benefactor to financially sponsor the new recordings with the band’s present configuration. We thank you!


O N   T O U R   I N   C A L I F O R N I A

• THURSDAY MAY 17 – MICHAEL’S ON MAIN (Soquel/Santa Cruz)
• FRIDAY MAY 18 – GREAT AMERICAN MUSIC HALL (San Francisco)
• SATURDAY MAY 19 – CLAREMONT FOLK FESTIVAL (Claremont)
• SUNDAY MAY 20 – TOPANGA BANJO & FIDDLE CONTEST (Topanga)

see also SUNDAY MAY 13 – KPFA LIVE RADIO SHOW

MORE INFO BELOW + AT THESE LINKS:
 www.crookedjades.com / Crooked Jades on Facebook / Crooked Jades on Instagram


Thursday, May 17 / 7:30pm

MICHAEL’S ON MAIN International Music Show Case
2591 Main St., Soquel, CA / www.michaelsonmainmusic.com
Tickets: $15 / Adv. tickets at  https://thecrookedjadesmay17.brownpapertickets.com
All ages; under 21 to be accompanied by parent


Friday, May 18 / 9:30pm
GREAT AMERICAN MUSIC HALL San Francisco
with PINE BOX BOYS + surprise guest
In conjunction with SHELBY ASH PRESENTS
859 OFarrell St, San Francisco, CA / www.slimspresents.com/great-american-music-hall/
Tickets: $20 adv. + at the door; ticket + dinner package is $44.95
Tickets at www.slimspresents.com
All ages (6 and up)


Saturday, May 19 / Festival opens at 10am (Jades performance @ 6:30pm)
CLAREMONT FOLK FESTIVAL
Workshops with Emily (fiddle) & Erik (banjo) at 2pm
Sontag Greek Theater, Pomona College, 300 E. Bonita, Claremont, CA /
www.folkmusiccenter.com/folk-festival.html
Tickets: $40 (children under 12 are free) / www.brownpapertickets.com/event/3356399

LIVE PERFORMANCES BY:
• Dave Alvin and the Guilty Ones – Roots Rock Legends
• The Crooked Jades – Old-Time, Old World Music Revolutionaries
• Bula – Puerto Rican Community Bomba Group
• Mostly Kosher – Jewish Cultural Revivalist Klezmer Band
• Snap Jackson & the Knock on Wood Players – Bluegrass Quartet
• Tom Freund – Singer Songwriter and Multi-Instrumentalist
• Fivacious – West Coast Gospel
…and many more.
All day event starting at 10am. Free parking at Pomona College parking structure.
Featuring art & music workshops for all ages, vendors village, local food & libations!
More info at link above.


Sunday, May 20 / 9am-6pm (Jades performance @ 2pm)

58th Annual TOPANGA BANJO & FIDDLE CONTEST & FOLK FESTIVAL
Paramount Ranch, Agoura Hills, CA / http://www.topangabanjofiddle.org
Get your tickets early and save: Adv. $17 Adult, $13 Senior/Teen ($23/$18 walk in) www.topangabanjofiddle.org/purchase_tix.html

LIVE PERFORMANCES BY:
Richie and Rosie, Jenna Moynihan and Màiri Chaimbeul, Jeff Scroggins and Colorado, Echo Mountain, Mike Mahaney & Friends, Latimer & Osborn, Ross Altman, and more
PLUS! Dance Barn with our pals Skillet Licorice, Ira Bernstein and more.
All day event with 4 Stages, Contests, Vendors, Food, Arts & Crafts and more. Info at link above.




Across the wide seas, distant mountains, and the vast complexity of the soul, The Crooked Jades new release “Empathy Moves The Water” emphasizes the lonesome in “High Lonesome” music. The band’s old-time roots reflect the cultural melange and longing implicit in the shadows of America – from haunting ballads punctuated by hypnotic fiddles that express digital isolation and humanity lost in a rapidly changing land, to the high energy revival songs inspired by early rural gospel blues. Reaffirming their reputation as an innovative old-time string band closer in spirit to Tom Waits and Nick Cave, The Crooked Jades create a unique and soulful modern sound by exploring the roots of Americana and interweaving the diverse musical influences of Europe and Africa.

With a bold vision and drive to innovate and inspire, the Crooked Jades release their brand new album “Empathy Moves The Water” on their own label, Jade Note Music. Largely recorded at Berkeley’s famous Fantasy Studios, this new album is produced by the highly celebrated Bruce Kaphan. The band once again features their signature mix of inspired re-arrangements of rare and obscure old-time gems and beautiful original compositions, played on vintage and eclectic instruments, including Hawaiian slide, Vietnamese jaw harp, harmonium, ukulele, banjo, ukulele, arco bass, and minstrel banjo.

The Crooked Jades continue their mission to move old-time music out of segregation and show its relevance in modern times. Their evocative, cinematic music has appeared in soundtracks for Sean Penn’s Oscar-nominated film Into The Wild and the PBS documentary Seven Sisters: A Kentucky Portrait.



PHOTOS BY STEPHEN JOHNSTON & CO. / COLLAGE BY LISA

VIDEO LINKS:

“Going Across the Sea” (Erik & Jades at The Sweetwater) & “Girl Slipped Down” (Erik & Megan at Cyprian’s)

Known for their rare and obscure repertoire, inspired arrangements and eclectic, often vintage instrumentation, The Crooked Jades began with band leader/founder Jeff Kazor’s vision to revive the dark and hypnotic sounds of pre-radio music. Their new music continues their mission to re-imagine old-time music for a modern age, pushing boundaries and blurring categories with their fiery, soulful performances. Building on an old-time foundation, the band filters old-world sounds with universal and ancient themes through a post-9/11 lens, seeking to make sense of the future, reaffirming the importance of connecting to our roots in a time of intense digital connection. Writes Bluegrass Unlimited, “Chords in unexpected places, out of this world harmonies, and some of the most powerfully-arranged material I’ve ever encountered.” Innovative and fearless, constantly evolving and passionate, they bring their driving dance tunes and haunting ballads to rock clubs, festivals, traditional folk venues and concert halls across America and Europe.

The Crooked Jades core consists of founders Jeff Kazor (vocals/guitar/ukulele) and Lisa Berman (vocals/slide guitar/banjo/harmonium), with long-time member Erik Pearson (vocals/banjos/ukulele/harmonium/slide guitar), and the invaluable Megan Adie (vocals/bass) and Emily Mann (vocals/fiddle). This current line-up builds on 20+ years of The Crooked Jades performances and recordings. The band has traveled countless miles across 4 continents, 10 countries, and many festivals, resulting in 8 critically acclaimed albums.

“The two adjectives that keep coming to me during repeated listenings to The Crooked Jades are profound and transcendent. This is visionary music, forged from the raw materials of old-time forms and instruments. It’s easy to forget that the first old-time music recorded was a mirror of the times the musicians lived in. That was almost 100 years ago. Here, in the beginning of the 21st century, people in appreciable numbers are feeling as though they’re teetering on the brink of apocalyptic times. Through the lens of tradition, The Crooked Jades are voicing this feeling convincingly and beautifully.” – The Old-Time Herald 

Charley Crockett – Lonesome as a Shadow

Growing up with a single mother in San Benito, Texas, the hometown of Tejano star Freddy Fender was not easy for blues singer Charley Crockett. Hitchhiking across the country exposed Crockett to the street life at a young age, following in the footsteps of his relative, American folk hero Davy Crockett, who lived a wild life on the American frontier. After train hopping across the country, Crockett set off to travel the world and lived on the streets of Paris for nearly a year before searching for home in Spain, Morocco, and Northern Africa.Charley returned home to Texas and released his debut solo album titled A Stolen Jewel in 2015, receiving critical acclaim and landing him a Dallas Observer Award that year for “Best Blues Act”. He released his sophomore record In The Night in 2016 and played over 125 shows that year. Crockett’s song “I Am Not Afraid” received international recognition from top tastemakers after being picked by NPR Music as one of the “Top 10 Songs Public Radio Can’t Stop Playing” and featured on World Cafe. Now in 2018, Crockett releases Lonesome As A Shadow, an album recorded in Memphis at the legendary Sam Phillip’s Recording Service with producer/engineer Matt Ross-Spang. Backed by the Blue Drifters, this album was recorded live to tape during a long year of touring. It’s a musical gumbo that showcases the various depths of Crockett’s sound.

TME say thanks to John Prine.

A regular artist here at TME.fm Radio John Prine released a new album this year, here is the best review I could find. It’s followed up by an excellent biography and some tracks to listen to.

On his first album of new songs in over 13 years, John Prine baits you but good.

The opening tunes to “The Tree of Forgiveness” are presented with ragged simplicity and homey cheer. Then the veteran songsmith, from an emotive standpoint, tosses you off the cliff with works full of stark, devastating resolve. Then, just as you think his world (and, perhaps, yours) has fallen into ruin, he winds the record up with a reverie of mortality that makes the hereafter sound like a street parade.

To perhaps no one’s surprise, “The Tree of Forgiveness” enlists the help of Dave Cobb, who became the Americana producer of choice during Prine’s prolonged writing absence.

John Prine - The Tree of Forgiveness cover.jpg

Wisely, Cobb keeps things simple, even when he invites a few friends and clients – Jason Isbell and Brandi Carlile, among them – to the sessions. Their contributions provide attractive color, but Prine’s best music has never involved fuss. He tells stories succinctly, keeping his songs focused on lyrics of Mark Twain-ish worldliness with melodies dressed by the lightest and most open of folk melodies.

So it’s business as usual to hear a back porch reverie like “Knockin’ On Your Screen Door” with its sleepy summertime candor and references to sweet potato wine and George Jones 8 track tapes masking a sheepish sense of loneliness at the record’s onset. Three songs later, though, the album heads into the abyss with “Summer’s End,” a tune whose delicacy doesn’t even pretend to hide its sense of loss. “You never know how far from home you’re feeling until you watch the shadows cross the ceiling.” The song’s resulting sadness takes hold so immediately that it’s easy to overlook how graceful and gorgeous the melodic structure is.

But there has also been a mischievous slant to some of Prine’s music that regularly runs hand in hand with homespun, but very pointed social commentary. Case in point is “Lonesome Friends of Science.” It’s partly a slow-poke country rebuke of fact-denying politicos, but it’s mostly another worldly washing of hands, much in the way the classic “Fish and Whistle” was four decades ago. “The lonesome friends of science say the world will end most any day. Well, if it does, then that’s okay, ‘cause I don’t live here anyway.”

The mood is gloriously reprised for the album closing “When I Get to Heaven,” a view of the afterlife both affirmative in its abounding sense of forgiveness but ripe with show biz panache. “As God is my witness, I’m getting back into show business, open up a nightclub called The Tree of Forgiveness and forgive everybody who ever done me any harm.” But Prine saves his prime agenda for the pearly gates to the end as a chorus of laughing children and kazoos ring out. “This old man is going to town.” Sounds like heaven to me.

Artist Biography by Jason Ankeny

One of the most celebrated singer/songwriters of his generation, John Prine is a master storyteller whose work is often witty and always heartfelt, frequently offering a sly but sincere reflection of his Midwestern roots. While Prine‘s songs are often rooted in folk and country flavors, he’s no stranger to rock & roll, R&B, and rockabilly, and he readily adapts his rough but expressive voice to his musical surroundings. And though Prine has never scored a major hit of his own, his songs have been recorded by a long list of well-respected artists, including Johnny CashBonnie RaittKris KristoffersonGeorge StraitBette MidlerPaul Westerberg, and Dwight Yoakam.

John Prine was born October 10, 1946, in Maywood, Illinois. Raised by parents firmly rooted in their rural Kentucky background, at age 14 Prine began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, Prine became a fixture on the Chicago folk music scene in the late ’60s, befriending another young performer named Steve Goodman.

Diamonds in the Rough

Prine‘s compositions caught the ear of Kris Kristofferson, who was instrumental in helping him win a recording contract. In 1971, he went to Memphis to record his eponymously titled debut album; though not a commercial success, songs like “Sam Stone,” the harsh tale of a drug-addled Vietnam veteran, won critical approval. Neither 1972’s Diamonds in the Rough nor 1973’s Sweet Revenge fared any better on the charts, but Prine‘s work won great renown among his fellow performers; the Everly Brothers covered his song “Paradise,” while both Bette Midler and Joan Baezoffered renditions of “Hello in There.”

Common Sense

For 1975’s Common SensePrine turned to producer Steve Cropper, the highly influential house guitarist for the Stax label; while the album’s sound shocked the folk community with its reliance on husky vocals and booming drums, it served notice that Prine was not an artist whose work could be pigeonholed, and was his only LP to reach the U.S. Top 100. Steve Goodman took over the reins for 1978’s folky Bruised Orange, but on 1979’s Pink CadillacPrine took another left turn and recorded an electric rockabilly workout produced at Sun Studios by the label’s legendary founder Sam Phillips, and his son Knox.

Storm Windows

Following 1980’s Storm WindowsPrine was dropped by Asylum, and he responded by forming his own label, Oh Boy Records, with the help of longtime manager Al Bunetta. The label’s first release was 1984’s Aimless Love, and under his own imprint, Prine‘s music thrived, as 1986’s country-flavored German Afternoons earned a Grammy nomination in the Contemporary Folk category. After 1988’s John Prine Live, he released 1991’s Grammy-winning The Missing Years; co-produced by Howie Epstein of Tom Petty‘s Heartbreakers, the album featured guest appearances from Bruce SpringsteenBonnie Raitt, and Tom Petty and proved to be Prine‘s biggest commercial success to date, selling nearly 250,000 copies. After making his film debut in 1992’s John Mellencamp-directed Falling from Grace, Prine returned in 1995 with Lost Dogs and Mixed Blessings, also produced by Epstein, which earned him another Grammy nomination.

In Spite of Ourselves

In 1998, while Prine was working on an album of male/female country duets, he was diagnosed with squamous cell carcinoma, with the cancer forming on the right side of his neck. Prine underwent surgery and radiation treatment for the cancer, and in 1999 was well enough to complete the album, which was released as In Spite of Ourselves and featured contributions from Emmylou HarrisLucinda WilliamsTrisha YearwoodPatty LovelessConnie Smith, and more. In 2000, Prine re-recorded 15 of his best-known songs (partly to give his voice a workout following his treatment, but primarily so Oh Boy would own recordings of his earlier hits) for an album called Souvenirs, originally issued in Germany but later released in the United States. In 2005, he released Fair & Square, a collection of new songs, followed by a concert tour. Two years later, alongside singer and guitarist Mac WisemanPrine issued Standard Songs for Average People, a collection of the two musicians’ interpretations of 14 folk and country classics. In Person & on Stage, a collection of performances from various concert tours, appeared in 2010.

For Better, Or Worse

In 2016, Prine issued a follow-up to In Spite of Ourselvestitled For Better, or Worse, another set of duet performances of classic country tunes. This time around, Prine‘s vocal partners included Kacey MusgravesAlison KraussMiranda LambertSusan TedeschiLee Ann WomackKathy Mattea, and Prine‘s frequent collaborator Iris DeMentPrine teamed up with Nashville producer Dave Cobb to record 2018’s The Tree of Forgiveness, his first set of original songs since 2005; the album included guest appearances from Brandi CarlileJason Isbell, and Amanda Shires.